Segue le indagini penali a Parigi da tutti i diversi punti di vista dei soggetti coinvolti.Segue le indagini penali a Parigi da tutti i diversi punti di vista dei soggetti coinvolti.Segue le indagini penali a Parigi da tutti i diversi punti di vista dei soggetti coinvolti.
- Nominato ai 1 BAFTA Award
- 3 vittorie e 23 candidature totali
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I just watched my last ever episode of Engrenages. No more, supposedly, will be made. I've seen every single one over the years and watched the characters grow and change as well as the new ones introduced.
It's showing a harsh reality of the underside of glamorous Paris. Corruption, poverty, slavery, immigrant crime, drugs, murder and robbery. Having used the word "reality", one mustn't go overboard. The series requires a hefty dose of acceptance of the absurd to be able to believe in the plot. Cops, judges and lawyers don't act like this in the real world. Some of the coincidences are contrived. However, the excellence of the acting and the overarching plot lines mean that one simply forgets about the inconsistencies and exaggerations.
Everyone has to have their favourite characters in the series and mine was Judge Roban. I missed him in the final season, which I thoroughly enjoyed, and I don't think he would have put up with some of the shenanigans that the two new judges allowed.
Of course, without the character of Laure, there would be no series at all. It's hard to imagine another actress pulling this off throughout the seasons. And the disaster zone of Gilou simultaneously ruining and solving investigations.
The series could not have been about dry police procedure only and therefore opened out onto the private lives of the characters. Usually this is done in a cosmetic way to add some purported human interest, but here the personal meshed with the professional and drove the plots along in unforeseen ways.
The producers weren't afraid to kill popular major characters off either which was a definite plus. It added a frisson and new blood to the overall story. And neither were they frightened of losing sympathetic minor ones either that other series might have shied away from. These deaths weren't wasted as they were drivers of the plot and development itself.
All in all, a super series that kept the tension up for far longer than many others could have. So many are burnt out after two or three seasons but not Engrenages. I'm perfectly devastated that it's all come to an end.
It's showing a harsh reality of the underside of glamorous Paris. Corruption, poverty, slavery, immigrant crime, drugs, murder and robbery. Having used the word "reality", one mustn't go overboard. The series requires a hefty dose of acceptance of the absurd to be able to believe in the plot. Cops, judges and lawyers don't act like this in the real world. Some of the coincidences are contrived. However, the excellence of the acting and the overarching plot lines mean that one simply forgets about the inconsistencies and exaggerations.
Everyone has to have their favourite characters in the series and mine was Judge Roban. I missed him in the final season, which I thoroughly enjoyed, and I don't think he would have put up with some of the shenanigans that the two new judges allowed.
Of course, without the character of Laure, there would be no series at all. It's hard to imagine another actress pulling this off throughout the seasons. And the disaster zone of Gilou simultaneously ruining and solving investigations.
The series could not have been about dry police procedure only and therefore opened out onto the private lives of the characters. Usually this is done in a cosmetic way to add some purported human interest, but here the personal meshed with the professional and drove the plots along in unforeseen ways.
The producers weren't afraid to kill popular major characters off either which was a definite plus. It added a frisson and new blood to the overall story. And neither were they frightened of losing sympathetic minor ones either that other series might have shied away from. These deaths weren't wasted as they were drivers of the plot and development itself.
All in all, a super series that kept the tension up for far longer than many others could have. So many are burnt out after two or three seasons but not Engrenages. I'm perfectly devastated that it's all come to an end.
Saw episode three of season 2 last night and I can vouch that this one is turning into a real potboiler like season 1. The series works on the basis of one big plot line and a series of more minor ones which link together. Sometimes, a new minor case is solved in a single episode like the "echangistes" (wife swappers) or the gay test pilot last night, or it is carried over to the next episode. Again, like last season, the police are morally fragile like the criminals but invariably come good, the defense lawyers are on the crooked side and the crims vary between violent, amoral wrongdoers and vile, completely sadistic and downright evil wrongdoers. There are some brilliantly funny moments too. As for 'racial stereotyping' commented on earlier, grow up! That's absolute b*llocks. Lots of non-white people live in Paris so some of them will be criminals n'est ce pas? Watch out for gorgeous moneygrabbing redhead Maitre Carlsson who is getting involved with helping arch criminals and getting paid 3000 euros per case instead of 300 and buying loads of new outfits. Expect a big showdown between Laure and her before the end of the season. This is great TV, far superior and much less formulaic than CSI NY/LV/Miami. Give it a go. I for one, am hooked.
Fast-paced, like NY in the 70's, dirty cops with hearts of gold, people you despise but grow to love, there are car chases, bombs, gangs, vice, serial killers, very little glamour, nothing fake (like US TV) - colleagues, family, friends, bereavement, retirement, freemasons, wrong steps, putting the wrong steps right. Oh la la - so much going on and it just keeps on going on, not one slow episode as far as I can remember. I just don't know what I'm going to do when it all ends in a couple of episodes. So sad to be no longer spending my evenings with Gilou, Laure and Josephine.
10nialjb
Engrenages is a Paris-based police procedural making no concessions to the easy-viewing requirements which deaden its English speaking equivalents. Dowdy police, incompetent lawyers, crims in grey shading into the deepest black. Acting, camera-work, lighting and print quality is imaginative and thorough. Each episode had an exemplary cliff-hanging or shock ending. The rather delayed and somewhat cryptic sub-titles make it tough for non-native speakers, but it has done wonders for my bog-French. Sheer pleasure: the news that they are shooting a new series is excellent. Lets hope it goes out again on BBC3 or 4 - much too demanding, even for BBC2.
This 8 part French detective serial is going out un-publicisied on BBC3 in the UK. It has some resemblances to the very darkest American cop shows, but is really grimmer and dirtier. There are unifying themes and tangents which may work into the main plot. It's impossible to explain how different things are from a UK police drama. The legal system is very different and it's fascinating to follow - who has power to do what to whom. The Police and Prosecutors aren't exactly corrupt, but in a way they can't help being. The police look like criminals and work out of what seems like a run-down basement. A brilliantly convoluted thriller, with all the fascination of a really alien legal system, Paris backdrop, washed out colours, general decay. Final episode on BBC next week, but you should be able to see it somewhere. I see from Amazon France that there's a second season.
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- QuizPhilippe Magnan & Grégory Fitoussi also worked together on Les hommes de l'ombre (2012) as Philippe Deleuvre & Ludovic Desmeuze respectively.
- ConnessioniFeatured in BAFTA Television Awards 2016 (2016)
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