VALUTAZIONE IMDb
5,7/10
4800
LA TUA VALUTAZIONE
Con un'inesauribile sete di sangue, la contessa Elizabeth Bathory è stata una delle più prolifiche serial killer della storia.Con un'inesauribile sete di sangue, la contessa Elizabeth Bathory è stata una delle più prolifiche serial killer della storia.Con un'inesauribile sete di sangue, la contessa Elizabeth Bathory è stata una delle più prolifiche serial killer della storia.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 4 candidature totali
Deana Horváthová
- Darvulia
- (as Deana Jakubisková-Horváthová)
Jaromír Nosek
- Miklós Zrínyi
- (as Míra Nosek)
Recensioni in evidenza
Many reviews here find the monks' humor out of place, inappropriate, or they just didn't see the purpose of it. It's my opinion that if you didn't find it amusing, then its most likely more of a cultural difference than a matter of taste. This type of humor is very common in Slovakia and Romania. I'm saying this as a Slovak-American, someone married to a Romanian, and who lived in Romania for five years.
I also agree with the reviewers who point out this is a post-modernist historical fiction. It's more of a fantasy than either a horror tale or historical biography.
Yes, there are some flaws with the point-of-view at the beginning. The first part was disjointed because it kept switching plot lines and character focus, but the second and third parts worked magically. I'm sure it also seemed complex or confusing if you are not familiar with the inner struggles and politics of the Hungarians, Slovaks, and Romanians at that time. But, I find it interesting and even amusing that the conflicts still continue within these reviews about whose version of history is right (or best) -- the Hungarian Catholics, the Lutherans, the Slovaks, the Romanians in Transylvania, etc. That's basically the point of the movie! We'll never know the "truth" unless we could have had some spies there writing it all down in a record that also verified the other evidence. Every noble family and religion in that space has always had political power motives in presenting their own versions of history. It gets so crazy and sad at a point that all you can do is make a joke (like the monks) and try to laugh so you don't go crazy too.
I also agree with the reviewers who point out this is a post-modernist historical fiction. It's more of a fantasy than either a horror tale or historical biography.
Yes, there are some flaws with the point-of-view at the beginning. The first part was disjointed because it kept switching plot lines and character focus, but the second and third parts worked magically. I'm sure it also seemed complex or confusing if you are not familiar with the inner struggles and politics of the Hungarians, Slovaks, and Romanians at that time. But, I find it interesting and even amusing that the conflicts still continue within these reviews about whose version of history is right (or best) -- the Hungarian Catholics, the Lutherans, the Slovaks, the Romanians in Transylvania, etc. That's basically the point of the movie! We'll never know the "truth" unless we could have had some spies there writing it all down in a record that also verified the other evidence. Every noble family and religion in that space has always had political power motives in presenting their own versions of history. It gets so crazy and sad at a point that all you can do is make a joke (like the monks) and try to laugh so you don't go crazy too.
1. The dialogue writing and delivery are absolute cringe-worthy the entire duration of the film.
2. The film has a glaring anachronism in every scene.
3. I am not myself obsessed with plot holes, but when there are so many and they are so obvious it makes a viewer certain the writers assume their audience is mentally challenged.
Redbox got rights to this 2008 reject from Czech TV, and melted it down into a 3 hour movie that they tried to pass off with a horror sub-title, "Countess of Blood".
Instead, what you get is a Hungarian History lesson that is about as clear as Goolash. They take the notorious Blood Countess of Hungary, Erzabet Bathory, who was one of the influences for Dracula, and actually try to spin her in a positive light (Namely, that if she was brutal at all, she was brutal for the time she lived in.) A tighter, shorter movie would have worked better, without the unneeded characters like the two monks who come up with wacky steam-punk inventions.
I think the movie looks great and puts you in that time period pretty well... and it quickly touches on the politics of feudal Austria-Hungary. But it's really just too long and unfocused.
Instead, what you get is a Hungarian History lesson that is about as clear as Goolash. They take the notorious Blood Countess of Hungary, Erzabet Bathory, who was one of the influences for Dracula, and actually try to spin her in a positive light (Namely, that if she was brutal at all, she was brutal for the time she lived in.) A tighter, shorter movie would have worked better, without the unneeded characters like the two monks who come up with wacky steam-punk inventions.
I think the movie looks great and puts you in that time period pretty well... and it quickly touches on the politics of feudal Austria-Hungary. But it's really just too long and unfocused.
The great thing about this film is it's unique style, which has great flair, very like the best of Ken Russell. It doesn't try to be blandly mainstream, the director is too talented for that, he has too much vision to fit in with the prosaic , boring and anodyne rot usually filling our screens. This film entertains with gusto, flair, beauty and horror. One may quibble with any film and look for faults, but this film is fascinating and compelling, suitable for anyone interested in the drama of the life of Erzsebet Bathory. One soon comes to see through the eyes of the lead characters, their brutal and beautiful world lives and breathes again, shockingly, before our eyes.
