Tiempo de valientes

This movie is Damian Szifrón's second immersion in movies after his excellent character study in "El Fondo del Mar". With "Tiempo De Valientes" he creates extremely well done characters, far away from prototypes and with an unprecedented chemistry between them. I've seen Szifron's talent to present every character in a lighthearted way but just enough to involve us emotionally with them. His control over them is magnificent, so he restores on the movie a great direction and an overall brilliantly polished script, the characters laugh and cry with real sentiment and invite the viewer to join them in their emotions and their evolution on screen.

The Spanish takes over the English, the Buenos Aires urban landscape at night replaces Hollywood sets and the premise is just as interesting as any other, so we have a film daring to compete over Hollywood's Machinery.

But I want you to see the movie mainly because I've never dealt with such endearing characters, all of them. It seems the script suits perfectly to the actors and vice versa. I really believe with a film making like this Argentina is really up to the Competition.

This film is about a psychiatrist becoming an unlikely hero because he got attached to do a community service in the police department.

I must say the direction is great. The film is made in a fun way, which makes it a great fast paced comedy. I like the dialog a lot as well, the psychiatrists lines are particularly witty. The most memorable scene is when the cop forces a confession from the psychiatrist's wife, that is so hilaroius1 Cops really know what they are doing! One thing though, is that the film does not portray Argentinian military well, I wonder if they had any problems in showing the film in Argentina. To sum up, this film is a great and fun comedy, it surely will make you happy!

This was a fun movie to watch. Great chemistry between Luque and Peretti on screen, good character development.

If you loved Los Simuladores you must watch this.

Impeccable production characterizes this jewel of a film. The photography, as realistic as present technique allows it to be, introduces us in intimate contact to this couple --the policeman and his psychoanalyst-- so cozily that we feel we are there with them, following their casual conversation in the car, few minutes into the movie, while looking at a lovingly photographed Buenos Aires on hand picked locations as if we are just seeing a background on an apparently casual route.

The camera movements are awesome. Its smoothness throughout the whole movie makes of every scene a natural happening helped by a precise use of lighting, either for the day scenes or the night time.

What can we say about the director --Damián Szifron-- and his actors? they are a sheer joy in every scene --not only Diego Peretti and Luis Luque, the above mentioned couple of psychoanalyst and patient --every single actor in this movie is role perfect, delivering their lines with a naturalness that was absolutely unknown in the historical Argentinian films. There are many clever lines, in the comedy scenes and in the dark --very dark-- serious moments, specially with that cameo intervention of Gabriela Iscovich --the psychoanalyst wife-- in a hilarious role.

A superbly entertaining film with a bit of everything, comedy, noir, mystery, violence, all done with that Argentinian flavor unique to this country, like that scene in the policeman car, where the three guys are drinking Mate --the Argentinian familiar drink par excellence-- as if drinking Mate in a police car was a natural, everyday situation.

Excellent film from any point of view.

The premise is excellent and there are enough good insights and funny scenes that make this movie worth watching. What I found boring is the direction it goes after the first half of the movie. I feel like this movie could have been excepcional but instead turns out to be quite silly in the end.