L'ex recluso Jensen Ames è costretto dalla direttrice di un noto carcere a competere nello sport più popolare del mondo post-industriale: una corsa di macchine in cui i detenuti devono uccid... Leggi tuttoL'ex recluso Jensen Ames è costretto dalla direttrice di un noto carcere a competere nello sport più popolare del mondo post-industriale: una corsa di macchine in cui i detenuti devono uccidersi l'uno con l'altro sulla strada per la vittoria.L'ex recluso Jensen Ames è costretto dalla direttrice di un noto carcere a competere nello sport più popolare del mondo post-industriale: una corsa di macchine in cui i detenuti devono uccidersi l'uno con l'altro sulla strada per la vittoria.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 5 candidature totali
Frederick Koehler
- Lists
- (as Frederick Koehler, Fred Koehler)
Recensioni in evidenza
I always hate it when all those high class critics from the newspapers and journals bash a film for not being what THEY want it to be and not looking at it for what its SUPPOSED to be.
The title is "Death Race" after all. No-one ever expected it to win any golden trophies in the first place. So what if the acting was a bit bland and the plot was a little weak. That's not was the movie is supposed th be about.
It's not a Martin Scorsese film where you sit back and think "Oh, that is very thought-provoking and I feel that I've truly learned something inspirational today." No. This is a film where you sit back, look at it, and think "Holy ****!! Did you see that ********** explosion?!"
This is a film where you have fun in. Don't worry if you walk away with nothing meaningful to talk about at the end. Go ahead and laugh at its stupidity. I guarantee you you'll still have a much better time that watching something like Capote
The title is "Death Race" after all. No-one ever expected it to win any golden trophies in the first place. So what if the acting was a bit bland and the plot was a little weak. That's not was the movie is supposed th be about.
It's not a Martin Scorsese film where you sit back and think "Oh, that is very thought-provoking and I feel that I've truly learned something inspirational today." No. This is a film where you sit back, look at it, and think "Holy ****!! Did you see that ********** explosion?!"
This is a film where you have fun in. Don't worry if you walk away with nothing meaningful to talk about at the end. Go ahead and laugh at its stupidity. I guarantee you you'll still have a much better time that watching something like Capote
Now here's an exploitation film that knows what a solid B-movie is supposed to be: an action-dense, amped-up, gore-soaked killfest. It's the cinematic equivalent of eating that entire box of Red Vines you bought at the snack bar, using them as candy straws to suck down your extra-large Coke.
As a fan of the original "Death Race 2000," I was pleased to see just enough of a shadow of the original movie inhabiting the skin of the new one. Roger Corman's name on the producing credits gave me hope at the start, and his seal of approval seemed to mean something, perhaps as counterweight to Paul W. S. Anderson's track record of shooting mediocre video game adaptations. Surprisingly, Anderson rises to the occasion, effortlessly elevating a cliché-rich but fast-moving script to the level of a satisfyingly adrenalin-fueled confection aimed like a bullet at the A.D.D.-addled brains of the short-attention-span generation.
Set in an "Escape From New York"-style dystopic prison-culture (that sounds suspiciously like current American society), slaughter happens, stuff blows up, and the weak are culled like bunnies caught in the headlights of gas-sucking American muscle cars. Fans of the "Twisted Metal" video game will love the newest wrinkle in the race, the addition of weaponry a needed bloody bump for version 2.0. And what a bump it is, with each car's chugging machine guns indiscriminately spewing hot rounds at every foe, shredding Detroit steel like it was used Kleenex. It's unabashed gun fetishism at its gleeful best, and it makes you want to strap an M60 to the hood of your Prius in order to cut your commute in half.
Jason Statham does his standard tough-guy job as the scowling Frankenstein, Joan Allen plays a ball-busting warden (perhaps a bit in the mold of Louise Fletcher's Nurse Ratched), and Ian McShane of "Deadwood" has a solid cameo as the prison-wise mechanic, Coach. Even Machine Gun Joe gets a new incarnation in the form of Tyrese Gibson, who thankfully is nothing like Stallone's blustering Italian meatball.
I loved it, and can't wait to see it again in a theater with enough bass to pump up those impact crunches to the bone-jarring level they deserve.
