Manmadhan
- 2004
- 2h 45min
VALUTAZIONE IMDb
7,2/10
3235
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen Mythili meets Madhan, she's at once attracted and terrified since he looks exactly like the serial killer from her nightmares. In fact, he fits the description of a man who targets wome... Leggi tuttoWhen Mythili meets Madhan, she's at once attracted and terrified since he looks exactly like the serial killer from her nightmares. In fact, he fits the description of a man who targets women in bars.When Mythili meets Madhan, she's at once attracted and terrified since he looks exactly like the serial killer from her nightmares. In fact, he fits the description of a man who targets women in bars.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Silambarasan TR
- Mathan Raj
- (as T.R. Silambarasan)
- …
Recensioni in evidenza
Simbu has done the Ultimate Performance
This movie is very emotional and comedy
Musics are very good, There are some logic mistake
Because,it was simbu's first direction and not a professional,he did very well." Very Emotional"
Good Movie. Everybody acted very good in the movie. Songs and BGM in the movie were excellent. The movie was so interesting and thrilling. The movie lagged and bored a bit at 1st half. The 2nd half in the movie was so interesting and thrilling. Good Movie.
manmadhan is a must-watch flick for all movie-lovers,youngsters and particularly the NEW GENERATION GIRLS.the theme of the movie was very apt to modern times and the taking of the film was good.specifically the screenplay of the movie was too good,very appreciative on simbhu's part.in other movies they really do not show to the viewers,on the screen,something which turns out to be......-i just don't wanna reveal.simbhu is too young to make someone like me to expect such amazing work from him.becoz i always thought simbhu lacks smart looks.but only after watching manmadhan did i realise that for an actor -his/her looks count nothing at all-all that matters is the FINE SKILL OF ACTING that lies within him/her.simbhu's performance as a "pretending to be a psycho" in the beginning of the movie was really cool.Oh no...!!!!!!i just forgot to mention about sindhu tolani who played the sweet,cute but.......in this flick.her performance was just beyond accolades and appreciation acc. to me.all the hot models in the movie-who played the MODERN GIRLS-added a bit more charm to manmadhan.finally jo(jyotika) was nice and good as usual.this movie once again makes all south indians spellbound by the genius of tamil film-making.
Let's take a deeper look at why Manmadhan is a problematic and nonsensical film.
1. Problematic Themes and Messaging
One of the biggest issues with Manmadhan is its glorification of toxic masculinity and problematic ideas about love and revenge. The film presents the protagonist, who murders women he deems "morally corrupt," as a misunderstood anti-hero rather than a deeply disturbed individual. This reinforces harmful stereotypes about women and relationships, promoting the idea that women who do not conform to traditional values deserve punishment. The justification given for the protagonist's actions is flimsy and deeply troubling, reducing complex moral and social issues to a simplistic and regressive narrative.
Moreover, the film tries to evoke sympathy for a character who engages in violent and psychopathic behavior, which sends the wrong message-especially to younger audiences. Instead of offering a nuanced take on trauma and obsession, it romanticizes revenge and paints the killer as a tragic figure.
2. Contradictory and Illogical Plot Points
The storyline is riddled with inconsistencies and illogical twists. The protagonist is shown leading a dual life, effortlessly balancing a college student persona with his serial killer alter ego, without raising suspicion. The way the film handles investigations, police work, and even basic character interactions feels detached from reality. Key plot points rely heavily on coincidence and forced suspense rather than genuine storytelling.
For instance, the "twist" involving the twin brother feels like a last-minute addition to justify the protagonist's actions and provide an escape from moral accountability. It's a lazy way to tie up loose ends rather than an intelligent revelation. The lack of proper foreshadowing makes the twist feel cheap and undeserved.
3. Weak Female Characters and Misogyny
Women in Manmadhan exist purely to serve the male protagonist's narrative, either as objects of desire or as cautionary examples of "bad behavior." They have no agency, depth, or meaningful arcs. The film consistently portrays women who are sexually liberated or independent in a negative light, reinforcing outdated gender norms.
Even the so-called "good" female characters are reduced to stereotypes-damsels in distress who exist only to be saved or mourned. The lack of meaningful female perspectives makes the film one-sided and shallow in its treatment of relationships and morality.
4. Over-the-Top Performances and Cringe-Worthy Dialogue
Silambarasan's performance is often exaggerated, making it difficult to take the character seriously. His attempts at brooding intensity come off as forced, and the heavy reliance on slow-motion shots and dramatic pauses makes the film unintentionally comical at times. The dialogue is filled with clichéd lines about love, betrayal, and revenge, often bordering on cringe-worthy melodrama rather than compelling storytelling.
Supporting characters, instead of adding depth, serve as mere fillers to move the plot forward. Many scenes feel dragged out and unnecessary, with repetitive sequences that test the viewer's patience.
5. Overuse of Songs and Unnecessary Romance
Instead of focusing on tightening the narrative, the film frequently shifts to unrelated song sequences that break the already weak pacing. While a few tracks became popular, their placement in the story feels forced and disrupts the flow. The romantic subplot feels unnecessary and poorly developed, with little chemistry between the leads.
