L'alba della libertà

The film is based on the story of the American pilot Dieter Dengler (Christian Bale) and his crushing fall onto the territory of Vietnam. Active warfare during the Vietnam War will not be shown here, but you will see the inner side of the horror of the war - the brutal everyday life of the military captivity of American soldiers in the depths of the wild Vietnam jungle, where it is almost impossible to escape and stay alive. The script is very consistent and rich. Christian Bale, as almost as always, is incomparable and delightful in his role. You believe him and empathize. During the movie, he turns from a self-confident guy into a man who has understood, in his own skin, the difference between educational practice and the reality of war. Other actors also play with a high quality. The only drawback for me is how poorly was shown of the plane crash at the beginning of the film, there were obviously problems with the special effects during the shooting of the film ) Someone may decides that the film is tightened and there is little action, but behind such silence lies the deepest drama. You can feel the lack of budget and there are some drawbacks, but the message and the idea are much higher than commercial success. You should only feel a little stronger desire of the heroes to live, to fight for their lives, to overcome obstacles and not to despair, and you as a spectator will not remain indifferent.

If you're a big fan of the mad German genius Werner Herzog, you might be disappointed in this, his first foray into Hollywood film-making. This is polished and not at all experimental. However, to me it feels like Herzog, when he stepped up to the plate, said to himself, "Well, I can make an American film. And I can make a better one than 95% of American films." And there's nothing wrong with that. The film is a dramatization of the events retold in Herzog's earlier documentary Little Dieter Needs to Fly. Christian Bale plays Dieter Dengler, an American citizen and German emigré who had one of the most impressive survival instincts ever seen in a human being. Shot down in Laos in the opening throes of the Vietnam War, he was taken to a brutal POW camp where he met two other American POWs (Jeremy Davies and Steven Zahn in the film) and three Asian men who had worked with the enemy. The two Americans had been there for an average of a couple of years, and had all but given up hope (the Davies character is sure there will be peace soon enough). Through his amazing ingenuity, Dieter planned a heroic escape. Most of the movie takes place in the POW camp. Most of what I remember from Little Dieter Needs to Fly, which I saw around two years ago, is the escape. It's a disturbing, horrifying tale of survival. I would have liked this part to be the longer, but it works very well. It's certainly harrowing. I was disappointed that one of the images I really remember from the original film did not appear: the bear that stalked Dieter during his final days wandering in the jungle. He considered it almost a friend, but in the back of his mind realized it was following him because it wanted to eat him. Herzog keeps things extremely subtle, telling them very much the way they happened. The story develops more like real life, not like a movie. It keeps melodrama to a minimum. My only problem is how it ends. The ending is way too boisterous and uplifting. Dieter Dengler was most definitely an upbeat kind of guy, but his suffering and the awful things that he saw – heck, with the awful things that we just experienced with him, so vivid is this movie – don't lead well to the celebration that ends the movie. I very much liked this film, and think it is one of the best I've seen so far this year.

Rescue Dawn is a film that details the real-life struggles that a fighter pilot endured when he was shot down during the Vietnam War. I appreciate that the film doesn't waste any time at all. It seems that not more than 10 minutes into the film, Christian Bale is lost behind enemy lines. You almost have to be engaged by the story of a POW, particularly when they are mistreated in captivity. It's tough to watch all that Dengler was put through in his long time in Laos. I was definitely invested and felt like I was put through an emotional wringer as the film doesn't give you much cause for hope. I found myself worn down as the character began to reach his limits. He couldn't seem to bear much more pain (physically or emotionally,) and I was ready to give up on the film because it was so dire and depressing, but the chance they might try to escape gave me enough to endure.

Knowing that the entire film is based on a true story is both a blessing and a curse. On the one hand, I appreciate that there is something to keep my spirits up when the film is so bleak, because I know somehow Dengler must have survived to tell this story. Then again, it takes away a bit of drama at the end of the film, because we know help will come at some point. Christian Bale does a good job in the lead role, and did some of his patented extreme weight loss. I loved what Steve Zahn brought to the film, and I thought this showed he had some range, instead of always being the comic relief. Jeremy Davies is an actor I've always struggled with, perhaps because he is constantly typecast as a bit of a weasel, but I suppose that fits for this role. As a whole film, Rescue Dawn is tough to watch. But it's a powerful tale of survival in the worst of circumstances, so I enjoyed it to some degree.