Yeah!
As a fan of the original "Death Race 2000," I was pleased to see just enough of a shadow of the original movie inhabiting the skin of the new one. Roger Corman's name on the producing credits gave me hope at the start, and his seal of approval seemed to mean something, perhaps as counterweight to Paul W. S. Anderson's track record of shooting mediocre video game adaptations. Surprisingly, Anderson rises to the occasion, effortlessly elevating a cliché-rich but fast-moving script to the level of a satisfyingly adrenalin-fueled confection aimed like a bullet at the A.D.D.-addled brains of the short-attention-span generation.
Set in an "Escape From New York"-style dystopic prison-culture (that sounds suspiciously like current American society), slaughter happens, stuff blows up, and the weak are culled like bunnies caught in the headlights of gas-sucking American muscle cars. Fans of the "Twisted Metal" video game will love the newest wrinkle in the race, the addition of weaponry a needed bloody bump for version 2.0. And what a bump it is, with each car's chugging machine guns indiscriminately spewing hot rounds at every foe, shredding Detroit steel like it was used Kleenex. It's unabashed gun fetishism at its gleeful best, and it makes you want to strap an M60 to the hood of your Prius in order to cut your commute in half.
Jason Statham does his standard tough-guy job as the scowling Frankenstein, Joan Allen plays a ball-busting warden (perhaps a bit in the mold of Louise Fletcher's Nurse Ratched), and Ian McShane of "Deadwood" has a solid cameo as the prison-wise mechanic, Coach. Even Machine Gun Joe gets a new incarnation in the form of Tyrese Gibson, who thankfully is nothing like Stallone's blustering Italian meatball.
I loved it, and can't wait to see it again in a theater with enough bass to pump up those impact crunches to the bone-jarring level they deserve.
Yeah!
If "Mario Kart" was a movie and it had characters similar to the video game "Twisted Metal" this movie would be it. I really don't see why critics bash this movie so much, yes it isn't a Oscar worthy movie nor is it a very intelligent movie. But it sure is entertaining and was so stupid to the point it got irritating. People that decide to see this movie should know what they are getting into or else they might dislike it. Overall when I saw this movie in theater I really enjoyed it and had a blast with it, sure some of the plot holes are obvious but this is still a solid thrill ride. Personally I had a blast with this movie and Jason Statham was good in this role since he fit in with his tough guy exterior and I bought it. There is good amount of sex appeal and Ian McShane is just right as well while playing the character named Coach. This is a thrill ride that is like watching a actually entertaining video game movie. However if the script was a bit more intelligent it would have been better though although I didn't expect a solid script from Paul W.S. Anderson.
7.4/10
7.4/10
2012 the economy has hit bottom, broke through and has kept on descending. Along the way prisons have been handed over to the private sector that have chosen to make a profit by broadcasting gladiatorial style death matches starring the inmates, with the reward to the inmates after 5 victories FREEDOM Enter Jensen Ames (Jason Stratham) a recently unemployed steel worker and former race car driver who lost his license but no matter how bad things are, he's a happy man as long as he has his family.
That is, until he's set up for the murder of his wife, imprisoned, and forced to compete in Death Race if he ever hopes to see his daughter again.
But enough of the plot! A paragraph blurb at the start and 8 minutes of character development is pushing the limits of this flick and that's not why a person would see a W.S. Anderson/Jason Stratham action flick and besides, a plot would allow "plot holes" and who needs to deal with that headache? The rest of the movie takes place in the 3 days of Death Race. The first 2 days are competition/elimination rounds reminiscent of Mario Kart as if it was designed by some rogue member of GTA on a disgruntled day but who loved the hidden short cuts and power-ups.
Amongst all the adrenaline filled action, Anderson makes sure to toss in the occasional character development or when he's feeling really daring he'll toss in some pseudo-dramatic realization our hero comes across which helps remind the movie-goer that the movie has a plot rather than just a string of explosive action sequence. All of this is done with the utmost use of cliché and designed to inspire the excitable little 12 year old boy in many of us to stay riveted in our seats as we wait for Jensen to strike with angry revenge for all he's been through.
