Ghost Son

Stacey (Laura Harring) and Mark (John Hannah) have recently married and are deeply in love for each other, living in Mark's farm in Africa. When Mark has a fatal car accident, the widow Stacey misses him and decides to stay with their orphan teenager maid Thandi (Mosa Kaiser) in the farm. Later, her friend and doctor Doc (Peter Postlethwaite) finds that Stacey is pregnant of Mark. After a complicated delivery, Stacey notes that her baby in some moments seems to be possessed by the spirit of Mark, trying to kill her to bring her to spend the eternity with Mark.

Lamberto Bava is the son of the great Italian director of horror movies Mario Bava, and directed the cult "Demons" and "Demons 2". Based on these samples of his filmography, I bought "Ghost Son" expecting to see a scary and creepy horror movie. Unfortunately, my expectation was only satisfied in brief moments and I can list some reasons. First, there is no previous development of the key characters of Mark and Stacey and their love, inclusive for a better explanation of the motives of the ghost of Mark trying to bring Stacey to stay with him. The creepy and mysterious Thandi, who insists that lives with her mother that died when she was five years old, is simply wasted along the narrative. I expected to see her mother, but she is simply ignored and limited to be another lie of Thandi. The baby boy recalls "Chucky" in some moments, and Doc is completely stupid, at least not noticing that Stacey has had at least a nervous breakdown. In spite of the flaws in the screenplay, there are some creepy scenes along this film, which could be better and better based on the cast. My vote is six.

Title (Brazil): "Mensagem do Além" ("Message From Beyond")

"Ghost Son" takes place in South Africa.A married couple Stacey and Mark live on the farm with their black teenage maid.Mark and Stacey love each other deeply.Unfortunately Mark dies in a tragic truck accident.Stacey returns to the farm and decides to remain there since she feels close to Mark.She is also carrying Mark's baby.After delivering the baby Stacey quickly becomes sure that her infant son is possessed by Mark's spirit.The evil force tries to kill Stacey to bring her to Mark."Ghost Son" has the higher production values than Lamberto Bava's efforts.The production design is great and the cinematography is very lush.There are some dull moments and silly scenes,though.The climax is truly terrible.6 vomiting babies out of 10.

"Ghost Son" is Lamberto Bava's best film and, at the same time, also his worst. I suppose that statement requires some slight clarification. It's his best because it's well directed, ambitious, accessible and very stylish, but his worst because it's a dull, unoriginal movie and undeniably a huge letdown to all the real fans of Bava's past efforts. Let's face it: many fans, myself certainly included, wouldn't have been interested in this film judging by the plot, the famous names attached to it and even the boring sounding title. The only motivation here was Lamberto Bava, who brought us large amounts of convoluted Gialli and fun splatter films in the past. "Ghost Son" is a bit of his comeback film, alongside "The Torturer", and although the latter definitely isn't a good film, it at least lives up to his fans' lines of expectations, with excessive amounts of sleaze, blood and sadism. "Ghost Son" is a weak and intolerably soft horror film, even talking in terms of mainstream ghost stories. The emphasis lies too much on sentimentality, and this badly affects the already limited number of horrific & creepily atmospheric moments. The basic premise might feature one or two potentially good ideas, but the film is overall dull and far too clichéd. John Hannah and Laura Harring star as a happy couple, living on a remote ranch in South Africa and breeding horses for a living. The joy and happiness couldn't possibly improve, so naturally something tragic is bound to happen, and it does. Mark dies in a car accident, but the inconsolable Stacey remains at the ranch where she's in constant contact with Mark's spirit. She even gets pregnant with his child, but shortly after baby Martin's birth mysterious events begin to occur. It seems as if Mark's restless and selfish ghost 'possessed' the baby and uses him to encourage Stacy into committing suicide. With all the focus on the couple's relationship, many of the events and sub plots are underdeveloped and/or remains unexplained, like the whole background of the youthful maid Thandi. There's too little action and the only real fright-moments are too obviously borrowed from classic films such as "The Exorcist" and "Rosemary's Baby" (vomiting green goo, self moving furniture…). Purely talking in terms of horrific entertainment "Ghost Son" is a painful misfire, but it has to be said, it's a beautiful and enchanting looking failure. The cinematography is extremely elegant and many camera angles are truly inventive and suggestive. The moody score sometimes even manages to create an ominous atmosphere even though there's nothing of any significance happening on screen. There are several beautiful images of the South African wildlife to admire but, if that interests you, I suppose you're better off watching National Geographic instead. Not much to recommend here. Fans of atmosphere-driven ghost stories have much better options to choose from and die-hard Bava fanatics are advised to (re-)watch "Demons", "Macabre" or "Blade in the Dark".

