Naisu no mori: The First Contact
- 2005
- 2h 30min
VALUTAZIONE IMDb
6,6/10
2804
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair's portly Caucasian brother.An outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair's portly Caucasian brother.An outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair's portly Caucasian brother.
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- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Recensioni in evidenza
So you're reading the comments section to see what other people thought about this movie, and you're wondering if you should watch it (that's why I came here).
Simplest way to answer this: do you relish all super surrealist films and have a burning passion for all that is extremely weird cinema? Then you will very likely love it.
I enjoy bizarre cinema to a certain extent but this was way past the line for me. Why? For starters, it's too long for the type of film that it is, which is slew of skits and characters that from time to time overlap. It felt like I was watching footage from several films and was hastily stitched together to try and make....something. I can't compare it to other films because I think you really can't compare it to anything (this is also likely why its loved by other IMDb reviewers). For some reason people have brought up the Taste of Tea, Survive Style 5+, Kamikaze Girls and a slew of other films, but to me these films are all a world apart from each other. If you enjoy weird films but want more developed characters with a more stable plot then watch those other films mentioned.
I already know this comment will get the thumbs down and will be written off as being "above my head" or that there are specific Japanese cultural references that I couldn't possibly understand, but considering that even Japanese viewers gave it 1 and 2 stars on amazon.co.jp, I don't think it's necessarily a culturally specific film, just a film that certain people will enjoy.
Simplest way to answer this: do you relish all super surrealist films and have a burning passion for all that is extremely weird cinema? Then you will very likely love it.
I enjoy bizarre cinema to a certain extent but this was way past the line for me. Why? For starters, it's too long for the type of film that it is, which is slew of skits and characters that from time to time overlap. It felt like I was watching footage from several films and was hastily stitched together to try and make....something. I can't compare it to other films because I think you really can't compare it to anything (this is also likely why its loved by other IMDb reviewers). For some reason people have brought up the Taste of Tea, Survive Style 5+, Kamikaze Girls and a slew of other films, but to me these films are all a world apart from each other. If you enjoy weird films but want more developed characters with a more stable plot then watch those other films mentioned.
I already know this comment will get the thumbs down and will be written off as being "above my head" or that there are specific Japanese cultural references that I couldn't possibly understand, but considering that even Japanese viewers gave it 1 and 2 stars on amazon.co.jp, I don't think it's necessarily a culturally specific film, just a film that certain people will enjoy.
With a project like this, it is as likely that it is a random goof as something with some structure. It could be both.
As this was sent to me by a fellow viewer, and because I am so inclined, I tend to see structure. And what I see I like — a lot. It is essentially a series of sketches, some broken up and scattered throughout. Others continue from or extend situations and characters we know. Perhaps these sketches need to be described a bit, as they are what most people will see.
They are tiresome in their humor. Unless you are Japanese, the satire will be lost. But they are amazingly clever in terms of the imagery: striking, unexpected and sometimes disturbing. With all the mastery in the images, they are surprisingly uncinematic, as if this was made not by real filmmakers but by TeeVee or music video people. There are little dramas of teen angst and performance played out, as apt as any John Hughes movie. But when it comes to this sort of thing, my benchmark is "Lily Chow Chow."
But it is the structure that matters here. The large arc here is the visit to Earth by an alien, we see at the very beginning. What we see is what he would experience of us if he encountered a Japanese high school. The main characters here are three girlfriends and three brothers. Their baseline skits are set in ordinary reality with exaggerated behavior. Layered on that are diverse performances, many of dance that they do that get as abstract as the rest I will describe. Layered on that are their numerous dreams and illustrated stories. And layered on that is the story of and references to making the movie.
Any of these is likely to be less or more abstract. They are woven together by recurring characters (including strange parasitic creatures that can be played musically). At the higher level of the dreams and outer framing, we have the same actors playing multiple roles. I haven't taken the time to map them out as I think there is no special insight other than the quantum blurring.
This is an adventure in exploring new cinema by structure. It is just an experiment, so we shouldn't expect it to change lives. But I can easily see how someone can refine and master these techniques to do so.
Ted's Evaluation -- 3 of 3: Worth watching.
As this was sent to me by a fellow viewer, and because I am so inclined, I tend to see structure. And what I see I like — a lot. It is essentially a series of sketches, some broken up and scattered throughout. Others continue from or extend situations and characters we know. Perhaps these sketches need to be described a bit, as they are what most people will see.
They are tiresome in their humor. Unless you are Japanese, the satire will be lost. But they are amazingly clever in terms of the imagery: striking, unexpected and sometimes disturbing. With all the mastery in the images, they are surprisingly uncinematic, as if this was made not by real filmmakers but by TeeVee or music video people. There are little dramas of teen angst and performance played out, as apt as any John Hughes movie. But when it comes to this sort of thing, my benchmark is "Lily Chow Chow."
But it is the structure that matters here. The large arc here is the visit to Earth by an alien, we see at the very beginning. What we see is what he would experience of us if he encountered a Japanese high school. The main characters here are three girlfriends and three brothers. Their baseline skits are set in ordinary reality with exaggerated behavior. Layered on that are diverse performances, many of dance that they do that get as abstract as the rest I will describe. Layered on that are their numerous dreams and illustrated stories. And layered on that is the story of and references to making the movie.
