Old Joy

Everyone has been there, had a really close friend when growing up and somehow lost contact only to meet up years later to find that you have taken different paths and it's become a little awkward. You still have your past but as time has moved on you've grown apart. It's an age old story but in this instance told so beautifully against the backdrop of the Oregon woods. Mark (Daniel London) and Kurt (Will Oldham) are the old friends reunited in their weekend camping trip of walking, talking, smoking pot and drinking beer. Along with Mark's dog they venture into the lush forest to look for a set of natural springs that Kurt remembers from a few summers ago. The dynamism between the two characters is great and the casting of Oldham as the kind of drop-out figure against Mark's soon to be dad with his newly found family responsibility is perfect. The soundtrack is hauntingly complimentary to the camera work and overall style and its no surprise that it's done by Yo La Tengo a band known for their sweeping instrumental pieces and at times because the dialogue is so sparse it often feels like your watching one of their videos punctuated by spoken inserts, which is no bad thing. Essentially Old Joy is one of those films where not a lot really happens, there is amazing scenery, comical conversational sections, a moving if very light story about human nature and life and a kind of lament on lost friendships and strange unspoken love. At just over an hour this little American tale unfolds with an exquisite subtlety and not only is it a joy to watch, it also makes you feel kind of warm inside. What a brilliantly rare little movie.

which is exactly what this film is supposed to be. Boring? Not a chance, unless of course you're a fan of what film has unfortunately become; chaotic cross cuts of meaningless images.

The soundtrack, the acting, the direction and scenery all add to this beautiful, intimate story about two friends trying to find solace in this chaos we call life.

Too many films today think high powered story lines, which generally equal meaningless dialogue make for an interesting film, which couldn't be farther from the truth.

It's about time we let film be film by allowing the images to tell the story.

Don't miss it. This is a nice, rare gem.

Two old friends meet up to visit a hot spring out in the woods and spend a night camping out in Oregon. There's no incident or thrill to be found in this slight piece and the viewer's enjoyment depends as much on what they may bring to the film as to what the film delivers. We learn very little about the character's back-story and this allows the viewer to meditate on their own lost friendships and on life's small disappointments.

Old Joy is one of those films that celebrates the small moments in life; the transcendent beauty of nature, the sudden realisation that this is all there is. Old Joy feels like an old friend with its comfortable silences and gentle humour and its worth taking the trip with this film.

I had no idea what this film was about other then the short description in the Cable Guide. I anticipated smaller version of the buddy-film genre and figured if it wasn't worth watching it would get erased after 10 minutes. But I was drawn in within that first 10 minutes. Perhaps not everyone will understand the film, as some of the other comments posted here suggest. But if you have ever had a good friend and lost them to time this is a bittersweet retelling of that tale. It's true the dialog is sparse but that is because to make it more specific and verbose would not let the viewer blend what's happening in the film with what has happened in their own life, it would just be another impersonal film about others. To those of us who have been there, we are part of this film.

When was the last time you relaxed at a movie? That's not the same as saying you relaxed WITH a movie, but that the movie itself relaxed you. A simple and subtle difference in tune with this simple and subtle film where the small touches and gentle silences speak more than any plotting or dialog.

OLD JOY is a true anomaly in today's market. During the heyday of the Studio era, it wasn't unusual to see films that were as short as OLD JOY's 76 minutes, in fact, they were often shorter. Today, only a few animated films and truncated/butchered films are ever this short.

In a way, all of the effusive praise the film has gotten can be counter-productive in that expectations are elevated, and audiences may expect something more heavily plotted or profound. Based on a short story, this is a sort of short feature. In literature, the short form has its own limitations and virtues that they don't necessarily share with novels. Film is more tangible, and OLD JOY can be experienced as a slice of life - a moment in time (here for a couple of friends). We are simply asked to observe and (hopefully) reflect on the road trip we witness.

The length of the film is only the most obvious and measurable way in which OLD JOY separates it from the stream of American film, but, it is the natural grace and will to not strain for effect that truly marks it as different. Just sit back and relax.

I couldn't help but wonder what would happen if you could somehow "force" an audience who think they are about to see JACKASS or the latest Slasher film to watch OLD JOY instead (hopefully, not having to resort to CLOCKWORK ORANGE type tactics!).