Ave, Cesare!

I am a huge Coen Brothers Fan. Many of their films are hard core 10's in my ratings and I had an uneasy feeling going into this one. The trailer made me think of Intolerable Cruelty more than O Brother Where Art Thou or many of their other films.

It felt like a strung together series of little set pieces that didn't hang together as a whole. I won't mention the plot since there was virtually none and what there was was fairly flat and unimportant.

Normally the Brothers can overcome a weak plot (although strong plot-lines have driven several of their movies) with strong quirky performances and memorable cinematography.

Sadly, the dialog lacked snap, the film didn't pop off the screen looks wise, given that it's a period piece, and with such a strong cast, everyone looked tired - almost as if they had come in to film their parts after getting off their day jobs and they were just doing a favor to the Coen's.

Overall I've seen much worse but when you go to a Coen Brothers film, you just expect much more.

It looks so good. Really, the feel of 1950s Hollywood has never been better, the photography is first rate with a stellar cast directed by the popular and very much held in esteem COEN BROTHERS. Trailer made it look like an fun Frank Capra kind of film. And when we walked out of it, given all the above, we missed something. A movie. There is none here. It is a great job made by talented people aplenty. It wants to be that fun film but never finds the movie. A few jokes. Not enough. Quirky fun characters, but not weird enough. Sublots aplenty, but they never run together and never are resolved. Good acting that goes nowhere. This fine film is just a bunch of dead end streets that are way too short with really interesting stuff on the side of the road but no intersection.

Neil Simon was given script advice once that all the characters have to meet in the play AT LEAST ONCE. Here, none meet at all. They have the subplot and that is it. Ending was weak too. Meh.

This film seemed to get quite a mixed response when it came out, and watching for myself I can understand why. On one hand it is a light bit of fun, which is professionally delivered in all aspects; however at the same time it always feels like it could easily have been more than this – and maybe could have delivered more along the lines of other Coen brother films. How strongly you feel about this will depend on the individual; for me I fell between the two stools.

As a comedy I enjoyed it. It had smart dialogue and characters, all with plenty of color and atmosphere. At the same time the film looked great from the cinematography through to the cast involved. This did work against it for me too then; mainly because it seemed to always harken back to other films such as Barton Fink, and other better films. This feeling is confirmed because Hail Caesar! is at its best in the moment, but doesn't really build or develop into something more satisfying. It is still funny, very well delivered, and enjoyable as part of the familiar Coen world, but they have done better, and it is hard not to think that while watching this.

Caught this at a screening the other night, and wasn't very impressed. The laughs are infrequent, and it's downright boring in stretches. It does have its moments, though: My favorite was Brolin trying to get reassurance from an array of religious leaders that his new biblical epic won't offend anyone. And Ehrenreich, who I'd never heard of, was great as the clueless but sincere rodeo expert who has somehow fallen into serious act-ting... much to Ralph Fiennes' chagrin. Who knew a line like "if only it were so simple?" could generate such hilarity? Such moments are few and far between, though.

Overall, this is a C+ flick - I think it's getting over-rated by critics just cuz of the Coens' name. It's one of their weaker efforts.

I was very surprised how quickly "Hail, Caesar" was in and out of the theaters...but now after seeing the film, I can completely understand why. It was as if the Coen Brothers simply said "let's do a film for ourselves...who cares whether or not the public enjoys it or not!". I appreciated it myself...but I am also not the average film-goer. As for the average viewer, the film makes allusions to many events in the history of Hollywood...but if you aren't aware of these events or rumors, you'll not understand or appreciate much of the film.

The story is based SLIGHT on the life of Eddie Mannix--a motion picture exec who was known as a 'fixer'--a guy who knew how to make bad problems do away...and with the bad behavior of many of the stars, this was an exhausting job. The story seems to be just a slice out of Eddie's life--possibly not the worst time as a fixer but a busy one. Through the course of the film, several problems arise--such as a pregnant single starlet and an actor of dabbles in communism. In each case, Mannix has to get to work to be sure the public never knows...and you see how exhausting this job is.

If you are looking for big laughs, you won't see them. There are a few small ones...just a few. Instead, it's more like a time machine trip to the early 1950s and you are that fly on the wall watching these Hollywood types as they go about their lives and doing stupid things. I do NOT strongly recommend the film but only mildly...and only if you are a real fan of the films of yesteryear AND are aware of the misbehaviors of some of our stars...or alleged misbehaviors.