The movie is everything a modern day movie aficionado should not like. It's brainless, sexist, ridiculously violent, and lacks any redeemable qualities. These are also all the reasons why I had so much fun with the movie. I went seeing what I expected and that's exactly what I wanted to see!
That is, until he's set up for the murder of his wife, imprisoned, and forced to compete in Death Race if he ever hopes to see his daughter again.
But enough of the plot! A paragraph blurb at the start and 8 minutes of character development is pushing the limits of this flick and that's not why a person would see a W.S. Anderson/Jason Stratham action flick and besides, a plot would allow "plot holes" and who needs to deal with that headache? The rest of the movie takes place in the 3 days of Death Race. The first 2 days are competition/elimination rounds reminiscent of Mario Kart as if it was designed by some rogue member of GTA on a disgruntled day but who loved the hidden short cuts and power-ups.
Amongst all the adrenaline filled action, Anderson makes sure to toss in the occasional character development or when he's feeling really daring he'll toss in some pseudo-dramatic realization our hero comes across which helps remind the movie-goer that the movie has a plot rather than just a string of explosive action sequence. All of this is done with the utmost use of cliché and designed to inspire the excitable little 12 year old boy in many of us to stay riveted in our seats as we wait for Jensen to strike with angry revenge for all he's been through.
The movie is everything a modern day movie aficionado should not like. It's brainless, sexist, ridiculously violent, and lacks any redeemable qualities. These are also all the reasons why I had so much fun with the movie. I went seeing what I expected and that's exactly what I wanted to see!
Definitely better than the ridiculous "Righteous Kill", that we had the doubtful honor to view today also, at the same press screening, here in Bucharest, Romania.
"Death Race" is a honest to God action movie, without any bigger-than-life pretensions. The script follows correctly an old tested and tried recipe, everything is at its place, and although you can easily plot out the whole course since the beginning, somewhat even this sounds good - you simply have the guilty pleasure of savoring again a story that you know from dozens of other movies.
The influences from the racing video games are explicit, and well mastered - me, I fully felt as while playing "Death Rally". Even certain aerial shots are obvious quotes from the computer game imagery. The narrative is nervous and thrilling, the effects professional, the violence degree precisely balanced. Maybe the main virtue of the movie is the cinematography, with admirable chromatic and plastic values. All in all, what it promises, it delivers: a cheap show, well done.
"Death Race" is a honest to God action movie, without any bigger-than-life pretensions. The script follows correctly an old tested and tried recipe, everything is at its place, and although you can easily plot out the whole course since the beginning, somewhat even this sounds good - you simply have the guilty pleasure of savoring again a story that you know from dozens of other movies.
The influences from the racing video games are explicit, and well mastered - me, I fully felt as while playing "Death Rally". Even certain aerial shots are obvious quotes from the computer game imagery. The narrative is nervous and thrilling, the effects professional, the violence degree precisely balanced. Maybe the main virtue of the movie is the cinematography, with admirable chromatic and plastic values. All in all, what it promises, it delivers: a cheap show, well done.
Lo sapevi?
- QuizDavid Carradine, who starred in the original film, Anno 2000 - La corsa della morte (1975), played the voice of Frankenstein in the opening scene of this film.
- Blooper(at about 24:00 into the film) At the introduction, Coach tells Frankenstein that the back protection plate, a.k.a. the Tombstone, is 6" thick solid steel. There are four plates 1.5" thick each and about 40", 50", 60" and 70" by about 48" tall. That is about 1,972 kg or 4,340 lbs. of steel. That would make the car so back heavy that, at the first hitting of any bump, the front of the car would go up and make controlling it impossible. Besides that, it would also be so heavy that the car would not be fit for the race.
- Curiosità sui creditiAfter the credits, the line "Okay, cocksucker. Fuck with me, and we'll see who shits on the sidewalk" is heard again.
- Versioni alternativeThe unrated version runs 111 minutes.
- ConnessioniEdited into Heads Blow Up! (2011)
- Colonne sonoreMaybe Tomorrow
Written by Stuart Cable, Kelly Jones, Richard Jones
Performed by Stereophonics
Courtesy of V2 Music Limited
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Death Race: La carrera de la muerte
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 36.316.032 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.621.090 USD
- 24 ago 2008
- Lordo in tutto il mondo
- 76.014.335 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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