Gli Uomini della Yamato

Screenplay of this movie (of course in Japanese) is excellent and I was enough convinced by its story - why we are living, who fought for the country. It was great tragedy that only 15-17 years old boys required to fight in the war without knowing the meaning/reason of life. This movie (or original book written by Jun Henmi) is now my recommendation to know there were people who fought for our country.

I am not racist nor nationalist. I also am not right wing. I oppose to any wars by any mean. But, I respect the men who fought for us and it is sad that we don't know much about the fact we are living on where these men protected.

I voted this as "5" for actors/actress are not that super... Theme song as the same... Understanding they did their best, but level of acting is miserable. The battle scenes are great.

Sometime it's too stereotype to illustrate the story (ie. Geisha & Japanese Gamble ... that's almost the all the Japanese movie does).

I am almost through a great book on the history of Japan in WWII. The naval battles are fascinating to read about, and so when I saw this movie in the local Asian mall I picked it up.

Yamato (the old name for Japan) has good and bad points. Starting with the good - I find the story fascinating, how the remainder of the Second fleet made a run for Okinawa on a mission that everyone knew was suicide due to lack of air support (Japan's air force had been finally crushed at Saipan). Some of the acting was great; I thought Uchida really stood out. As far as I can tell the film was very historically accurate. Some of the insights into "bushido" were interesting, especially the admiral's explanation of bushido vs. English chivalry. And some of the effects were pretty good too.

On the bad side... the film had kind of a made-for-TV movie feel. As I said, some of the effects were good, others were far from great. The director shied away from showing the large sections of the ship, or the whole ship, maybe because of lack of budget - but I found myself really wanting to see those shots of this 65,000 ton superbattleship. It was obvious the whole film was made in a studio. They really should have invested in substantial steel tubes for the anti-aircraft guns, the fact that they jittered around like toys bothered me. Also in the silent dialog scenes, there should have been an omnipresent rumble of the ship's engines to add to the illusion that we are on the largest battleship in the world.

It wasn't great, but I enjoyed it anyway, and anyone else who is interested in Japanese naval history I think will also enjoy it despite its shortcomings.

I am an American PhD student based in both Japan and Micronesia doing extensive fieldwork with the survivors of the Pacific War in the Pacific Islands and Japan--as well as the families of war dead. Since I have been really involved most recently with the families of soldiers and sailors who died in the Pacific, I naturally wanted to see this movie.

I found myself with tears in my eyes from the very beginning, because it was as if all the black and white photographs I have been generously shown by these families were coming to life--the young faces of these sailors, frightened, proud, and eager to live up to their responsibilities, were very true to what I sense was really happening in the 1940s.

I have to say, unlike the very propagandist flavor of many American films about the Pacific War, including most recently 'Pearl Harbor,' this film really delves into the traumatic aspects of masculinity in general and having to live up to "being a man" in Japan just as much as it celebrates the humanity of the people involved. Many American films, with the exception of 'Saving Private Ryan' and several films about Vietnam, tend to stick to very comic-like stark depictions of heroes and villains and an overall sense of being "victimized" by the enemy. Here, the enemy is not the United States but rather masculinity and male pride itself, as well as the whole tragic story they create.

As such, it is a welcome remedy to way too much American-biased victory narratives that obscure the face of the Japanese military, and to films that portray menacing, dehumanized battalions of Japanese soldiers advancing forth without any legitimate context of their own. We see in this film the faces of these young men and understand what situation they were coming from.

That said, clearly the film was trying to be sensitive to war bereaved and to the official narratives of Japanese pretexts for war, and in that sense I feel they overdid it a little. We don't get a sense, for instance, about Japan's colonial presence throughout Asia and the Pacific--only the vague notion that Japan somehow got involved in war. Still, this isn't really a film about why the war happened, but rather about how it was to live and fight in the immediate time preceding Japanese surrender. In that sense, I do want to make the critique that this film really could have done with even MORE contextualization and solid research of popular Japanese culture at the time, because this would have added even more to its convincing sense of reality. For instance, the soundtrack would have been greatly enhanced with some of the evocative marching music and the ballads on the radio in the 1930s and 1940s that encouraged young men to join the navy and go south to the South Seas.

