L'imbroglio

Lasse Hallstrom has directed a compelling recreation of Clifford Irivng's novel in "Hoax". It is a retelling of the risky writing of the fake autobiography of Howard Hughes, the eccentric billionaire from Texas. Richard Gere gives a satisfying performance in his torn character of Clifford Irving himself. He is also convincing in his ability to show his simultaneous success and guiltless feelings in writing his so-called autobiography. Alfred Molina gives an emotional performance as Dick Suskind, Irving's loyal friend and co-writer. Marcia Gay Harden is a genuine Edith Irving in this disturbing story. And Julie Delpy is exquisite as Nina Van Pallandt, the paramour that Irving drags into his ploy. It makes for a nice cinema, and likely a good read.

The Hoax is a screen adaptation of the true story of one of the most daring, bold, and intricate confidence schemes ever plotted. As a long-time fan of heists, cons, and trickery, I already knew the story before seeing the film, and so seeing the movie, I judged the portrayal rather than the story itself. Lasse Hallstrom does not make a great film, but he definitely makes an enjoyable film. Certain scenes aren't quite filmed the most powerful way they could be. Clean, nice, standard cinematography is used in scenes that have less atmosphere because of it. Other scenes, in particular the scenes of theft, lying, drama, and other intense things provoked by the dangerously dishonest mind of Clifford Irving, are given a thrilling, extremely exciting pins-and-needles feeling. In terms of the story, I learned a lot about it that I didn't know that amazed and impressed me, mostly involving the influence the scheme inadvertently had politically.

Richard Gere plays Clifford Irving well enough, but the entire time, I kept thinking of different actors who would've been much more becoming and much more intense. Clifford Irving was a man of dark, magnetic, manipulative vigor and depth. Gere plays him more dryly, as though Irving was virtually cool and carefree rather than coolly masking that intensity.

Alfred Molina, a scene-stealer as always, upstages Gere greatly as his nervous friend and partner in crime who is made to do all the high-risk dirty work, which translates into hilarity on screen.

The Hoax is a wonderful story and a good movie. If it had a different lead and broader scope in the directing, it could've been a wonderful movie, too.

Saw a sneak preview of this earlier this evening. Not bad as some other comments would have you believe, but not perfect either. The historical details are a bit inaccurate in some areas, but those are relatively minor ones which don't affect the story too much. At it's core, the film focuses on the lies told by Clifford Irving and how he charmed everyone into believing them. The lies don't just affect his writing career, but also the lives of those around him and eventually comes to the point where it's difficult to distinguish fact from fiction in what Irving says, a task which is made all the more difficult given the eccentricity of nearly everything done by Howard Hughes during that period of time. Overall, the film isn't too bad, the main characters are nicely developed, the plot is interesting, and the acting isn't bad. The subtle 1970s touches (vintage Coca Cola and Tab cans, news footage, hairstyles, commercials, cars, Watergate, etc) also make it fun to watch. Overall, the story, acting, and the attention to detail force me to give this a 8/10 despite the few flaws here and there. Definitely a must see for the Howard Hughes buffs along with "The Aviator".

I watched this movie right after I had seen the amazingly boring "I'm Not There." at the Camerimage Festival in Poland. It came as a real relief to me. "The Hoax" is a pretty conventional movie about an unbelievable fraud that has taken place in the 70's. A guy called Clifford Irving actually convinced some publishers that he would write a biography about Howard Hughes authorized by no one but Hughes himself. Basically the whole movie is Richard Gere lying and dragging some people down with him. It wouldn't be such an entertaining affair if it wasn't for the great performances. Gere in particular never struck me as an outstanding actor, but he really shines here and has a great on screen-chemistry with the always good Alfred Molina.

"The Hoax" may not be Lasse Hallström's best movie, but it's a nice little companion piece to Scorsese's Hughes-biopic "The Aviator".

"The Hoax" is a rollicking good time at the movies. It's a strongly written, competently directed, and well acted character study of a pathological liar, Clifford Irving. This amazing true story details the complex hoax staged by Irving, a man who in the 1970's fooled a major publisher and LIFE magazine into thinking he was writing an authorized biography of Howard Hughes. Most of the fun emerges from the extreme lengths Irving (Richard Gere) and his best friend and partner (Alfred Molina) go to pull off the hair-brained scheme. The more outrageous the lies they concoct, the more believable they become and the more money gets thrown at them.

Richard Gere has never been that good of an actor, but he's always had an arrogant charm that makes him oddly likable, and he uses that to its full extent in what is probably his most mature performance here as Clifford Irving, a arrogantly likable and charming liar. He's surrounded by a fantastic supporting cast in Alfred Molina (as his sympathetic and often comical side-kick), Marcia Gay Harden (donning blonde hair and a European accent as his long-suffering but eager to con wife), and Hope Davis (playing his publishing industry connection). Davis probably gets the best line in the film when she says to a coworker who unwittingly foils a "staged" face-to-face meeting with Hughes, "Pray that you drop dead."

The film starts slowly and plays things for "winks and laughs" and light drama. It gets slightly bogged down in the final act as the hoax crumbles under its own preposterous weight and some scenes get heavy on the melodrama. There's also some wishy-washy "conspiracy" theories floating around about the Nixon administration and Howard Hughes that maybe somewhat true, but might be another figment of Irving's fanciful imagination as this is based on his "memoirs" of the events.

These few flaws, however, don't sink the ship as the playful cast and sure-handed direction from Lasse Hallstrom (in what his probably his best work since "Cider House Rules") keep the hoax firmly afloat. What the film ultimately excels in is the connections it makes with Irving's pathological personality (that ultimately leads to severe paranoia and delusions of grandeur), the paranoia of the Nixon administration (that mirrors nicely the modern Bush administration), and the alleged over-the-top eccentricities of the infamous Howard Hughes. In his mind Irving intertwines himself with these two powerful and tragic men. The film highlights how Irving saw himself and Hughes as smooth-talking, larcenous megalomaniacs, and truly believed he was going to be a major player in world history with the take down of Nixon even though he never had direct contact with either man and based his story on gossip, hearsay, and innuendos. It's really not much of a stretch to imagine Hughes bribing Nixon and wielding power like the wizard behind the curtain in Oz, and it makes for a well told tale. Whether we believe the story ultimately lies in how much power we allow each of these men to have. In his image, Irving thought Hughes held power over everyone, and for Irving, his tiny part in all that was the greatest story of all.