Messiah: The Harrowing

Messiah, The Harrowing remains one of the best dramas I've seen. The story is compelling, suspenseful and intensely intriguing. The story unfolds so neatly, with the killer always one step ahead of Red and co. The Dante element adds an intriguing darkness throughout, resulting in some particularly grizzly crimes.

Apart from being one of the best scripted crime dramas I can recall, it's also one of the best acted I can think of too. Maxine Peake is excellent as Vickie, I prefer her to Frances Grey's Kate. I always enjoy watching Hugo Speer, and this ranks as one of his best outings, he's emotionally charged and totally sincere. Standout performance comes from the diminutive Helen McCrory, it's no wonder she's so much in demand, I think it's fair to say she is the standout in this, she is sensational, the emotion, anger and intensity she delivers is incredible. To this day I think the rooftop scene with Red and Rachel is one of the best acted scenes I've witnessed.

If I had one criticism, it would be the exclusion of Michelle Forbes, Red's scenes with Susan always added something extra, the character's exclusion was never explained either.

Such a shame we didn't get more episodes, this deserved to run for longer, a first rate drama. 10/10

if you love series like prime suspect, you will love this smart offering from the BBC. For the three nights it was on I was glued to the screen. Everyone in the cast has out done past work on messiah and other programmes they have done in the past. It was good strong drama for the bank holiday weekend, the story develops with each murder and you find yourself playing detective along with "red" and his team. Messiah does not spoon feed you like some dramas tend to do but makes you work as hard as the characters do in trying to figure out what is going on. Each Character has dimensions and layers and as the case gets more harrowing you learn more about them. The stars of Messiah may not be Brad and Morgan but they can hold their own in this. England is free of rain in this drama on a bank holiday weekend for once. This series should be on more often. the only thing left to say is: watch it, watch it!

Plus point - The excellent storyline, although not exactly original, keeps you in suspense the whole way through (not surprising given that it's a thriller after all) and it's highly unlikely you'll guess the ending until it arrives. Minus points - the ending is somewhat of an anti-climax and appears rushed. Ken Scott, while generally excellent as the lead character, does have a tendency to over-do it on a couple of occasions. This is the first Messiah I've seen and all-in-all, not a bad way to wind down in the evening, but unless you're a keen fan (the sort who reviews a mini-series before the last episode say), I wouldn't make a big effort to catch a repeat.

The first episode of this three-part thriller (fourth in the series) was definitely tip-top in my opinion. It offered all the gore and mystery that kept us glued to our seats during the first Messiah instalment (maybe the other two as well, but not all would agree).

However, the pace and development of the story seemed to be lacking once the Dante connection to the murders was found. While still thrilling and gruesome, the plot became a little complicated to decipher. Personally, I love murder mystery thrillers to be spell-ed out to me, so that I leave happy in the knowledge that I know everything, and I have no unanswered questions.

Still hoping that all would become clear, I watched the final episode intently. Again, it was definitely worth watching, but be warned - if you're lazy like me and want everything to be made very clear, or not clever enough to latch on to what's going on, you may be left a little unsatisfied.

If you're new to the Messiah series, I would definitely recommend the first one, at least as a starting point. This one is still worth a look, though.

'Messiah' is an incredibly compelling show and should have lasted longer.

It got off to a great start with a thrillingly taut and uncompromisingly disturbing first series, the second series was every bit as strong but while still solid because of the difference in tone, the over-obviousness and ridiculousness of the final solution and the wrong characters being underused the third series disappointed a bit.

"The Harrowing", the fourth series of 'Messiah', is a return to form, and to me it's the best since the first series and comes close to outdoing it. It looks great, there is a great deal of atmosphere and it's all beautifully and stylishly filmed. It's ominously but never over-bearingly or intrusively scored, some of the music is effectively understated, and the direction doesn't let the tension slip, the atmosphere to dissipate or the pace to rush or plod.

Writing is thoughtful and tautly structured, while the story draws one in right from the start and never lets go, it's tightly paced, suspenseful and apart from getting a tad complicated in places it's always cohesive. It also never feels bloated from trying to do too much or too thin from not having enough going on. The murders are inventive and harrowing, and the final solution is the best of all five series to me, it's the most shocking, the most plausible in motive and the best developed.

The characters are written with much more balance and focus here, with Red actually feeling like a main character here in the way that he was too much of a supporting character in "The Promise". The acting is spot on, Ken Stott maintains his usual high standard as Red and has a riveting intensity, nothing came over as overdone to me, and Neil Dudgeon continues to excel in what I consider his best role. The supporting cast are strong, with Helen McCrory being in particular a revelation.

In summary, a return to show for 'Messiah' and the best since the first series. 9/10 Bethany Cox