Una vedova recente invita il problematico migliore amico di suo marito a vivere con lei e i suoi due figli. Mentre cambia la sua vita, aiuta la famiglia a far fronte alla perdita.Una vedova recente invita il problematico migliore amico di suo marito a vivere con lei e i suoi due figli. Mentre cambia la sua vita, aiuta la famiglia a far fronte alla perdita.Una vedova recente invita il problematico migliore amico di suo marito a vivere con lei e i suoi due figli. Mentre cambia la sua vita, aiuta la famiglia a far fronte alla perdita.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 2 candidature totali
- Distressed Man
- (as VJ Foster)
- Teresa Haddock
- (as Carolyn Field)
Recensioni in evidenza
The plot hinges on the Good Samaritan death of Steven Burke, a successful Seattle-based real estate developer whose sense of decency and devotion inadvertently triggers a series of events leading to the tragedy. Left behind are two broken people - his angry, emotionally fragile wife Audrey, who has two small children to raise by herself now, and his close friend Jerry Sunborne, a one-time lawyer who has become a full-blown junkie constantly strung out on heroin in a depressing SRO unit downtown. Even though Audrey is distrustful of Jerry, Steven has remained loyal - a point of contention that after Steven's death, motivates Audrey to invite Jerry to stay in her half-finished garage after the funeral. Their relationship becomes confused but at least, it does not make a predictable turn toward a romance. Instead, we witness Audrey's almost instantaneous dependency on Jerry and her subsequent resentment of him when he becomes a father figure for her children. From that point, it becomes gradually clearer that both need to move forward with their lives in light of their personal limitations.
As Jerry, Benicio Del Toro inhabits his role to maximum effect, bringing a haunted quality that he leavens with his natural charisma. He is particularly harrowing during his character's detoxification, and you can't help but root for his recovery no matter how uncertain it may be. Finally challenged by a role comparable to her breakthrough in Marc Forster's "Monster's Ball", Halle Berry does an admirable job in portraying Audrey's prickliness while maintaining a sympathetic core. At the same time, she is saddled with more of the plot contrivances than Del Toro and has a breakdown scene that feels a bit too calculated. David Duchovny's natural likability helps make Steven more than just an elliptical plot device, though his screen time is understandably limited to brief flashbacks. Alexis Llewellyn and Micah Berry (no relation to Halle) believably play Audrey's children, while John Carroll Lynch (the prime suspect in "Zodiac") provides welcome comedy relief as the Burkes' jogging neighbor, a real estate broker who wants to help Jerry turn his life around. Even though his character is supportive to the point of being idealized, Omar Benson Miller effectively plays Audrey's too-good-to-be-true younger brother, and Alison Lohman ("White Oleander") shows up late in the film as a persistently inquisitive recovering addict.
The 2008 DVD is relatively sparse on extras. There is no commentary track from Bier or the principal actors, but there is a twenty-minute making-of featurette, "A Discussion About 'Things We Lost in the Fire'", which features comments from Bier, Loeb, producers Sam Mendes ("American Beauty") and Sam Mercer, Berry, Del Toro, Duchovny, Lohman and Miller. Most of the focus is on Bier and Mendes who discuss getting the film off the ground, how she works with the actors and how the look of the film was achieved. Running about nine minutes, seven deleted scenes are included, mainly filler dialogue scenes that were understandably excised except for one with Jerry and a fellow addict out on the streets. The last extra is the original theatrical trailer. By the way, the film's title refers to Audrey's emotional catharsis when she reads an inventory list of things that were destroyed in the garage during an electrical fire prior to Steven's death.
Del Torro gives a poignant performance of a drug addict who struggles to change his life after the loss of his best friend - with quiet dignity. A must see at least once. Although the movie is long, I can't imagine cutting one moment of this powerful story. Cinematically it's superb.
Everyone who knows anyone who has struggled with addiction will be gripped by the performance of Del Torro.
