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6,4/10
19.152
LA TUA VALUTAZIONE
A New York City, la vita di un neolaureato viene sconvolta dall'amante di suo padre.A New York City, la vita di un neolaureato viene sconvolta dall'amante di suo padre.A New York City, la vita di un neolaureato viene sconvolta dall'amante di suo padre.
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Riepilogo
Reviewers say 'The Only Living Boy in New York' delves into love, betrayal, and self-discovery in New York City. Jeff Bridges, Pierce Brosnan, and Kate Beckinsale deliver compelling performances. The cinematography and city portrayal are lauded. However, some find the plot and character development weak, with unconvincing relationships. Dialogue and pacing receive mixed reviews. It’s a character-driven drama with a strong cast, though its slow pace and complex narrative may not appeal to all.
Recensioni in evidenza
I wish there would be more of those movies. Right from the get go you feel a certain tone a certain mood that is different from your patterned "Hollywood" flick. This movie does what good movies do it focuses on story and characters and both are tremendous. I have never seen Callum Turner in anything but he does a pretty good job as our main character torn between doing the right thing and doing what he feels. Kate Beckinsale with her very monotone and lifeless line deliveries is still cast well because she is mainly there to be the attractive and seductive one and she is very good at that. Brosnan who I like to see but never surpasses a certain level has one of his best performances of his career. But they are all outshined by Jeff Bridges which is no knock on them. Bridges in one of those actors that like a good wine get's better and better which each year he ages.
The story is the second big star. Starting of very slow but building up until all the dots are connected and all the themes that were established come full circle. So if you are looking for a movie that is outside of the box that feels like something that you have not seen a hundred times give that one a try.
I really loved watching this movie that is a combination of superb direction, nice storyline, and excellent piece of acting by all the actors. A must watch drama with a certain element of truth in it.
I have often said that we spend our twenties trying to figure it all out, and then when we hit our thirties we realize that all we have to do is just live our lives. However, getting through that third decade of living to get there tends to be simply a roller-coaster of emotion. Between trying to break the mold of being seen as a child and trying to have the respect of a living, working, independent adult that may not be completely there yet is such fertile ground for storytelling that Hollywood sits in that pocket of life quite a bit. Marc Webb, famous music video director and the man who brought us "(500) Days of Summer" and both "The Amazing Spider-Man" films (both of which I enjoyed, so judge me if you will) takes his crack at a slice of this life with his latest film, "The Only Living Boy in New York".
With a title taken from a Simon & Garfunkel song, Callum Turner is the central character here playing Thomas, a twenty-two-year-old living on his own on the Lower East Side as he is working toward being a writer. He also is dealing with a woman that he is mad for in Mimi (Kiersey Clemons), who may or may not feel the same way, a publisher father (Pierce Brosnan) who just wants him to have direction, and a mother (Cynthia Nixon) who is teetering on the edge of a breakdown. When he stumbles on the fact that his father is having an affair with one his co-workers, Johanna (Kate Beckinsale), it throws everything he knows into a tailspin with the only real anchor in his life being a mysterious old man who moves in across the hall from him (Jeff Bridges).
Looking at screenwriter Allan Loeb's body of work, this film could be kind of everything he has worked on put in the proverbial blender, and what comes out of it is nothing short of satisfying. This is a very rich story told on multiple levels while keeping the main story moving in a way that all of the parts make the whole even better. Callum truly embraces the millennial part of him here, with that sense of entitlement as well as young adult angst that us old codgers would shake our fists at, but at the same time realizing that some of these traits may be a bit more universal than we choose to admit thus making the audience look at this time in their lives through a bit of different lenses. Beckinsale is as irresistible as ever in the role of the "other woman" who wants everyone to believe that she is simply footloose and fancy free but in her quiet moments is so much more, and there is also a great performance by Clemons, whose Mimi is a character that too many of us can identify having an association with in our lifetimes. Brosnan and Nixon, while having limited screen time, also do a serviceable job here to keep Thomas' path moving.
And then, there's Jeff Bridges. Seriously, The Dude is THE DUDE here with all of his wisdom and just crushes it. I feel like everyone should have someone in their lives like his character of W.F. Gerald, and if that person just happens to be Jeff Bridges, that is just all the more awesome. This man is a master at owning his scenes while at the same time knowing that give-and-take that makes his costars shine in a way that is natural and absolutely a wonder to watch.
Visually, I was very impressed with the style employed by Webb, which reminded me a lot of a '60s French film with a modern American sensibility. There is a tinge of Hitchcock-ian suspense involved as Thomas seeks to know more about the woman that has distracted his father's affections that really upped the cool vibe for me as I was watching the film. The tone here is right on point for the story, and the attention to detail shown by the crew translates beautifully.
"The Only Living Boy in New York" is a film that although has an indie vibe is fully and totally aimed for a mass audience. There is something here for all parts of the movie going spectrum from the casual film goer to the more seasoned and detailed film fan. "Well told, well-acted, and beautifully shot" should be enough to get you there, so go!