These songs are still sung even by the bereaved families who go back to visit the places where their loved ones died, so it would have been quite powerful if we got to hear them throughout the film. The absence of small details like this, some rather poorly-imitated Japanese regional dialects, and some of the melodramatic overacting by a few members of the cast, detracted somewhat from the overall production. But in general, this is a very fine film, extremely well acted (and compassionately so) by its cast.

I have been reading a book about the film in Japanese and it's fascinating to learn how so many of the cast worked directly with Japanese veterans and the bereaved families in order to develop their characters and their behavior. So in many respects this film is not only based on the realities of battle (which are really just the backdrop) but on the real life realities of war and on being a young man in the Japanese Imperial Navy in 1944-1945.

In all, it's an extremely meaningful film that needs to be distributed widely through the world. I know there is a lot of resistance to its release in China and Korea, understandably, but I think this is a portrait of what was going on for Japanese at the time and as such could even work as a tool to facilitate better understanding in these countries. It is essential that more compassionate films like this are made that go on to address the complexity and horror of what happened in Asia and the Pacific-- to the people whose lives were colonized and ruined by Japanese aggression, but at least it's a start. It appears to me that Japanese popular culture is finally ready to address the war in all of its ugliness and begin to heal some of these old wounds.

I am so disappointed to see some posters turning their reviews into cold historical commentary. Did this film not teach you anything? I couldn't help but be immensely moved by this film. It steers well clear of overly political and historical commentary and focuses on the young sailors and their loved ones. The hardship of the Japanese in the second world war was not unlike any other nations' peoples' hardship. Their loved ones went to war and never returned; they lost their livelihoods and what they loved; they were powerless to the whims of their leaders.

This film shows People. People in tragic times. People fighting for their loves and their lives. Whether it is Yamato, Saving Private Ryan, The Thin Red Line, Brotherhood, Stone's trilogy, Eastwood's duo of films, etc, it comes down to people trying to live. So much has been said about the film that is political but I ask you, what is the point of doing so for a film that strove so hard to in favour of a human story? After years of revisionist Hollywood war films, it is ironic that this moving film, Yamato, be raked over coals for inaccuracies or romanticism.

Besides this, however, and a technical note, the film's visual effects are excellent for a non-Hollywood film. I wouldn't be surprised if Yamato was one of the most expensive Japanese films ever made. While making an ocean going battleship replica was not an option, the sets, miniatures and CGI create a very gritty and realistic feeling of being aboard the fated ship.

Musically the film is also very striking and has some memorable themes throughout. The sound track is also superb with excellent separation in the 5.1 channels. The battle scenes are especially vivid in their aural presentation.

The amount of heart, work and effort that went into the film is clear from the exceptional cast, sound and competent visuals and their passionate and honest performances and work. This is definitely a film for the world to see. It is not a war film about "war"; it is a film about love. The message rings loud and clear until the final note of the closing credit's song.

This is not the first time that I saw the sunk of Yamoto in Nippon movie. The precedent movie are "Rengo kantai" (1981), or additionally, some movie relative with Nippon naviation or 'Zero' fighter. With its poor battle result, the Yamoto was not more than a symbol of power, which main function was to satisfy people's adoration need, similar with the enthusiasm to sumotori of Japanese.

Though it praised the braveness of soldiers, it can't bear comparison with "Sink the Bismarck" (1960), in which the defeated Germany wined British's respect (It's ridiculous when a US veteran present his awedness to rival in the start and final of "Lorelei: The Witch of the Pacific Ocean" (2005)).

But this is not a historically narrative film. It also abandon the scanty criticism tradition of Japanese war movie before 90's. The tradition of vagueness of moral sense in Japanese movie is still there. No context was given to transmit the information about the cause to this tragedy, without which the sense of sacrifice to protect others is so pale. The script seemed to cater to the current civil circumstance. So this is a real "anniversary" movie within a predefined frame.

The cast were very good. Despite the unnaturalness of the plot corresponding to modern society, Tatsuya Nakadai is still my favorite actor. It's a pity that Japanese movie is losing its classic art orientation and international influence after the fade of masters directors.

The 3D effect is just so so, light is somewhat dim, and the color is always monotonously the hull's hue. Fortunately, the wave is no longer that appeared in old movie adopt the ship model. Music is better than "Lorelei: The Witch of the Pacific Ocean".