Erzsabet's story is told in a such a colourful, dynamic and thoroughly gripping way, that certainly had me looking forward to seeing more, like asking for a second helping of a surprisingly delicious pudding, I relished what I found to be so enjoyable after having heard such bad reviews. Erzsabet's life and times were brutal and this is shown graphically but not too eye wateringly. The performances are highly entertaining and extremely powerful especially the characters of Erzsabet, Caravaggio and Thurzo. Some have quibbled about the English accents of the actors but actually I thought Ezsabet's Hungarian accent rather convincing, the chill of steel to the edge of her voice. It is a very accessible story, so who would be so daft as to require the actors to speak Hungarian and so lose half the audience, who are either too dense or lazy to read subtitles. Frankly a ridiculous quibble, one does not notice anything but how fine the performances truly are.
Visually stunning and beautiful, the script gives us a thumpingly good story and altogether it is a mesmerising piece of cinema. It is so powerful that twenty four hours after watching, it still haunts me and I look forward to seeing more from this director and creative team. I feel I've discovered, at last, a piece of English language cinema that isn't formulaic, that isn't dull and predictable, that isn't the same old same old, that isn't like every other pleasant enough but unimaginative 'product,' here is something unique and artistically brave and exciting.
Altogether I think one would have to be in a very sour and unforgiving mood to find fault. If you want to be entertained and why else watch, everyone should enjoy this unfairly maligned but unusually fascinating film.
Erzsabet's story is told in a such a colourful, dynamic and thoroughly gripping way, that certainly had me looking forward to seeing more, like asking for a second helping of a surprisingly delicious pudding, I relished what I found to be so enjoyable after having heard such bad reviews. Erzsabet's life and times were brutal and this is shown graphically but not too eye wateringly. The performances are highly entertaining and extremely powerful especially the characters of Erzsabet, Caravaggio and Thurzo. Some have quibbled about the English accents of the actors but actually I thought Ezsabet's Hungarian accent rather convincing, the chill of steel to the edge of her voice. It is a very accessible story, so who would be so daft as to require the actors to speak Hungarian and so lose half the audience, who are either too dense or lazy to read subtitles. Frankly a ridiculous quibble, one does not notice anything but how fine the performances truly are.
Visually stunning and beautiful, the script gives us a thumpingly good story and altogether it is a mesmerising piece of cinema. It is so powerful that twenty four hours after watching, it still haunts me and I look forward to seeing more from this director and creative team. I feel I've discovered, at last, a piece of English language cinema that isn't formulaic, that isn't dull and predictable, that isn't the same old same old, that isn't like every other pleasant enough but unimaginative 'product,' here is something unique and artistically brave and exciting.
Altogether I think one would have to be in a very sour and unforgiving mood to find fault. If you want to be entertained and why else watch, everyone should enjoy this unfairly maligned but unusually fascinating film.
Well first off, I have to say that this is a very difficult movie to follow. Too many characters, and too much stuff going on. I honestly can't tell you everything that happens in this movie, because there is a ton.
This movie did not need to be 2 hours long. It could have been shorter than its original run time. The movie is divided into three segments; First segment, where we learn about the painter, and our characters, is the most interesting best segment in the movie.
The second segment and third segments are about the witch and the king fighting with them. Erzsébet Bathory over land? (I think) which did not need to be long as it was. I can tell you that the Turk fighting scenes look amazing, and the movie is for the most part well shot. However, the story drags, it does get kinda dull after 1 hour passed. I was engaged and enjoyed the movie after the second hour started it just lost its sting for me it did. There are some beautifully shot scenes in this movie too, like the blood bath, and the blue flowers, which look incredible.
I can't see myself watching this thing again, but it was kinda fun. Also if you expect Gore in this, there's barely any gore in this at all, even the little bit of gore we see is incredibly tame.
There are films like the Girl with a Dragon Tattoo and Eyes of My Mother that are kinda tame in the start, but then snap you in the end. This movie was fun in the start but gets dull afterward.
This movie did not need to be 2 hours long. It could have been shorter than its original run time. The movie is divided into three segments; First segment, where we learn about the painter, and our characters, is the most interesting best segment in the movie.
The second segment and third segments are about the witch and the king fighting with them. Erzsébet Bathory over land? (I think) which did not need to be long as it was. I can tell you that the Turk fighting scenes look amazing, and the movie is for the most part well shot. However, the story drags, it does get kinda dull after 1 hour passed. I was engaged and enjoyed the movie after the second hour started it just lost its sting for me it did. There are some beautifully shot scenes in this movie too, like the blood bath, and the blue flowers, which look incredible.
I can't see myself watching this thing again, but it was kinda fun. Also if you expect Gore in this, there's barely any gore in this at all, even the little bit of gore we see is incredibly tame.
There are films like the Girl with a Dragon Tattoo and Eyes of My Mother that are kinda tame in the start, but then snap you in the end. This movie was fun in the start but gets dull afterward.
Lo sapevi?
- QuizFamke Janssen was originally signed on for the part of Bathory, but for reasons unknown she backed out. Anna Friel read the script and fell in love with it and sent the director a letter convincing him to cast her. It was written in Slovak language, because her babysitter was from Slovakia and helped her writing it.
- ConnessioniReferenced in Vsechnopárty: Episodio datato 24 giugno 2008 (2008)
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- Bathory: Countess of Blood
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- 7.005.528 USD
- Tempo di esecuzione2 ore 21 minuti
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- 2.35 : 1
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