In my mind Susanne Bier remains one of the most massively overrated modern-day directors. Essentially an executor of high-end dramatic drivel her most major flaw comes from attempts of integrated foreign elements into her story (the good doctor in Africa in "Haevnen" or an Afghanistan POW back-story in "Brodre") with such infantilism and well-intentioned but borderline misguided racism, that blow-back is inevitable. Nonetheless Sussane Bier is extremely effective and in-depth at uncovering frailties of family life, however any ventures outside her safety zone of first world reality are true calamities in her work.
Her fortunately the material stays close to home, giving a strong dramatic back-drop of the disruptive relationship of harrowing widow and recovering drug-addict. Nonetheless "Things We Lost in the Fire" feels at times like a compassionate top shelf family drama, occasionally glossy and with hints of soap opera, where the overall impact is increased by the powerful performance of Benicio del Toro. Every inch of his body aches and reacts, giving a truly masterful role, which is a real must. Whereas the story itself is intriguing, but somewhat unmemorable, images of del Toro and the pain, longing or remorse reverberating throughout his whole body is something that truly needs to be admired.
A lot of it depends on the actors' performances. Their emotions look raw. Halle Berry is wonderfully restrained. This is the first superb performance of hers I have seen since 'Monster's Ball'. Not that she's been less than satisfactory in anything else but here she is given a well written part in a long time. Benicio Del Toro is fantastic too. Both capture the essence of their characters and interestingly portray Audrey's and Jerry's different ways of dealing with grief. Moreover, Jerry has to face the additional challenge of fighting his addiction. John Caroll Lynch, David Duchovny and Alison Lohman provide great support. The child actors are brilliant too.
On the technical side, it is a well-made film. The cinematography is good. The background score is gentle and 'quiet'. The sets are quite appealing. I liked the Audrey's house.
'Things We Lost In The Fire' is a strong depiction of grief. The theme might be a little too heavy for some and not everyone seems to 'get' it but it is a well-intentioned great movie that tells a moving story.
Halle Berry and Benicio Del Toro give amazing performances and it is unfortunate that there are not more films that take advantage of their talents. I bet Halle Berry would not make so many bad films if she were given more scripts like this. The photography and directing are first rate.
If you have enough interest in this movie to be reading this review, you need to run out and see "Things We Lost In The Fire." This is a film about the things that matter most in life. It will lose much of it's impact on video, so you need to see it on the big screen while you can.
Lo sapevi?
- QuizRelease prints were shipped to some theaters under the fake title "Water".
- BlooperWhen Jerry is filling out his examination; he starts with his first name and then his last. However, on top of the examination, it clearly shows; Last, First, M.I. which is standard on most forms. Additionally, he uses his nickname as a first name when he should be using his legal name which is Jerald. This is likely a part of the character development to show he still has attention and focusing issues due to his addiction.
- Citazioni
Jerry Sunborne: Hi, my name is Jerry and I'm an addict. I've been clean for 89 days. My mind is clearer, and... I think it's getting better. Every day, a little bit. But I wanna talk about this dream I keep having. It always starts with me stealing silverware. Then I go sell it to this guy who I used to know who owned a catering service. Then with the money, I go to this place where I used to buy my drug of choice, and... he's not around. So I go to other spots, right, but for some reason, no one is around. All of Seattle is dry, and then I get that feeling... the dread... and I panic. And I start running, and it's raining, and it gets dark. And then I'm in my old apartment, and I'm thrashing right through it, looking for something I might have stashed away. And I think I'm having a seizure. And then I find a balloon hidden in my suitcase. So there I am... with a bag of junk in one hand, and the money for my next fix in the other... and I feel at total, utter peace. And I wake up. One day at a time. One day at a time. One day at a time. One day at a time. Thank you.
- Colonne sonoreSweet Jane
Written by Lou Reed
Performed by The Velvet Underground
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
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Botteghino
- Budget
- 16.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.287.315 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.561.949 USD
- 21 ott 2007
- Lordo in tutto il mondo
- 8.591.255 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1