Crashing

This small-budget independent film requires multiple views, because the plot seems different with every watch. At first, the film seems like a middle-aged author- professor's sexual fantasy - living in an apartment with two 19-year-old attractive female students who are open to all experiences (drugs, casual sex etc.). Then, on second thought, the film proves to be intellectually stimulating for it provides the watchers not merely a man's schoolgirl fantasy, but it provides some free-of-charge very accurate and very helpful tips on creative fiction writing and novel writing - the kind you pick up in writing classes. After watching it a couple of times, the film grows on you in terms of plot presentation technique and character development, and you accept the gratuitous writing advice wrapped up in a man's one-week sexual odyssey.

What's even more clever about this film's scenario is the fact that Richard (Campbell Scott) ends up in his ultimate fantasy without him actually provoking it per se. He merely accepts the invitation of crashing on a couch, without sending off signals about being sexually attracted to the female students, and yet, they are the ones who pursue him and make a pass at him. Thus, the film implies Richard's sexual quest to be Kristen's and Jacqueline's choice, not his. He merely plays along on the 'song' chosen by the two young women. His advances towards another female character at the beginning of the film proving unsuccessful, he ceases to emanate availability, but things actually turn in his favour without his deliberate efforts.

Campbell Scott acts marvellously in the role of egocentric author and occasional writing professor Richard McMurray, and he adds the right amount of seduction, humour and quirkiness to the character. He might, as well, have told Diane: ''I was there, just minding my own writing, when these two started sleeping with me.'' The comedy of the situation is nicely dealt with by a cool and self-controlled Campbell Scott who, apart from occasional mishaps, always says the right things and the right double-meaning advice at the right time, without ever turning into an old perv who gets what he wants out of every situation.

An example of mis-marketing just to make it seem more appealing to the popular audience, but completely misses the point of what makes "Crashing" so good. This is not a comedy about the sexual misadventures of a middle-aged man and two sexy co-eds. This is a funny, smart, well written film about writing.

The art of writing, the love of writing, the craziness of writing, or the fantasies of writing are all that you can say this is about. A once successful writer is now mired in a personal downward spiral, but finds himself crashing on the couch of two sexy college students. They want him to guide them in their own writing, and he wants to use them to inspire him back to great writing. And here is where we get into semantics. Is he using them to get into their pants? Is he using them to steal their ideas? Or is he merely using the idea of them? And is that "using" them?

Depending on how you view this film, he could be doing any or all of the above. Some of his actions are a little immoral, but he really is doing it all for the writing. Which we get a lot of advice on. It takes an awfully ambitious writer to write a movie about writing, and for the most part, I think they succeeded with "Crashing".

A film which is primarily shot in one location with three actors, a lot of the action occurs in his head. But this is well enough written that that works. Because the sexual tension, that is real. And funny. And clever. And "over-intellectualized". Did I mention this was a film about writing by writers for writers?

A handsome middle aged man and two beautiful young women just came to live together, all three striving to picture a book character of each other, in a tense but fresh relationship for all involved.

The body nudity was replaced by some embarrassing conversation and the sex was replaced by invasion into personal space, and everything happens in a light mood.

So, don't expect "Crashing" to be a movie for your sexual hormones or your fears, it isn't for your brain either, if you are a writer or do any other form of creative work it will be 75 minutes of pleasure.

The original music fits perfectly and the acting is good.

Writer seeks inspiration in apartment of 2 college girls. You know the synopsis, or at least you think you do.

Well get ready for some surprises. Crashing follows the minds and imaginations of Richard, Kristin and Jacqueline as they create reality together. Or do they? Through their writing, the scenes of Crashing unfold in a series of parallel stories, intertwined, and interdependent.

Crashing unfolds with multiple threads and explores alternate possibilities. It's almost as if the movie is being written as you are watching it...

This movie is perfection to me. As a writer I saw myself in every scene. Thinking my way through situations. Imagining various outcomes. Creating characters and embellishing. ...Some would call it enhancing reality.

If you are a creative person, and especially if you are a writer, you will appreciate and love this movie. The slow, melodic music winds its way through the movie, carrying you along. Crashing is even better than the French erotic movie, The Swimming Pool, with a similar premise.

Geez it's been a while since I've written a review but I've been in a rut seeing action-prison-bad-guy-does-good genre flicks that usually end up boring me after 20 minutes. The last film that actually amused me was the latest Star Trek (2009). It's been a dry spell when it comes to movies that go beyond face value - I kid you not...

Crashing (2007) had me interested from the starting credit music - a quirky, sparse little woodwind theme that would be repeated throughout the film.

The film is about a the travails of a writer, Richard McMurray (Campbell Scott) stumbling over himself and the roadblock of first novel success. Comfortable, complacent and frustrated by eternally trying to repeat the formula of his first book.

Richard's life gets ripped apart when his wife kicks him out of the house and freezes his bank accounts. At a creative writing presentation he tells of his writer's block and new sense of heady liberation due to circumstances beyond his control, and gets invited to crash at the apartment of a female student. And so Richard ends up sleeping on the couch of coeds Kristen and Jacqueline, provided that he critiques their own writing endeavors.

Much credit to Izabella Miko and Lizzy Caplan, who nicely contrast each other as the muse twins of dark and light. I've been a fan of Campbell Scott since Roger Dodger (2002) and here he is just as amusingly self-deprecating.

It's an engrossing movie that will pull you in as the author and two young girls intertwine in life and in fiction.