Conclusion
At its core, Manmadhan is a film that attempts to blend psychological thriller elements with commercial entertainment but fails to do justice to either. Its problematic themes, nonsensical twists, weak female representation, and illogical writing make it a deeply flawed movie that doesn't stand up to scrutiny. Rather than being a gripping thriller, it comes across as a poorly executed fantasy that sends the wrong messages about relationships, revenge, and morality.
If you're looking for a well-crafted psychological thriller, Manmadhan isn't it.
1. Problematic Themes and Messaging
One of the biggest issues with Manmadhan is its glorification of toxic masculinity and problematic ideas about love and revenge. The film presents the protagonist, who murders women he deems "morally corrupt," as a misunderstood anti-hero rather than a deeply disturbed individual. This reinforces harmful stereotypes about women and relationships, promoting the idea that women who do not conform to traditional values deserve punishment. The justification given for the protagonist's actions is flimsy and deeply troubling, reducing complex moral and social issues to a simplistic and regressive narrative.
Moreover, the film tries to evoke sympathy for a character who engages in violent and psychopathic behavior, which sends the wrong message-especially to younger audiences. Instead of offering a nuanced take on trauma and obsession, it romanticizes revenge and paints the killer as a tragic figure.
2. Contradictory and Illogical Plot Points
The storyline is riddled with inconsistencies and illogical twists. The protagonist is shown leading a dual life, effortlessly balancing a college student persona with his serial killer alter ego, without raising suspicion. The way the film handles investigations, police work, and even basic character interactions feels detached from reality. Key plot points rely heavily on coincidence and forced suspense rather than genuine storytelling.
For instance, the "twist" involving the twin brother feels like a last-minute addition to justify the protagonist's actions and provide an escape from moral accountability. It's a lazy way to tie up loose ends rather than an intelligent revelation. The lack of proper foreshadowing makes the twist feel cheap and undeserved.
3. Weak Female Characters and Misogyny
Women in Manmadhan exist purely to serve the male protagonist's narrative, either as objects of desire or as cautionary examples of "bad behavior." They have no agency, depth, or meaningful arcs. The film consistently portrays women who are sexually liberated or independent in a negative light, reinforcing outdated gender norms.
Even the so-called "good" female characters are reduced to stereotypes-damsels in distress who exist only to be saved or mourned. The lack of meaningful female perspectives makes the film one-sided and shallow in its treatment of relationships and morality.
4. Over-the-Top Performances and Cringe-Worthy Dialogue
Silambarasan's performance is often exaggerated, making it difficult to take the character seriously. His attempts at brooding intensity come off as forced, and the heavy reliance on slow-motion shots and dramatic pauses makes the film unintentionally comical at times. The dialogue is filled with clichéd lines about love, betrayal, and revenge, often bordering on cringe-worthy melodrama rather than compelling storytelling.
Supporting characters, instead of adding depth, serve as mere fillers to move the plot forward. Many scenes feel dragged out and unnecessary, with repetitive sequences that test the viewer's patience.
5. Overuse of Songs and Unnecessary Romance
Instead of focusing on tightening the narrative, the film frequently shifts to unrelated song sequences that break the already weak pacing. While a few tracks became popular, their placement in the story feels forced and disrupts the flow. The romantic subplot feels unnecessary and poorly developed, with little chemistry between the leads.
Conclusion
At its core, Manmadhan is a film that attempts to blend psychological thriller elements with commercial entertainment but fails to do justice to either. Its problematic themes, nonsensical twists, weak female representation, and illogical writing make it a deeply flawed movie that doesn't stand up to scrutiny. Rather than being a gripping thriller, it comes across as a poorly executed fantasy that sends the wrong messages about relationships, revenge, and morality.
If you're looking for a well-crafted psychological thriller, Manmadhan isn't it.
This is Simbu's take after newly emerging heroes donning psychotic roles. However, Simbu is the first to have penned the story on himself! A very disturbing show that you cannot stop thinking about for at least weeks after watching it! This is because of the storyline of a serial killing casanova with a haunting past that makes him go pychotic till he falls for the lead heroine. CD is also worth every cent of your money with great songs, few sung by Simbu himself. Despite the fact that heroine jyothika is older than Simbu, they make a lovable pair. A great show worth your money and the CD is guaranteed to blow your mind. There might be a sequel to this show too, titled "Vallavan" that is coming out in theatres this year.
Lo sapevi?
- QuizThe film was given an A certificate by the Censor Board with some cuts for theatrical release and as the production cost had over-run, exhibitors and distributors were made to cough up some money for smooth release on Deepavali weekend.
- Versioni alternativeThe theatrical release was given an A rating with some cuts including sexual scenes. The duration is 166-172 minutes.
- ConnessioniReferenced in Vantha Rajavathaan Varuven (2019)
- Colonne sonoreThathai Thathai
Written by: Vaali
Produced by: Yuvan Shankar Raja
Performed by: Silambarasan TR, BlaaZe, Vasundhara Das and Clinton Cerejo
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Dettagli
- Tempo di esecuzione
- 2h 45min(165 min)
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