28 settimane dopo

A downgraded sequel to 28 Days Later, it manages to look and play the same, but it just doesn't live up to the first, not to mention its nowhere near as scary.

Instead of 28 days, its now been 28 weeks since the virus broke out. People are returning to London, for its been secured from the virus, and is ready to return to its original life, although still under surveillance of the U.S. Army.

There's a deeper plot where a woman turns out to be a carrier of the Rage virus, and comes in contact with one other person, which spreads more and more until mostly everyone is infected. This leads the U.S. Army to have no choice but to kill off anybody they see, even civilians that aren't infected, for a precaution to make sure the virus doesn't spread again.

Thats one thing I thought was incredibly stupid. The army becomes the main enemy, not the virus, which makes it nowhere near as creepy or thrilling. Its a lot more gory, and has a lot more shaky camera, but it doesn't make it that scary, no matter what.

I did like the characters though, but when it comes to surviving from the virus and army, not much character development is available, though I did like Jeremy Renner's character. This won't be the last character Renner plays thats in the army.

This film is mostly for the horror film gore lovers. But if your looking for a good psychological thriller, than this isn't for you. Its not terrible, but its inferiorness to the first just makes it wanna not exist.

I remember watching "28 Weeks Later" as a kid and being blown away by its intensity and suspense. Back then, I would have rated it a solid 10 out of 10, with its thrilling pace and terrifying depiction of a zombie outbreak. However, after rewatching it recently, my perception has changed quite a bit.

The film starts strong with a gripping opening scene that sets the tone for chaos and desperation. But as the movie progresses, it starts to feel a bit like a low-budget production. The special effects and some of the action sequences, which once seemed cutting-edge, now come off as slightly unpolished and less convincing.

The storyline, particularly the subplot involving the zombie dad, feels awkward and forced. What initially seemed like a dramatic plot twist now feels more cringe-worthy and detracts from the overall tension of the movie. The idea of the dad turning into a zombie and becoming a recurring threat was meant to add a personal dimension to the horror but instead comes across as repetitive and not particularly compelling.

Overall, "28 Weeks Later" has its moments of suspense and still carries a sense of dread, but it doesn't hold up as well as I remembered. The film's shortcomings become more apparent upon rewatching I'd rate it closer to a 6 or 7 out of 10 now-still entertaining in parts, but not the masterpiece I once thought it was.

Some ignorant kids screw up the whole thing - thats all the story about. Even a child will have better IQ in this situation

A sequel to 28 days later and you don't need to watch it to understand this one. The infection has died off and the UK population has been reduced to a few, being backed by US forces living on the Isle of dogs in London. We follow one family haunted by what they saw in the outbreak, some of these demons return. You rarely see the aftermath of an apocalypse with this interesting premise and conflicted characters it really starts well. But once the inevitable returns so does the usual clichés in this genre.

When I first heard there was to be a sequel to Danny Boyle's excellent 28 Days Later and that Boyle himself would not be directing it, I was less than excited.

Then the reviews began flooding in and I was surprised, shocked even, that the majority of them were positive.

It was then after the well respected film critic Mark Kermode said it was "very good" and "better than we had any right to expect" that I began to raise my expectations.

Im happy to report that they were exceeded by a sequel that surpasses the original in terms of tension and spectacle.

Boyle remained on board with the project, albeit as a producer, but also directed some second unit footage and never allows it to veer away from the look or feel of his original.

Not that he had cause to worry as the new director,Juan Carlos Fresnadillo obviously understood Boyle's vision and expands on it without getting too carried away.

The result is a faster paced, less reflective film, containing a very intelligent political subtext and some fantastic action set pieces that (and this is the most important part) delivers a large number of quality scares.

It also dwarfs 28 days later in terms of gore, meaning true horror fans have much more in the way of visceral glee to sink their teeth into (pun intended).

Bring on 28 months later...