Il quiz dell'amore

Tom Hanks knows what he's doing when he puts his ha'penny's worth in as an executive producer - this has had sleeper hit written all over it from day one.

Lovingly made, with a nicely observed, but still sweet, story of social and socialist morals in the Eighties, it is evocative and rings (mostly) true. The performances are solid, the director gets the era right; but, and here it scores great points: it also has some real soul, and though in places an exercise in capturing its time it has a real wit, and intelligence as well as deprecating humour that serve it well.

Funny, intelligent, and definitely deeply romantic - it is also an amazing nostalgia trip for those of us who were around in Britain at that time. The production design has obviously been at great odds to make this work; from the posters in the student bedsit to the clothing it is very well thought through. Aided by a very competent script, that is just too worked through and lacks some real teeth to be really outstanding - it is much better than most American romantic comedies as it is so much more than boy meets (two) girls (and well you know the rest)...it actually touches a much wider world, and questions some values that are worth remembering. Moreover, even at its most manipulative it still somehow has real heart, and just carries you along.

It would have been great to have balanced the many laughs with some more complex dilemmas - but this is a surprisingly rounded comedy - a definite must for those who remember Britain in 1985 - without bashing at the politics endlessly - but it is just as enjoyable as a great romantic drama-comedy in its right... the Wedding Singer with much bigger brains...

Overall, impressive for its evocation of a lost age - before brands and spending took over the world - and it is guaranteed to make you grin - especially if you were there - and to sing - along. The theme of University Challenge alone will reduce a whole generation to wobbly nostalgic has beens. Excellent stuff, and one to be simply enjoyed.

This film has to be one of my favourites since I was forced to watch it by cultural people. Luckily I was not disappointed.

The general story is of a Brian (McAvoy), an intelligent and clever young man who after going to university in Bristol, joins the University Challenge team. During this time, he falls for an attractive blonde on the team called Alice (Eve) while being completely oblivious to the affections of the beautiful intellectual, Rebecca Epstein (Hall).

The film has a great cast and some good comedy moments. A great cast, and some good dialogue. There's not much else to say about it, but that if you ever feel unhappy and depressed, watch this gem, it will not disappoint in cheering you up.

I can vaguely remember this film getting a roundly solid review from Empire Magazine several years ago before then disappearing never to be seen again in a UK cinema release that was somewhat less than banner. I carried on with my life regardless, move house several times, had a few relationships and then suddenly Starter for Ten popped back up on terrestrial TV this Christmas just gone. I recorded it as I was out but then it sat on my HD for several months before I decided to watch it. Why do I tell you so much of this detail? Well, because it turns out that my approach to the film was more or less what it deserved.

Perhaps that sounds a bit harsh, but what I mean is that this film is certainly not one that is particularly memorable or worth writing home about (I appreciate the irony in me writing that phrase). It isn't bad though because it does have a certain comic charm and ambling curiosity to the story that held my attention. I didn't find myself caring too much about the plot or the characters but I was amused enough to be carried along with it. Amused is the right word though because the film isn't really all that funny in terms of pure laugh-out-loud moments and this, along with not really caring for the characters does contribute to the feeling of not really watching something that is anything other than a bit of light entertainment.

In retrospect, the film will gain from the comparatively rapid rise to fame of McAvoy (who now has the mark of a "star" because he has done the lead in a terrible action movie). He is frighteningly young here but he does manage to deliver a geeky character while also keeping him appealing and engaging. Both Eve and Hall are attractive and likable in their parts; neither has a lot of depth due to the material but they pitch their performances right for the tone of the film. Of no consequence to the enjoyment of the film for most, the casting but lack of use of Elaine Tan was a shame because she is not only stunning but also very, very good at being light and gorgeous (ref 420 Seconds of Love) as was required by the film and perhaps this may have made the film more engaging by having Brian's other relationship also be within the team. Supporting turns from Cumberbatch, Corden, Cooper, Dance etc vary with the material but are mostly good enough for this.

Starter for 10 is aptly named because it is very much a starter rather than a main course (I apologise for the lameness of that sentence but I'll leave it in since I am an amateur). It is light and enjoyable to a certain extent but it is neither funny enough nor engaging enough to really satisfy.

