Meno male che c'è papà

After watching Romulus, My Father I was really impressed with how realistic and convincing the performances were in this film. The acting was superb especially Eric Bana and the boy and I was really drawn into the film. I completely forgot about everything else and felt like I was right there. The acting was so convincing, the sounds, the scenes, the mood and the whole atmosphere in the film really pulled me in. At times during the first half of the film it was slightly slow-moving but this was mainly due to a lot of good character development and getting to know the setting, and we really get to know the boy in the film. Some of Eric Bana's moments near the end of the film were just amazing. Although he was great throughout the whole film, he really did hit the mark near the end. It's just the way that his character gradually changed that amazes me and it looks like he really did put a big effort into his performance because it is (or very close to) the performance of his career so far. As an Aussie, I've been disappointed with a few recent Aussie films but this one was no disappointment. Some people may find it a little slow-moving to begin with but easily makes up for that with all of its great qualities and an ending that may draw some tears from some people. 8/10

Richard Roxburgh has picked a difficult story to tell through a motion picture. For a first timer, he doesn't do a bad job. Through his cinematographer, he captures the raw Australian landscape beautifully and contrasts it well with the 'depression' of that time. He extracts phenomenal performances from his actors. He also displays the subtle layers quite effectively and seems to have an understanding of how difficult things were during that time. The only problem is that 'Romulus, My Father' moves at an extremely slow pace and some of the events appear patchy rather than smooth. Eric Bana does an excellent job. Marton Csokas is superb. Franka Potente handles a difficult role with élan. Child actor Kodi Smit-McPhee is terrific as Rai who is torn between his parents. The background score has a subtle effect. 'Romulus, My Father' reminded me of 'Angela's Ashes' but in my opinion, the latter remains a superior film.

I watched Romulus, My Father, without high expectations. In many respects, those low expectations were met. In typically Aussie film-making fashion, there were long, languid shots of dry, arid landscapes; long silences and meaningful faraway looks; and a film that doesn't so much flow as consist of a series of short, static scenes. As noted elsewhere, it's a difficult film to watch.

It's also a brilliant, beautiful piece of film-making. In no short part, this is due to the actors assembled. Before watching it, I didn't know that Franka Potente featured in the film, and her presence alone adds another dimension to the movie. Eric Bana is a fine actor - as with "Munich", he seems ill at ease at first, but gradually blends into the role adding layers of complexity and subtlety. Martin Csokas is always a welcome addition to any screen. But, of course, the real star is young Kodi Smit-McPhee. The magnificence of this film, for me, was the aching beauty of the way it portrayed the desperate sadness that so often accompanies childhood. Nobody, literally nobody, could have portrayed this better than this young boy.

I thought of other superb child acting performances - Anna Paquin in "The Piano", Christian Bale in "Empire of the Sun", Rory Culkin in "You Can Count On Me", Kirsten Dunst in "Interview With the Vampire", Eamonn Andrews in "The Butcher Boy" - then I thought of the kids in "Turtles Can Fly", "A Time for Drunken Horses", "The White Balloon", Misha Philipchuk in "The Thief", the Indian boy whose name escapes me in "Salaam Bombay". There are heaps of outstanding performances by kids in meaningful movies, and Smit-McPhee's ranks right up alongside the very best of them.

Everybody concerned with this film deserves congratulations - the director, the writers, the cinematographers. I haven't seen too many really great Australian films - maybe "Muriels Wedding", "Swimming Upstream", "The Tracker" - but this one is right up there.

I saw this movie the night before last - it goes to World Wide Release in 6 days time. The movie is an absolute must see - I don't think I can put it better than Helen Garner when she said "I can't think of a single Australian movie with such a dense and complex emotional texture. I know I will never forget it."

The story is uplifting in spite of tragedy of truly Shakespearean proportions. One of the most inspiring things is that Raimond not only survived but grew up to be as he is - the story is about the unbreakable bond between Father and Son, I was often in tears. Romulus was a "Very Good Man" (almost a Saint). We also get a keen understanding of the love of man for his fellow man, from the relationship between Hora and Romulus and especially between Romulus and Mitru.

The time and place is evoked beautifully as well as the colossal struggle that postwar migrants went through in Australia. Most readers will either not know or not remember that these were hard times indeed, in 1961 the Federal Government instituted a credit squeeze which almost destroyed the Australian Economy. The country people suffered much, as did the city people also.

The actors are brilliant - Eric Bana, Marton Csokas, Franka Potenta (you can't take your eyes off her whenever she is on screen - the woman is startlingly beautiful) and Russell Dykstra - all are perfect for the roles. The standout performance however is from the new child actor Kodi Smit-McPhee - he is a discovery on the order of another Haley Joel Osment, Keisha Castle-Hughes or Christian Bale. The boy is in almost every scene and he carries the production almost entirely on his little shoulders.

After the film, I recommend the book - it is beautifully written and easy to read and will explain what happened to all the characters as well as a lot of the subtext (the film coves a period of about four years in Raimond's life - from age 9 to about 13). The final point is that you have to pay attention to the film carefully - subtlety is the word here and dialogue is spare - you really need to look at the people to understand what is going on.

I just saw this and though a lot of people complained of this movie being slow I adored it. One of our best Australian movies to date. It has a moving story, terrific and very realistic actors but the only problem was the pace. Everything was brilliant but it just avoided perfect with its pace which is a bit of a let down for a movie that everyone knows could have been and kind of is everything. Eric Bana is brilliant and the wife Franka Potente was so good I really understood her character. The movie was a bit predictable at times but it had a sweet ending, interesting character and superb character development. A must see for people probably over thirteen. (Some of the themes are very strong.)