Frankenstein Reborn

While of course a low budget movie, I think, if judged by these standards, "Frankenstein Reborn" is a decent film. Naturally, it follows the story of old Frankenstein, however the modernization of circumstances surrounding the characters puts this film a notch above many retellings of Frankenstein. I love how Walton, the ship captain, is replaced with Walton, the head doctor of a psych ward. Little changes like this prevent the film from having the appearance of trying to be something it cannot; much like Coppolla's 1994 version. The acting is pretty amazing for a B flick like this, and the story is surprisingly accurate. This film is probably the book that Mary Shelley would've written were she alive today.

Ultimately, "Frankenstein Reborn" is among the highest of films of it's kind, I would recommend it to anyone seeking out good bad-movies, of which this film almost transcends.

I have seen this film and was expecting something quite good, but its the worst film I have seen in a long time, the acting is atrocious and wooden.

It seems as if the film was made just for showing gore and forgetting the acting bit.

Basically the storyline would have been good if they had picked decent actors and actresses, bringing it as an up to date story of Frankenstein.

The blood and gore were over emphasised and didn't look real. Just a complete waste of time and money.

Where to begin? First off, most of the film is flashbacks. Second, the beginning was stupid, and third, a lot of boring dialog and bad actors. The monster is quite disturbing and so is his roar. They had small parts like when a woman is shown for 2 minutes and is killed. There was parts when i felt like turning it off but I had nothing else to do. After the credits end, there is a minute of the screen pitch black and the music still going. I bet it was to make the movie a minute longer. I gave it a 3, because I like b-horror films,i like Frankenstein movies and you have to give Leigh some credit. My recommendation: if you see it at the video store, tell a person working there that it is a waste of money for you to rent that. So stay away as far as possible. Don't say I didn't warn you.

I was expecting little from Frankenstein Reborn, considering The Asylum's reputation. But while it is far from a good movie, as far as Asylum movies go it is not that bad. The monster is actually very menacing in disturbing in look, the opening scene is gory and really promises much and Thomas Downey, Joel Hebner and especially Rhett Giles, finally in a role that gives him something worthwhile to do, are remarkably good in their roles. Sadly, what the opening scene promises is not matched with the rest of the movie. Visually, Frankenstein Reborn is very amateurish, the settings look as though they are somebody's basement, the camera work is rushed-looking and tries to do too much that you don't feel any connection with anything you see and the effects are very cheaply rendered. The music is overbearing, poorly utilised and is not fitting with the rest of the film at all. As a consequence, the scares and tension are further severely diluted. The script has very little of interest, it is very talky and a lot of it reads of aimless exposition. It is cringe-worthy in a cheesy sense also. I knew that Frankenstein Reborn was not going to be faithful to Mary Shelley's story, Asylum movie adaptations never have been, so that wasn't an issue. However, the predictable way the story is told, the many sluggish and needless scenes and the unoriginal and non-scary killings really let the side down. The gore is not so bad visuals-wise, but does little to enhance the atmosphere, which generally just wasn't there. The characters are ones I found myself indifferent to, other than the monster, Victor and Robert they are annoying. The rest of the acting is very bland and passionless. Overall, not a good movie but not a really bad one either, it promised much and does try hard but with largely disappointing results. 4/10 Bethany Cox

The film was made in 9 days and it shows. In particular, the budget obviously wasn't large enough to cover a decent recording system. Through out the film in scenes of dialog (and for a horror film there are a LOT of scenes of dialog), the character in screen is recorded loud and clear and the off screen, second voice is inaudible.

Music video-style fast cuts and scene shifts that move backwards and forwards in time are not so much confusing as meant to try and downplay the lack of much plot or its illogic.

The cast is generally quite good and makes a good attempt to overcome the inadequacies of the script and production.