Any of these is likely to be less or more abstract. They are woven together by recurring characters (including strange parasitic creatures that can be played musically). At the higher level of the dreams and outer framing, we have the same actors playing multiple roles. I haven't taken the time to map them out as I think there is no special insight other than the quantum blurring.
This is an adventure in exploring new cinema by structure. It is just an experiment, so we shouldn't expect it to change lives. But I can easily see how someone can refine and master these techniques to do so.
Ted's Evaluation -- 3 of 3: Worth watching.
NAISU NO MORI - FIRST CONTACT may well be the strangest film I've ever seen... a 2.5 hour head-scratcher combining the efforts of three director/writers into a whole with no discernible plot! the film is essentially a number of short stories or vignettes, mixed together and occasionally crossing over (Tadanobu Asano and Susumu Terajima appear in a large number of the scenes). The content of these pieces is extremely varied, and beyond unpredictable. There's bits of stand-up comedy, animation, music, dance and other moments that are entirely inexplicable. We spend quite a bit of time inside character's daydreams, and we make first contact with some very odd little aliens. The film even has its own commercials and (thankfully) a 3 minute intermission.
This is undoubtedly an avante-garde film, I don't know if calling it "arthouse' is appropriate because it's so silly and funny (not like the kind of austere beard-strokers that one usually calls "arthouse"). There is some truly mad stuff going on, but there doesn't appear to be any deeper meaning or message to any of it... in fact I'm not sure what the "purpose" of the film is at all, except for the film-makers to go nuts.
At 150 minutes it must be admitted that the film outstays its welcome a little... sitting in a theatre for that long it's nice to have *some* sort of narrative to get carried away on (it's enough time to spin quite an epic). NAISU NO MORI feels almost like it should be an ambient film - on at a club or something. I can't think of any more eclectic film in cinematic history. Think SURVIVE STYLE 5+ meets Kitano's GETTING ANY meets NAKED LUNCH meets Alejandro Jodorowsky meets Aphex Twin, and you're getting somewhere near where the film is at!
This is undoubtedly an avante-garde film, I don't know if calling it "arthouse' is appropriate because it's so silly and funny (not like the kind of austere beard-strokers that one usually calls "arthouse"). There is some truly mad stuff going on, but there doesn't appear to be any deeper meaning or message to any of it... in fact I'm not sure what the "purpose" of the film is at all, except for the film-makers to go nuts.
At 150 minutes it must be admitted that the film outstays its welcome a little... sitting in a theatre for that long it's nice to have *some* sort of narrative to get carried away on (it's enough time to spin quite an epic). NAISU NO MORI feels almost like it should be an ambient film - on at a club or something. I can't think of any more eclectic film in cinematic history. Think SURVIVE STYLE 5+ meets Kitano's GETTING ANY meets NAKED LUNCH meets Alejandro Jodorowsky meets Aphex Twin, and you're getting somewhere near where the film is at!
i went to see this film without having the slightest clue about it....
and at first i was quite disappointed; some not very inspiring animations...but then,slowly it all grew, to be more and more crazy and unbelievable, and things accelerated a whole lot...
then it appears to be commercials within each other, gags, comedy shows, circus, small short stories and in a way they have nothing to do with each other and yet they make this incredible organic of well-composed-complex movie!
so a mix with low graphics (and high), fake commercials, beautiful scenes of landscapes and things like that...wow! so all in all the the best parts of Japanese experimental films + all the best from the(Japanese) pop culture...blend it, shake it...and voilà!
I was very glad i saw this movie! really!
and at first i was quite disappointed; some not very inspiring animations...but then,slowly it all grew, to be more and more crazy and unbelievable, and things accelerated a whole lot...
then it appears to be commercials within each other, gags, comedy shows, circus, small short stories and in a way they have nothing to do with each other and yet they make this incredible organic of well-composed-complex movie!
so a mix with low graphics (and high), fake commercials, beautiful scenes of landscapes and things like that...wow! so all in all the the best parts of Japanese experimental films + all the best from the(Japanese) pop culture...blend it, shake it...and voilà!
I was very glad i saw this movie! really!
How to describe this film? It's a group of related inter-cut stories by three talented Japanese directors, but that's not really it...It's a surrealist fantasy of a bizarre reality with grotesque body parts, freaky sex and...no, wait, it's a David Cronenberg comedy where a fellow with enormous nipples pulls bloodsucking creatures out of his pants at a high school after school club. One of the most peculiar films I've ever seen, it defies categories. There are two parts, Side A and Side B, with a three minute on-screen intermission. There are wisecracking TV hosts babbling in fractured languages. And there are icky creatures that alternately make you laugh and make you sick. It's definitely not for everyone, but fans of extreme comedy and very alternative cinema will be thrilled and delighted. I thought it was awesome. 8.5/10
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Shoichi Tanaka: Yo, class Prez! Get serious! 'Cause we're serious, you know. If you don't, there'll be hell to pay. This is a 50/50 relationship.
- ConnessioniFeatured in Rude Tube: WTF?!? (2013)
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- Tempo di esecuzione
- 2h 30min(150 min)
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