En la cama

Despite presenting a situation that normally in any spectacle would become tedious, pointless, and plain claustrophobic - two strangers having sex and talking for just one night in a cheap motel room - "En la cama" succeeds for its authenticity and no holds barred approach, shining a light into two different individuals and the dynamics of men and women. The film is sexy, funny, and poignant.

Actors Blanca Lewin and Gonzalo Valenzuela give a bravura performance as the twenty-something couple who spend over 80 minutes mostly nude in bed baring more than just their bodies. Through their uninhibited lovemaking and conversation, the film explores the possibility of true communication, intimacy, and sexual fulfillment between perfect strangers; the fact that they may never see each other again can allow them to be themselves. From the powerful eroticism of their first coitus to the awkward moments that follow to their comical character flaws to the poignancy of their revelations as the night comes to an end, the film does not judge its characters nor indulges itself in haughty romantic notions or cheap sentimentality. Its clear-eyed, realistic approach provides the vision to sustain our interest.

Although "En la cama" presents a similar situation to the excellent film "Before Sunrise," which also portraits two young strangers sharing just one night, they are totally different and cannot be compared. In "Before Sunrise," hormones and the idea of anonymous sex is certainly not the primary force that brings the couple together while beautiful, classical Vienna shines magically around them creating an ideal romance - that once in a lifetime opportunity that brings you the love of your life, seize it or you'll live to regret it. On the contrary, the characters of "En la Cama" get together to have pure sex, after which they don't even remember their names, spend the whole movie in one nondescript motel room (other than it has a sign reading "sexit"), and there are no romantic possibilities for them. Yet, their revelations are deeper as their intellectual differences, emotional wounds, and flaws manifest through the course of the night.

Without a question, this film is a giant step in Latin America cinema, effortlessly combining the nudity and sexual frankness of a classic such as "I'm Curious - Yellow" or more recent "The Dreamers" with the philosophically-different buddy films such as "My dinner with Andre." A must-see for lovers of those genres.

meeting of two strangers at a party. a hotel room. sex. talks. jokes. confessions. games. real life fragments. memories. the past. sex. fear. stories. and the end. "En la cama". one of many films about nothing. at the first sigh. but interesting for the realistic manner to use the viewer. because it is an ordinary events who not have real surprises. it is not a film about sex. but about the discover of the other. it has the right dose of blank atmosphere for be very close by a documentary. but each of the fake errors are pieces of a simple story who becomes a trip. because it not gives answers. because the questions are not only parts of a game between Daniela and Bruno. because it has few cute scenes who are good arguments for define it as romantic. so, a simply story. a night. and a hotel room. and, sure, a bed. the rest remains at the disposition of public.

I may have seen only one other film from Chile, and was pleasantly surprised by the interesting concept and fair execution of this one by director Matías Bize. Two strangers at the end of their 20s meet for a one night encounter of casual sex in a motel. They may have done it many times in the past, but this night will prove to be different. The film starts with the two having sex, this is where many other stories in movies end, but here this is just the pretext for a dialog and a possible relationship. A relationship that will probably not last beyond the night, but its temporary nature gives it the occasion of intensity and sincerity. These do not come instantly however, it takes several rounds of dialog (and more sex) to start peeling off the layers of convention and get to the intimate truth, insecurity, intimacy of each one of the two characters. Sex is only the external layer of a relationship, and the most superficial of all, it hides rather than it represents what the man and the woman in the couple really are, and it takes special circumstances and dialog for the truth to pop out - this is the essence of the story that is being told.

Such a movie cannot keep the interest of the viewers even for its about only 80 minutes without good acting, and we get indeed here two excellent actors that pass well the screen and the challenge of explaining their characters beyond the physical appearances, which as with the story is the principal acting problem they face. Playing almost at nude in the perimeter of one motel room and yet building complex and human characters is not an easy task for an actor. Both are more than OK, Bianca Lewis is even close to bright. Director Matias Bize succeeded to make an interesting and different film, I wonder if he will be able to avoid closing himself in the formula or format of experimental films and rather continue to follow the emotional dimension he brought to screen in 'En la cama'.

First I would like to say I really enjoyed this movie. I don't mean to diminish it, but it was very obvious to me how it was strongly based on Richard Linklater's movies: Before Sunrise, Before Sunset (and Tape, because the whole movie takes place in one room).

There is a scene that is a clone of the famous Before Sunrise scene where the protagonists hear the song "Come Here", by Kath Bloom, and exchange furtive looks towards one another. In "En la Cama" they hear a song an exchange looks in the exact same way. Unfortunately, I think this scene is very pale (the acting and the setting) if compared to the Before Sunrise one, and is a bit out of the context of the movie (it definitely doesn't make sense in a motel bed right after the two made passionate wild sex). I prefer to think it was made as a tribute to Before Sunrise, rather than a shallow copy, a way for the director to say "This is really inspired by Before Sunrise, I love it too!". I strongly believe the director watched those movies and asked himself, "what if I did this with the protagonists in a motel bed, during a one night stand?".

But it doesn't mean this movie has nothing to add. It feels like an antithesis of Before Sunrise/Sunset, and shows the concept of the movie (= deep communication) applies in other contexts as well. It is also shows a great irony in today's society, where people will go to bed without knowing each other (and this probably happened even before one night stands even existed...). Sex is trivial, while reaching each other's inner thoughts, feelings and truths is the unexpected, obtrusive and life altering act.

The acting is very good and realistic. The dialogs are great and keep you enticed to the movie. The plot is good and has a lot of depth, but I think it has some minor flaws (no big deal, though). The sex scenes are very artistic, but I wouldn't take my kids to watch it.

If you like Before Sunrise/Sunset, you will enjoy this movie a lot (but don't worry, it won't replace them in your shelf). If you liked this movie dialogs or any part of it (besides the sex scenes), you should watch Before Sunrise as soon as possible.

a woman. a man. in a hotel room. sex. talks. plains of silence, expectations, fears, desire. slices of past. small window of a future. I saw many times this film. and in each occasion, important was the fragile feeling to discover a parable in clothes of a meeting. a beautiful film about need of other and search to escape from yourself. fragility is its essence. its rule, axis and lead character. Bianca Lewin and Gonzalo Valenzuzuela are only its sculptors. their performance, delicate, precise, admirable makes things rolls. it is a delicate film. it is the virtue of director - and after years, not a surprise - to give force of a world who seems be only crumb of dream. to make a film like a silk carpet. to present a world, a state of soul, a crisis in a special manner because it becomes confession of viewer. a beautiful film. lesson. about each of us.