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I was a bit let down by this movie. Hearing that Billy bob thorton and Jon Heder were in it, (aswell as sarah silverman) I was expecting to get some quality laughs out of this, but what I got was pretty weak. Not that movies like this have incredible stories or plots, but this one was pretty bad, and it moved at an awkward pace to me, that made it even more unbelievable than the genre usually is, As a fan of this sort of platform for a comedy, maybe I'm being to hard on it by other peoples standards, so I don't want to all out not recommend it, but Don't expect as many laughs as the other Billy bob thorton flicks like bad santa, it's light comedy. I usually tend to enjoy these comedies a few times over, but one viewing of this will be enough for me.

5/10

I've seen countless teeny bopper comedies the past couple of years, and I can honestly say, this wasn't one of them.

This was a good, straight forward comedy, with some hilarious moments and a lovable character. The story was also interesting, even though it was very predictable from the beginning (I don't know many people who watch comedies for a complex, deep, mysterious story line anyways)

My favorite thing about the movie is all the actors fit in perfectly with the characters they are playing. Especially the main character, who develops through the movie from a weak, shy, kind hearted guy, to somebody who is still kind at heart, but not afraid to defend himself and fight for what he wants.

This isn't the best comedy ever, but its good. And I would recommend it to anybody looking for a good laugh out loud movie with lovable characters.

Roger (Jon Heder) is a wimpy parking meter attendant for NYC. After losing his uniform to thieves on the job and being dumped from the big brother program, he is despondent. Add to this his unrequited crush on a beautiful neighbor named Amanda (Jacinda Barrett), and you have a man on the proverbial ropes. However, a well-meaning friend gives him information about a secret class in male self-esteem, run by the harsh Dr. P (Billy Bob Thornton). In class and on outings, Dr. P uses tough tactics to turn his unfortunate students into successful men. But, what happens when Dr. P decides to put the moves on Amanda, after a chance meeting? Does Roger have what it takes to thwart Dr P's efforts and win Amanda for himself? This is a fairly nice but easily disposable film. Thornton is, of course, a natural choice for the scoundrel teacher and he delivers a good-and-slimy performance. Barrett is beautiful and touching as the love interest, adding greatly to the film's enjoyment. Heder, although a good comic performer, seems all wrong as a romantic lead. But, perhaps it is a bit refreshing for someone without the knockout good looks to go for broke in the love department. Ben Stiller has a fine cameo as a wacko ex-student of Dr. P. The setting in NYC and the costumes are nice. All in all, the film is a satisfying view for a rainy day. But, it doesn't seem like a movie that will be remembered or talked about five years down the road.

"School for Scoundrels" tells the well worn story of a pushover who learns to become more assertive so that he can take charge of his life and finally get the girl. I didn't realize that the film was a remake but the fact that I found it hackneyed to begin with gives an idea of the level of originality we're dealing with here.

The cast contains a number of talented and funny individuals but they are unfortunately let down by the material. Looking at the cast list it's difficult to believe that the film is as mediocre as it is. The script just doesn't deliver the goods comedically and the story's too unoriginal to grab your attention. The technical aspect is no better than average either but I must admit that the soundtrack was pretty nifty.

In the end, I can only recommend this flick if you're absolutely starved for some comedy. There's little to be had here though those who don't mind clichéd stories may appreciate it more than I have.

This remake of the 1960 version with Terry Thomas and Ian Carmichael lacks the originality and real comedy that version provides. I highly recommend sticking to the 1960 movie.