Everything's Gone Green

While this film seems to set out to be kind of a life study / commentary on society, it seems to get rapped up in itself much like it's main character does. While I actually agree with the values & statements made, they aren't articulated very naturally. It almost sounds like it's lecturing the viewer, which would be OK if the film wasn't playing off of it being a life study / romantic comedy.

Overall the film as a "cute" vibe to it. The woman who plays Ming is easy on the eyes as well. It does however feel like a low-budget movie & some of the editing seems off. Still it passes as entertaining to watch even if you don't really come away with anything at the end.

I liked some of the characters, but our lead relied too heavily on a charming smile. I didn't care two whits about him. He makes bad choices and I really didn't care since he did not seem to either. He seemed rather unintelligent. There were a couple of moments that provided a chance at some human insight (the scene with the whale was interesting), but these are lost in the general malaise of the film. The love interest was acceptable and the other various characters were mildly interesting, but the plot meanders around too much and left me wanting at many points in the film. In the end, I wondered why I stayed so long.

There are some tepidly humorous moments, but ultimately I did not care. I cannot fathom rating the film higher. - 3 of 10

This film is about a young unemployed man getting tempted to help with money laundering.

The main character, Ryan, is developed well at first. However, towards the middle of the film, his portrayal becomes superficial and perfunctory. There is not enough self soul searching to make me convince that he really wants to quit the illegal business. The other characters in the film are shallow and fails to connect to me. The plot is rather plain, there is not much happening after the first 20 minutes apart from some scenes that are meant for a quick laugh. I find this film rather boring to watch. I had hopes for the film that it would be interesting, thrilling or thought provoking. The film leaves me rather dissatisfied.

What a pleasure to watch a Canadian movie that's not embarrassingly low budget and poorly acted. I am sure it was low budget, but if so, it was effectively done. I don't see what a bigger budget could have added. It was well-acted, especially by Paulo Costanzo. His performance was understated and very natural.

I love that (metro) Vancouver is so proudly and unabashedly itself here, in all its multifaceted glory, from the run-down houses of Strathcona to the posh golf course of Lion's Bay, with the gorgeous mountains of Howe Sound receding into the distance. For once, Vancouver did not play a stand-in for some other city, a common practice which features in the storyline.

What a funny, charming, and visually appealing film, a breath of fresh air in many ways. I hope to see more from the both the film-maker and lead actor!

A 29-year old slacker discovers his hidden obsession with making money in the Canadian low-budget Everything's Gone Green, a film by Paul Fox that has nothing to do with the physical environment, only the environment inhabited by our souls. Written by Canadian author of Generation X fame, Douglas Coupland, the film shows Vancouver, British Columbia as it was meant to be seen, not a stand-in for Los Angeles but as a vibrant multi-cultural city filled with exquisite parks, bays, and mountains. Coupland smartly attempts to have us appreciate the difference between things that are real and things that are made to look real but the film is undone by contrivances and ludicrous subplots such as parents growing pot in their basement, a boss allowing workers to gather around a computer to watch porn, and an office cruise from hell that give it the air of a bad television sitcom.

Ryan (Paulo Costanzo) is a 29-year old Technical Writer living with his girl friend Heather in the city of Vancouver, British Columbia. In one bad day, he loses his job, is kicked out of his girl friend's apartment, and discovers that his father has lost his job of twenty five years. To top that, he is called home only to find out that his parents were mistakenly convinced that they won the lottery. Soon Ryan is back on his feet, however, with a job working for the BC Lottery Board taking pictures and interviewing lottery winners for a supermarket throwaway magazine. Good fortune also surfaces the same day when his brother, a real-estate mogul, offers him a free condo in a high-rise overlooking English Bay.

After Ryan hears on the radio that a whale has beached on English Bay under the Burrard Bridge, he drives over to have a look, telling people around him that he went because he wanted to believe that magical things can happen in life. At the beach, he strikes up a conversation with Ming (Steph Song), a set dresser for a film studio whose job is to change Vancouver into a U.S. city such as Phoenix or Los Angeles to appeal to the American market. It is not long before Ming's boyfriend Bryce (JR Bourne), a sleazy scam operator, invites the gullible Ryan into playing golf with him and succeeds in convincing him to use the information he obtains from the Lottery Bureau to engage in a money laundering scheme involving the Japanese Yazuka. Ryan, contrary to the values he expressed earlier, discovers the drive to make money at whatever cost is more persuasive than he thought but it seems out of character and is unconvincing.

In the vein of formulaic romantic comedies, an on-again off-again love interest develops between Ryan and Ming but there is little chemistry between the two and when she dumps the corrupt Bryce, she is in no mood to take on another relationship with another ethically-challenged individual. Everything's Gone Green is a pleasant film with some good in jokes about leaky condos, lottery winners, and Hollywood productions with artificial palm trees, but ultimately it is too slight and too conventional to really hit its targets with much impact. Sadly, the sharp writing of Coupland, excellent performances from Canadian actors, and the visual delights of Vancouver do not add up to a totally winning combination.