VALUTAZIONE IMDb
7,3/10
11.049
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA cabbie (Patekar) and businessman (Abraham) both in need of big money partake in a two-hour adventure together.A cabbie (Patekar) and businessman (Abraham) both in need of big money partake in a two-hour adventure together.A cabbie (Patekar) and businessman (Abraham) both in need of big money partake in a two-hour adventure together.
- Premi
- 1 vittoria e 6 candidature totali
Shivaji Satam
- Arjun Bajaj
- (as Shivaaji Satam)
Sanjay Dutt
- Narrator
- (voce)
Priyanka Chopra Jonas
- Driver (Guest Appearance)
- (as Piggy Chops)
Ashwin Chitale
- Rishabh R. Shastri
- (as Master Ashwin Chitale)
Recensioni in evidenza
Taxi Number 9211 is a story of one day revolving between a taxi driver named Raghav Shastri and his passenger named Jai Mittal.The two are the exact opposites with strikingly similar problems in their personal lives.
I watched Taxi Number 9211 today and to be honest it did not quite go well to my expectations.It's not a bad movie or anything but in the end it would be known as a film which promised more but delivered less.But nonetheless a good watchable movie overall.
I think the film was a bit rushed on to the floor without much work on the screenplay and scripting.The concept was a quite unique and different one from the Indian movie format though.The performances by the lead actors is good.The film is very good till the interval with lots of comic punches but tends to bore you as it progresses after the interval.And at one point the ending becomes very predictable and is very much like any traditional Indian movie ending(everyone lives happily ever after stuff).
I watched Taxi Number 9211 today and to be honest it did not quite go well to my expectations.It's not a bad movie or anything but in the end it would be known as a film which promised more but delivered less.But nonetheless a good watchable movie overall.
I think the film was a bit rushed on to the floor without much work on the screenplay and scripting.The concept was a quite unique and different one from the Indian movie format though.The performances by the lead actors is good.The film is very good till the interval with lots of comic punches but tends to bore you as it progresses after the interval.And at one point the ending becomes very predictable and is very much like any traditional Indian movie ending(everyone lives happily ever after stuff).
This film opened my eyes to Bollywood films, it is simply superb especially Nana Patekar an unknown actor to me up till this point, who suddenly entered my top five list of male actors. The original: Changing Lanes is not a poor film either compared to what usually get out of Hollywood, but this Bollywood adaptation of the story runs rings around it with ease. Thanks to superb acting and some subtle changes to the manuscript of the original story Taxi 9211 becomes a more intense and engaging film. It should perhaps be told that it is, perhaps somewhat unusual for a Bollywood film for though there is a brief song and dance routine at the very beginning of the film as in most Bollywood films the director has gone out of his way to hide it and integrate it into the film so that it blends in without being disruptive and without it leaving the stamp of Bollywood on it, the film itself has more in common with French cinema than Indian.
They remade Hollywood hits, copying it frame to frame, then they started to somehow make a remake that's better than original, and now the Bollywood has come of age and unleashing the latent talent with some original stuff. Taxi No. 9211 is a case in the point. From a refreshing concept, to superb acting, to pacy direction to some good music... everything turns out to be just in place to make it one of the most enjoyable films of recent times.
It's a day's journey of two typical characters who do it all, from running after each other's life to blowing the birthday candles together, from getting in some of the biggest troubles of their lives to coming out of most of the troubles they were nurturing all through, all in one single day.
Nana Patekar is as natural as ever and John is showing great improvement in every film. Milin Lutharia is also meeting the promise he showed in his previous directorial ventures (Kachche Dhaage and Deewar)
I am unable to find even a single reason why you should not watch this one. Go and have some good time.
It's a day's journey of two typical characters who do it all, from running after each other's life to blowing the birthday candles together, from getting in some of the biggest troubles of their lives to coming out of most of the troubles they were nurturing all through, all in one single day.
Nana Patekar is as natural as ever and John is showing great improvement in every film. Milin Lutharia is also meeting the promise he showed in his previous directorial ventures (Kachche Dhaage and Deewar)
I am unable to find even a single reason why you should not watch this one. Go and have some good time.
Taxi No. 9211 is a fresh breather in Bollywood with a very unique screenplay after watching all the movies with "inspired" stories. This light entertainer takes place in the time-span of just one day. There's no long-drawn plot, no melodrama, no serious issues--just pure fun. John Abraham, a thoroughly spoilt brat, and Nana Patekar, a struggling, insecure cab driver become a significant factor in each other's lives. Although resting on opposite ends of the social hierarchy, they have one thing strongly in common--their ego. They embark on their journey in a taxi not knowing that their destinations are themselves. Filled with witty and clever dialogues, Taxi No. 9211 is a fun entertainer that gives us a little reminder to be honest and embracing. Direction is excellent! Everyone gave a fantastic performance. Vishal-Shekhar's compositions are as innovative as this movie! "Meter Down" is a catchy song with a really cool video.
A businessman and a taxi-driver go crazy plotting against each other. They play a game where they both loose and loose all that they had. However, the end was very touching and the best part was that the movie has some message to convey.The screenplay and the direction was good.I felt that the taxi driver's role couldn't have been performed better . Nana Patekar,as always , was brilliant. The director managed to maintain the tempo ensuring that his audience will not get uninterested at any point of the movie. John Abraham was best suited for the role of an adamant young man( no offense intended).I would like to conclude saying that " A lot can happen in a man's life in just one single day". This movie is a must-watch.
Lo sapevi?
- QuizAn action sequence was to be shot with some cars chasing 'John Abraham'. Unfortunately, at the time of shooting, Abraham's mother was crossing the road and she presumed he was being attacked and freaked out. Shooting was halted while Abraham calmed his mother and reassured her it was only a film shoot.
- BlooperWhen Sonali Kulkarni buys tickets for Nasik she asks for two tickets for the 9 pm train but later when Nana Patekar is in John Abraham's house he says my wife is going to Nasik by the 11:30 pm train.
- Citazioni
Jai Mittal: Shivaji had the power of 1 horse and it talked with air. This car has 18 horses, press the accelerator and say Jai Maharashtra
Raghav Shastri: Jai Maharashtra!
- ConnessioniReferenced in No One Killed Jessica (2011)
- Colonne sonoreBoombai Nagariya
Written by Vishal Dadlani
Composed by Vishal Dadlani and Shekhar Ravjiani
Performed by Vishal Dadlani, Bappi Lahiri, Nisha Mascarenhas and Marriane D'Cruz
Courtesy of Saregama HMV
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 292.794 USD
- Fine settimana di apertura Stati Uniti e Canada
- 102.466 USD
- 26 feb 2006
- Lordo in tutto il mondo
- 292.794 USD
- Tempo di esecuzione1 ora 56 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Taxi No. 9 2 11: Nau Do Gyarah (2006) officially released in Canada in English?
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