Diggers

Speaking as someone who actually was a full time digger on Great South Bay in Patchogue during the era of this movie, I can say to those who weren't, you will not get very much of a handle on what life was really like for us, not that I didn't recognize a lot of the characters in this film. I do applaud the filmmakers for their effort on trying to recreate as much of the clammers water world as they could with the budget they had to work with. The few period clam boats they could find were fairly accurate even if many were way underpowered with what looks like 15 horsepower period engines.

I of course enjoyed the few Long Island locations they used like the Silly Lilly and abandoned Cerullo's fishing stations. That said as a movie it was just OK. Not awful, (you want an awful 70's movie made in the 70's? watch "Two Lane Blacktop " sometime, but it was certainly not great either. The sad commentary I think is that like the industry that once supplied 70% of the worlds shellfish and is long gone, the days of trying to make a movie for a million and half dollars today are long gone too. It seems to me the cast and crew gave it an honest shot though.

Capturing a bit of Americana, a parcel of life foreign in nature to our own, has offered the opportunity to appreciate the diversity of living and of people in this country populated by ordinary yet extraordinary beings. Films that have focused on little family ventures ('Mystic Pizza'-type films) make us examine our own niche and grow to love variations on a single theme. DIGGERS, as written by Ken Marino (who also stars), is just such a story, a window on the life of clam diggers in the shores off Long Island. Yet as directed by Katherine Dieckmann and acted by a particularly fine cast, DIGGERS addresses the changes that occur in each of us as we progress from teenagers to adults - and all the potentially crippling and thrilling factors that can and do arise.

Four friends who dig for clams as their families have done for generations interact on levels of levity and anger, support and misunderstanding, and woven through the background of these four men's lives are the women (and children) who influence them. The apparently disparate men include wannabe photographer Hunt (Paul Rudd), procreator Lozo (Ken Marino), druggie philosopher Cons (Josh Hamilton), and womanizer Jack (Ron Eldard). Their lives intersect on many levels: the women in their lives - Hunt's needy divorced sister Gina (Maura Tierney) who after their father's death falls for Jack, Hunt's 'summer girlfriend' Zoey (Lauren Ambrose), and Lozo's constantly pregnant wife Julie (Sarah Paulson) - and the changes in the entire business of clamming rights as big business steps into the water. How these characters cope with the static that jars their day-to-day existence may seem small in importance to an outsider, but by the end of the film, we 'the outsiders' have grown to know and appreciate and love this little band of fellow beings.

The cast displays excellent ensemble acting and while the film has its rough edges, so does the little corner of the world described. It is a quiet little film, all the more beautiful for being so unpretentious. Grady Harp

Diggers is a touching character-driven drama about a group of family, friends and lovers living in a small town. It features outstanding acting from a cast made up, mainly, of little-known performers. The characters are interesting and well-developed through authentic dialog and the direction that effectively captures the small-town atmosphere. The story…well, did I mention that the characters and dialog are good? No real story here to speak of; just a meandering tale of people coping with changing life circumstances.

Paul Rudd, semi-familiar from roles in recent comedies like Knocked Up and 40 Year Old Virgin, plays Hunt, the last in a long line of clam diggers in a town where a ruthless corporation named South Shell is squeezing out the small individual clam diggers. Corporations suck. Anyone who doesn't think so, probably works for one. Hunt, along with his friends and family, struggles to come to grips with their dying way of life, as they live and love their way through the story. Maura Tierny is particularly impressive as Hunt's sister and Josh Hamilton is great as his erudite buddy while Alex Pickett steals scene after scene as a father under pressure.

This movie reminds me of Perfect Storm without the storm. The atmosphere is set and the characters are developed, but not much happens. Its not unpleasant to watch and doesn't really drag, but seriously, shouldn't something happen?

This work was first posted on realmoviereview.com

The reviews were pretty good for this one, and a former girlfriend of mine is in love with Paul Rudd, so that was the main reason I ended up seeing it. It was good...actually writer Ken Marino steals just about every scene that he's in. Lauren Ambrose does a good job, and I always have liked Maura Tierney.

Nothing special though. If you are interested in seeing it, then do so. If you're not, I wouldn't be going out of my way for this one.

The funniest part (unintentionally, I'm sure) of this movie is in the DVD Special Features, where a film reviewer in Dallas, who is affiliated with HDNet (the film's backer) says something like, "I know my company is affiliated with this movie, but this is honestly the best movie I've seen in the past year or year and a half." Please! It's nowhere near that good! Way to be objective!

Well, this an interesting movie. I liked it. I liked the characters, and the story was okay. Not a fast moving film, but that's okay. It goes along at it's own pace.

The characters are believable for the most part. It's hard to believe this film is set just an hour away from Manhatten.

So, here's my beef with this film. Certain things have become too commonplace in current films. Do we really need the vulgar language all the time? Is that a modern thing? Second, for some reason, there always had to be a sex scene. Do we really need that all the time? And thirdly, there always seems to be a seen of someone going to the bathroom , which in this film happens more than once. Come on film makers, some things really need to be implied and left to the imagination. I don't want to watch a movie and see a guy sitting on the toilet.