Omen - Il presagio

In a nutshell, if you've never heard of the original or are unaware of the storyline, the average horror film lover will enjoy this flick. If however you saw/liked the original, you'll likely still enjoy it..but you'll know exactly what's coming next because it is very faithful to the original. In fact, in most scenes, it's a line-by-line remake, and many camera shots are virtually identical to the 1976 version. What has changed is that Damien's parents are younger, and it's been updated to reflect a contemporary world of today. Also, the screenwriter decided to throw in 9/11 and recent disasters as indicators that the Armageddon is on it's way via Damien Thorne. (SPOILERS FOLLOW) There are elements of "Final Destination", but the original Omen was in fact the first to play with this type of death scene(s), where things mysteriously happen to people through strange accidents,etc. Having said that, these scenes are a little different from the original (most of them anyway) and again, as a horror fan, you'll enjoy the fact that they don't pull any punches graphically.

Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.

Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).

So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.

Virtual scene-for-scene remake of the 1976 Omen film with the 21st century music video gloss that passes for cinematography now. That this was made by the same director who would later do the awful Max Payne and A Good Day to Die Hard should come as no surprise. John Moore is a director more focused on making a film look good than actually be good.

Did The Omen need to be remade? Of course not but such is the nature of the business. Before I start going on a diatribe about that, I'd better get back to this film and what's good or bad about it. What's good: some nicely staged scenes, but nothing particularly creative or original. For a director so obsessed with visuals, Moore offers little to improve upon the original's film's creative death set pieces. He just copies them. How creatively bankrupt is this man? As for the bad: the movie is plodding, unoriginal, often boring with no suspense or scares worth mentioning. Will viewers unfamiliar with the original film feel the same way? I think so unless these viewers are just generally unfamiliar with movies altogether. The cast is nothing to write home about. Julia Stiles tries and Liev Schrieber is dull as mud. Mia Farrow does fine with a performance that, judging by some of the praise I've seen, is a tad overrated.

Overall, it's yet another misfire remake of a superior film. Do yourself a favor and see the original instead. If you already have seen the original, watch something else. Something new or something old you haven't seen before. Just not another crappy horror remake.

This remake is like listening to a cover version of a Beatles song. You like it but really want to hear the original again. The original Omen is such a terrific film, convincing, beautifully cast and with a great, raw Brit Gothic feel to it. The remake is a slightly glossier affair which is enjoyable enough but doesn't really take the story in any new directions, although it hints that it will. Opening images of 9/11 and the Asian tsunami promise a new take on the tale, but with the exception of the very final scene, this doesn't really happen. The set pieces of the original were beautifully done - here they're well done but don't seem to last long enough; they don't feel 'special' enough. The cast is good but, again, it lacks the gravitas of the original. This ambassador is no Gregory Peck. Overall, this isn't a bad way to spend two hours in the cinema - it's a hundred times better and more cinematic than The Da Vinci Code for instance - but could have been a lot more than it is.

I really liked the original Omen. It didn't need to be re-made. There is nothing that modern film-making has brought to this film to make it stand out against the original. It's not as scary, not as honest or raw. The original film is genuinely disturbing -- from the dogs, to the nanny, to Damien... this modern remake just isn't as convincing. It has it's moments, and isn't that terrible, but there's an annoying distance, or separation between the subject matter and the film. It's too clean, too polished... it just isn't evil enough.

The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning.

The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.

One of the most soulless remakes that came out at a time when soulless, safe remakes of horror classics seemed even more popular than usual. There's nothing here that's an improvement upon the original, released 30 years earlier, with that film overall still holding up as a horror classic. I feel like the only reason this version of The Omen exists is so they could release it on the sixth day of the sixth month in 2006.

Everyone's going through the motions, the story remains the same, and all the big scenes that you probably still remember from 1976's The Omen are trotted out here, with it feeling like seeing a band you liked decades ago do a reunion concert, only most of the founding members are gone, and those who are still there are like old grey mares (they ain't what they used to be).