Surveying the wreckage of numerous other such films - burdened at their outset with flimsy premises, one-dimensional characters, stale gimmicks that coast on the fumes of pop cultural trends, and implausible "meet-cute" situations - which could not be sustained even with big-name talent, inestimable budgets, and plague-like advertising campaigns, I was understandably sceptical as to how the "romantic comedy" aspect of this film might play out when I first sat down to watch it. In retrospect, I honestly couldn't have been more pleased. Rare indeed is the occasion when I have walked out of a theatre feeling unambiguously good about what I saw, believing that it was well worth the time and money I spent to watch it.

The story forming the basis of "Starter for 10" is handled with a great deal of humour, sensitivity, and intelligence. At no time did any part of it feel forced or contrived, nor was it condescending. Testament to this film's openness and accessibility, the emotional connection that I formed with the primary character (James MacEvoy - may he have a long and distinguished career ahead of him) was subtly cultivated throughout, reinforced by simple - yet heartachingly truthful - moments of confusion, awkwardness, uncertainty, and disappointment of the kind anyone might experience (and probably has) in similar circumstances. "Starter for 10" masterfully captures the spirit of that time in one's life wherein a person fully enters the world and begins to establish her- or himself as an individual.

So often, and unfortunately, it is the case that I see people on the screen with whom I cannot identify, in situations to which I cannot relate (this is typically due in part to the performers' overblown celebrity status and the general "Hollywood" gloss that is spread thickly over the top of everything). Not so where "Starter for 10" is concerned.

Perhaps it's no coincidence that "Starter for 10" references "The Graduate," since I believe it shall, in time, prove itself a worthy descendant of that film's legacy and subsequently receive the higher profile that it deserves.

Starter for 10 is directed by Tom Vaughan and adapted to screenplay by David Nicholls from his own novel of the same name. It stars James McAvoy, Alice Eve, Rebecca Hall, Dominic Cooper, Benedict Cumberbatch, Catherine Tate and Elaine Tan. Music is by Blake Neely and cinematography by Ashley Rowe.

Set in 1985 England, working-class student Brian Jackson (McAvoy) navigates his first year at Bristol University - which lends him the opportunity to feature on his favourite ever TV Quiz Show - University Challenge.

I have never read the book so have no frame of reference there, thus the complaints from devotees of the written source are null and void to me. For I absolutely loved this film, a fresh and breezy coming of age comedy that's tinted with dramatic intelligence. How nice to have a pic of this genre ilk that's not built around trying to lose one's virginity, or standing up to bullies etc. For sure there's a whole load of angst on show, a bit of class distinction dichotomy, the perils of formative fumbling romances, and of course whimsy. Yet the framework of education, the thirst for knowledge and an understanding of the problems evident in the world at time of pic's setting, all make this a smarter than your average bear British rites of passage piece.

Cast are on splendid form to make the multidimensional characters work (each main character moves away from being mere caricatures). McAvoy is splendidly affable as Brian, who is still nursing the loss of his father years previously, and then has to watch as his mother (Tate) takes a lover - the local ice-cream man (John Henshaw). It's no easier at University, where he lusts after the blonde bomber (Eve) when in fact he obviously should cop on to the fact that the girl for him is bleeding heart socialist Rebecca Epstein (Hall) - but she isn't the quiz type! McAvoy has a good comedy way about him, gawkish but lovable and perfect when portraying Brian out of his depth in certain scenarios.

Of the others it's Cumberbatch who steals the show as Patrick Watts, an absolute toff, an upper class twit who has no comprehension of the working class system and the perils within that structure. He is burned by his miserable failure on University Challenge the previous year, his inadequacies and stubborness blinding him to the benefits that others around him can afford him. The facial expressions, the posh vocab speak and the need to be in charge are brought vividly to comic life by Cumberbatch. Eve smoulders as Alice, but deftly plays her vulnerabilities, Hall has her character down pat, while Cooper, Tate and James Corden leave favourable marks. As do Charles Dance and Lindsay Duncan in unforgettable scenes as Alice's parents.

The whole play is covered over with an 80s soundtrack, mixing student favourites with punky pop tunes, while the period detail for Brian's home life prior to going to University (Southend-On-Sea) has been given great nostalgic thought. A lot of the humour is sure to be too British for none UK folk, more so those not familiar with what the mid 1980s were like in Britain, while it has to be acknowledged that where the story ends up holds no surprises. Yet this holds many pleasures for the right audience, so fingers on the button and see if you get this starter for 10.