Writer-director Werner Herzog, whose films have always been marked by a rapport with the natural world, takes this trademark to Laos in "Rescue Dawn," a compelling, intimate account of the Vietnam conflict. Based on the real-life tale of Dieter Dengler (Christian Bale), a German-born/American-bred fighter pilot with a cocky, cowboy-like demeanor, the film goes for realism and largely succeeds. The setting is a microscopic POW camp where Dengler and a half-dozen prisoners, including Dwight (Steve Zahn, playing well against type) and Gene (Jeremy Davies--"Saving Private Ryan") plot an escape. Interestingly, the extensive Vietnamese spoken in the film is not subtitled, which actually adds to the strong sense of isolation incurred from the POWs' position. Herzog also paints "Rescue Dawn" as a timely meditation on the Iraq War--while Dieter's John Wayne persona (that takes a drastically different turn in the second half) could be read as an endorsement of American militarism, we see the emaciated, defeated prisoners almost as symbols of a war that's been "lost" from the beginning; even later in the film, the Vietnamese captors begin to show the same signs of fatigue and desperation. The whole concept of "escape" is essential to making an entertaining, suspenseful film (which "Rescue Dawn" certainly is), but also reflective of a current foreign-policy mess that should have been curtailed before it even began. But Herzog is subtle in his politics, and lets the jungle do most of the talking--once Dieter and his fellow prisoners escape, the road to a "happy ending" is anything but "cut and dry." The director often puts us in the midst of torture and terror, but also milks moments of surprising humor to great effect, and gets excellent performances from the entire cast (while Bale is top-billed, Zahn and Davies are the real standouts). My only real complaint about the film is a conclusion that comes off as contrived and unnecessary, stretching the credibility of the harrowing realism that came before. Otherwise, "Rescue Dawn" is one of 2007's standout features.

For me, Werner Herzog will always be remembered for his haunting 1979 remake of "Nosferatu." Next to the silent-era original, it's probably the greatest artistic statement ever put to film on the myth of the vampire. Apart from that, he's been one of those fascinatingly enigmatic European infant-terrible directors, brazenly going against the studio system and doing whatever he damn well pleases, be it documentaries or bizarre art films. "Rescue Dawn" comes as a huge surprise, and proving that he still does whatever he pleases, is a dramatized version of the true story of Vietnam POW Dieter Dengler that Herzog previously filmed as a documentary in 1997 entitled "Little Dieter Needs to Fly." Masterfully realized, "Rescue Dawn" emerges as Herzog's most accessible film. After over 30 years of film-making, he's gone "Hollywood" but has done it on his own terms.

"Rescue Dawn" features classical and feverishly transcendent direction from Herzog, breathtaking cinematography of Laos and Vietnam from Peter Zeitlinger, a triumphant and evocative music score from Klaus Bedelt, and Oscar-worthy performances from an amazing cast. In the lead role of Dieter, Christian Bale once again puts his whole body into the character (as he did in "The Machinist"). Bale has become one of those rare actors whose every role seems to be the performance of his career. Also noteworthy are Jeremy Davies ("Saving Private Ryan," and "Ravenous") as Eugene from Eugene, Oregon, who seems to always get cast as the most emotionally unstable soldier, and a shockingly good and sympathetic Steve Zahn as Duane. Herzog puts the cast through the ringer in artistically rendered depictions of torture, horror, and survival in the harshest of conditions. Even in some of the most cringe-worthy scenes, Herzog turns what could've been wallowing on its head--witness the fantastic transition from Bale eating live worms and one crawling in his beard to a beautiful caterpillar leisurely making its way across a leaf in the peaceful jungle.

Essentially what we have here is the war-movie version of Milos Foreman's "One Flew over the Cuckoo's Nest" as Herzog depicts a group of average men who were slightly crazy already becoming increasingly more mad through involuntary imprisonment. While Bale's character refuses to be held down and is constantly trying to keep his brain and skills sharp through plotting an escape, some of his fellow prisoners are rendered hopeless as they have turned their own minds into the most impenetrable walls. Herzog does a great job of depicting tiny bits of humanity and dignity shining through in the most inhumane conditions, and how the will to survive can triumph over death. He's somehow crafted a movie that is both boldly anti-establishment and unapologetically pro-soldier and patriotism. Being based on a true story where the ending is known to the viewer doesn't take away from the white-knuckle suspense and human drama. Unlike Foreman's classic from the 1970's, where Jack Nicholson (mirrored here by Bale) flew over the cuckoo's nest and disappeared into his own insanity, Herzog gives up hope. One flew over the bamboo hut...and he made it.