If you read the blurb for this movie, either here at IMDb or on the back of the dvd, well, that's exactly what you get. What it doesn't tell you is how an apparently all up decent hard-working bloke suddenly becomes somewhat evil straight after death. You'll scratch your head over that one. As a movie premise it is original. Does it work? It didn't for me. There is a vision to this movie. The soundtrack, for example, would have been creepy and perfect, had the story been believable. I question the casting of the two leads as well. John Hannah is usually good in movies and TV, but in this he seems out of his depth, though not as much as Laura Harring. Her whole character, as well as her performance, just seemed wrong to me. Too much perfect makeup for an African farmer's wife, and just too slow off the mark to convince me whenever called to action. The horror elements seemed cobbled together from several other movies, which included the frequent brave camera angles. Maybe in 2007 all this was new enough to pass muster. If so, the movie has aged. There's problems with the storyline as well. Why is a woman babbling to a responsible doctor that her husband is still around and appearing to her still allowed to care alone for an infant? That one is explained by a weird spiritualism, painted as specific to Africa, that everyone believes in. That aspect of the movie is not convincing either, as there's very little side notes or cinematography to go with it, just a few lines from the local grandma. I didn't mind watching the movie as, because of its brave concept, it intrigued me when it didn't work. I enjoyed trying to figure out why, and I enjoyed trying to give it the benefit of the doubt. Ghost Son is a weird movie. If you really enjoy weird movies, and brave concepts for horror, then you may find more to enjoy in this than I did.

Now this, I really consider to be Lamberto Bava's international comeback-movie (instead of his previous lower budget effort, THE TORTURER, in 2005). You gotta hand it to the man: Coming back to the theatrical world of horror with an Italian/South African/Spanish/British co-production. And you know what? To my utmost surprise, it's even pretty decent (I saw this one before I saw THE TORTURER later this week, so you can imagine how unpleasant a surprise the latter was….). It's even hard to believe that GHOST SON and THE TORTURER were both directed by the very same director.

GHOST SON looks great! The cinematography looks astonishing. And Bava really took the time to direct this one. And he clearly had a very comfortable budget to work with (it always helps to have the money to afford a capable and talented crew). Almost every shot in this movie has movement (travel-shots, letting the camera slowly and stylishly turn around the actors, crane shots,….). It was a lust for the eye to see Bava finally being able to show his more technical directing skills again.

The story, on the other hand is a hit and miss deal again. I liked the fact that Bava is giving us a different take on your average ghost story. But while the movie manages to be effectively scary at some points, it also had quite some ridiculous, but highly entertaining events in it (a baby with a boner biting his mother's boobie????). Nevertheless, these events, to me, were extremely fun to watch (still too bad they damaged the over-all 'seriousness' of this movie a bit, though).

All-in-all, Ghost Son is a slow mover, but story-wise it did managed to keep my interest because I wanted to know to where it would all lead to, eventually (just don't expect any exciting twists or surprising conclusion to it because the denouement isn't exactly a spectacular climax). In a world filled with horror-movies containing derivative surprise-twists at the end, Ghost Son manages to simply avoid that trap. Rather rare these days, I'd say. But it was really the more than decent cinematography and Bava's skill-full directing that kept my going through this movie. Well, it even has more merits, of course. Like the good acting by Laura Harring and the adequate musical score. Not to forget Pete Postlethwaite's noticeable presence in this one.

I'm fully aware of the fact that a lot of people might not like this one as much as I did. Some people even might say THE TORTURER is a better movie. I say: Don't believe them, because it's not... but that's totally up to you, of course.