With a title taken from a Simon & Garfunkel song, Callum Turner is the central character here playing Thomas, a twenty-two-year-old living on his own on the Lower East Side as he is working toward being a writer. He also is dealing with a woman that he is mad for in Mimi (Kiersey Clemons), who may or may not feel the same way, a publisher father (Pierce Brosnan) who just wants him to have direction, and a mother (Cynthia Nixon) who is teetering on the edge of a breakdown. When he stumbles on the fact that his father is having an affair with one his co-workers, Johanna (Kate Beckinsale), it throws everything he knows into a tailspin with the only real anchor in his life being a mysterious old man who moves in across the hall from him (Jeff Bridges).
Looking at screenwriter Allan Loeb's body of work, this film could be kind of everything he has worked on put in the proverbial blender, and what comes out of it is nothing short of satisfying. This is a very rich story told on multiple levels while keeping the main story moving in a way that all of the parts make the whole even better. Callum truly embraces the millennial part of him here, with that sense of entitlement as well as young adult angst that us old codgers would shake our fists at, but at the same time realizing that some of these traits may be a bit more universal than we choose to admit thus making the audience look at this time in their lives through a bit of different lenses. Beckinsale is as irresistible as ever in the role of the "other woman" who wants everyone to believe that she is simply footloose and fancy free but in her quiet moments is so much more, and there is also a great performance by Clemons, whose Mimi is a character that too many of us can identify having an association with in our lifetimes. Brosnan and Nixon, while having limited screen time, also do a serviceable job here to keep Thomas' path moving.
And then, there's Jeff Bridges. Seriously, The Dude is THE DUDE here with all of his wisdom and just crushes it. I feel like everyone should have someone in their lives like his character of W.F. Gerald, and if that person just happens to be Jeff Bridges, that is just all the more awesome. This man is a master at owning his scenes while at the same time knowing that give-and-take that makes his costars shine in a way that is natural and absolutely a wonder to watch.
Visually, I was very impressed with the style employed by Webb, which reminded me a lot of a '60s French film with a modern American sensibility. There is a tinge of Hitchcock-ian suspense involved as Thomas seeks to know more about the woman that has distracted his father's affections that really upped the cool vibe for me as I was watching the film. The tone here is right on point for the story, and the attention to detail shown by the crew translates beautifully.
"The Only Living Boy in New York" is a film that although has an indie vibe is fully and totally aimed for a mass audience. There is something here for all parts of the movie going spectrum from the casual film goer to the more seasoned and detailed film fan. "Well told, well-acted, and beautifully shot" should be enough to get you there, so go!
This movie has some shades of a Woody Allen film in its character studies of people and in capturing the atmosphere of Manhattan. It examines family and sexual relationships between a husband and wife as well as extramarital love and sex. It looks at a young man's struggle with his sexual and romantic feelings. This is a psychological drama that highlights guilt, jealousy and even an important aspect of the oedipal complex. It is complicated and heavy stuff and it all flows from the pen of screenwriter Allen Loeb, who had written several successful movies before this earlier script ultimately came to fruition. This didn't happen until Marc Webb became attached to it as director and a terrific ensemble cast was put together which includes Jeff Bridges, Pierce Brosnan, Cynthia Nixon, Kiersey Clemons and Kate Beckinsale. However, the character who ties the plot together is relative newcomer, Callum Turner, who plays Thomas, the 25-year-old son who ultimately makes deep seated discoveries about himself and each of his parents before he can move on with his life.
This is the type of movie that will capture your attention and make you ponder each character's motivation. The story has depth, poignancy and surprises which will grab hold you and won't let go throughout the film. It certainly kept us thinking and talking as we left the theater. (2017) – Scheduled for release August 11th. FilmRap.net
This is the type of movie that will capture your attention and make you ponder each character's motivation. The story has depth, poignancy and surprises which will grab hold you and won't let go throughout the film. It certainly kept us thinking and talking as we left the theater. (2017) – Scheduled for release August 11th. FilmRap.net
This is a nice twisty drama about an arty family and the personal relationships of the key people.
There's a father and mother, an estranged father and a mistress. How all of it comes together and resolves itself is the story. Quite is satisfying watch.
Lo sapevi?
- QuizThe filmmakers gave each actor a book that corresponded to the character they were playing. Kiersey Clemons received Patti Smith's Just Kids, Callum Turner got David Foster Wallace's Essay's on Tennis, Pierce Brosnan's was Stories from the New Yorker, The New Atlas of New York for Jeff Bridges, and finally Kate Beckinsale would be given a copy of Tolstoy's Anna Karenina.
- BlooperThe letter sent to Thomas by the Penguin Group at the end of the film has a typo in it: where it reads 'I with you every success with your book...' should actually be 'I wish you every success with your book'? Didn't expect that from the 'Penguin Group'.
- Citazioni
Judith Webb: You know, the farthest distance in the world, is between how it is and how you thought it was gonna be.
- Colonne sonoreLa Paloma Azul (Live)
Written by Dave Brubeck
Performed by Dave Brubeck Quartet
Courtesy of Derry Music Company
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Botteghino
- Lordo Stati Uniti e Canada
- 624.332 USD
- Fine settimana di apertura Stati Uniti e Canada
- 54.458 USD
- 13 ago 2017
- Lordo in tutto il mondo
- 2.550.321 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Proporzioni
- 1.85 : 1
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