Con un treno merci senza pilota che si muove velocemente verso una città, un ingegnere veterano e un giovane pilota corrono contro il tempo per prevenire una catastrofe.Con un treno merci senza pilota che si muove velocemente verso una città, un ingegnere veterano e un giovane pilota corrono contro il tempo per prevenire una catastrofe.Con un treno merci senza pilota che si muove velocemente verso una città, un ingegnere veterano e un giovane pilota corrono contro il tempo per prevenire una catastrofe.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 14 candidature totali
- Nicole
- (as Elizabeth Mathis)
- Michael Colson
- (as Dylan L. Bruce)
Recensioni in evidenza
Pine and Washington are good in their roles, and work well together. Perhaps it is because their characters do not get along well, which may be easier to portray. Anyway, their delivery and chemistry with each other fit the film. Dawson does well in roles with a sense of urgency to them. I vaguely remember her being an FBI agent somewhere else, and with this character, she is able to portray how intense a situation they're in.
I especially liked the cinematography and editing in this movie. With a high speed train moving through various landscapes, the numerous wide angle and aerial shots give a good view of the surroundings. The quick jump cuts, and juxtapositions between the various characters on screen also helps to keep the audience well informed.
One thing that I felt was a bit forced, was the family angle. I guess being characters, the filmmakers felt that they needed to incorporate family values, so put that in there. I didn't care much for the drama of Pine's life though. I was intrigued a little at what may have happened, but Pine's character didn't really fit the drama.
Overall, quite an exciting but simple film.
The farewell of the brilliant director Tony Scott is a thriller with non- stop action inspired in a true event in Ohio. The screenplay is engaging and the dramatization is adequate to the story. The great cast with Denzel Washington, Chris Pine and Rosario Dawson completes this excellent entertainment. My vote is seven.
Title (Brazil): "Incontrolável" ("Uncontrollable")
It's not without its faults, but Unstoppable is a brisk, solidly entertaining thriller from start to finish. Scott has little time for characterisation or back story, preferring instead to kick things off via a pair of laughably incompetent rail yard employees roughly five minutes in, and then letting his leads fill in the blanks as we go along for the ride.
Washington and Star Trek's Chris Pine play it straight for the most part - their characters are the reluctant Johnny Everymen found in most films that rely on extended peril for thrills, and they've both nailed the mixture of brooding intensity and occasional comic relief that typifies movies of the genre.
Enough about the acting though - when you're watching a film of this nature, you want the action sequences to impress rather than worry too much about the story, and on this front Unstoppable delivers. Scott's track record in the field puts him in the perfect place to deliver the goods, and there's very little of the distracting, overdone camera-work that has plagued his recent output.
There's perhaps a little too much ShakyCam for my tastes but for the most part everything is shot with enough scope to be extremely impressive. The near total lack of CGI means the film looks suitably gritty and the pace is utterly, utterly relentless - there's no time to breathe here, just set-piece after set-piece with only brief conversational respites to quickly set up the next danger faced by our blue-collar heroes.
This type of film never goes down too well with critics and you can predict the reviews already - yes Unstoppable IS cheesy, it IS forced, it IS derivative and has all the depth of a puddle, but if you want to switch your brain off for 100 minutes and sit back for a magnificently enjoyable slice of escapism, you couldn't do much better. Highly recommended.
Lo sapevi?
- QuizThe film is inspired by the "Crazy Eights" unmanned train incident in 2001. The train, led by CSX Transportation SD40-2 #8888, left its Walbridge, Ohio rail yard and began a 66-mile journey through northwest Ohio with no one at the controls, after the engineer got out of the originally slow-moving train to correctly line a switch, mistakenly believing he had properly set the train's dynamic braking system, just as his counterpart in the movie did. Two of the real train's tank cars also contained thousands of gallons of molten phenol, similar to the fictional train in the film.
- BlooperThrough several crossings we heard a train's air horns. One train was not manned and we saw close-ups of the actors in the other - no-one was on the horns. This is not necessarily incorrect - in some areas designated "quiet zones" by the DOT, trains are not required to blow their horns in the same manner as ordinary crossings unless the engineer thinks there may be a need; some of these zones have "wayside horns" mounted at the crossing that automatically trigger as the train approaches.
- Citazioni
Oscar Galvin: I am not jeopardizing more personnel and more property just because some engineer wants to play *hero*! End of discussion! That train is our property. It's our decision! Now you stop your pursuit or I will fire you!
Frank: [chuckles] Fire... You already did.
Oscar Galvin: Already did what?
Frank: You've already fired me. I received my 90-day notice in the mail... 72 days ago. Forced early retirement, half benefits.
Oscar Galvin: So you're gonna risk your life for us with three weeks left.
Frank: Not for you. I'm not doing it for you.
- ConnessioniEdited from Fuori in 60 secondi (2000)
- Colonne sonoreWork
Written by Missy Elliott (as Melissa Elliott), Ciara (as Ciara P. Harris), Marcella Araica and DanJa (as Nate "Danja" Hills)
Performed by Ciara (feat. Missy Elliott)
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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- Budget
- 100.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 81.562.942 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.688.457 USD
- 14 nov 2010
- Lordo in tutto il mondo
- 167.805.466 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1