Blood Diamond - Diamanti di sangue

Leonardo DiCaprio has become one of the premiere American actors. With a set of natural instincts that lends a non-showy, believable quality to all of his performances, versatility, and movie star size charisma that fills up the screen and emotionally hooks the viewer into his character and story, it is hard to think of another male American actor (with the exception of Johnny Depp) who is consistently giving an audience its money worth; these two gentleman have taken the reins from Tom Hanks and Denzel Washington, as those two Oscar-winning future legends of the silver screen gracefully age into more mature roles.

In Blood Diamond, it is Mr. DiCaprio's performance that raises this film above it's standard Hollywood fare of a script (although it is a solid script) into something memorable. His performance here as an opportunistic diamond smuggler equals that of the one he gave earlier in the fall as "Billy Costigan" in The Departed, although the two characters couldn't be more different from each other. It may be his best performance yet, and in terms of sheer charisma and memorability it certainly rivals his mega-star making performance as "Jack Dawson" in Titanic.

I liked Blood Diamond a great deal, but do not think it is a great film. A good movie? Yes. Very mainstream and formulaic, but it is raised up quite a bit by DiCaprio's character and his terrific realization of it. If I had read this script beforehand, I never would have thought of Leo for this role- possibly George Clooney or some other star known for "roguish charm," but not Leo. But now, having seen it, I can't imagine anybody else as "Danny Archer;" it is a fully realized, winning performance.

Mr. Hounsou was wonderful as well, and I liked the chemistry between the two men in their scenes together. He was able to make the audience feel the gamut of emotions his character experiences during the course of the movie- pride and hope, fear, outrage, resignation, mistrust, desperation, and determination, and beautifully rises above the somewhat limiting way his role was written.

I thought Ms. Connelly did as good a job as possible in her role as "the idealistic journalist who wants to make a difference." Her part was just a larger version of Joaquin Phoenix's in Hotel Rwanda. As always, I find she brings a certain dignity and intelligence to her performances and does not allow her incredible beauty to overshadow her acting. I thought she and Leo worked wonderfully together, as well, and along with Mr. Hounsou they make an engaging trio you can't help rooting for.

In comparing it to other recent films about Africa, I didn't think this was quite as good as as Hotel Rwanda, but better than The Interpreter, The Constant Gardener, and The Last King of Scotland. I felt an emotional engagement with the characters I didn't experience in the latter three films. I found the script allowed my care for the characters to grow as the story progressed, and was not overly manipulative. At times it veered too much into standard action movie territory, with much violence and many "close calls" but would then be brought back into the realm of compelling human drama by a wonderfully acted, intimate scene.

After reading some early negative comments, I was pleasantly surprised at my response to it. Compelling characters and the skillful use of a truly gripping global issue as the plot line make this a satisfying viewing experience- one that I would happily see again.

What does it take to turn someone into a killer? The answer is different for each character involved in this movie. For some it is survival. For others it is the hope of escape from a life of hell. For some it is family. For others it is greed. Caught in the middle of it all are the children who have such little desire to kill for any reason that they must be brainwashed into becoming the instruments of their masters who claim to offer freedom.

Every few years an action movie comes along that has amazing depth. Terminator 2 and The Matrix are such movies, and so is Blood Diamond. It is full of characterizations we've seen before, but it's the interaction that raises this film above the masses. Each character has an agenda that forces him or her to distrust everyone else. The paths that some relationships take to develop trust are believable, while others are equally believable in remaining eternally antagonistic. And through it all is the realization that while some characters may change their methodology and morals, none ever change their dreams. Each character fights for the goal to the bitter end. Such is human nature, and such is the conflict of Blood Diamond, the conflict of Africa. In the end, we are left to wonder if peace can ever be attained in such a world. And somehow we are left believing that maybe it can.

The torturous road of South African diamonds to the greedy fingers of an indifferent world makes this new Edward Zwick movie one of the most powerful Action/Adventure/Dramas to come out of Hollywood in a long time. The perfect balance between entertainment and a thoughtful social commentary helps the center of the story to have a real heart and a palpable respect for us, the audience. All this praise and I still have not mentioned Leonardo Di Caprio or Djimon Hounsou but I'm going to. Di Caprio opens a new door, introducing us to a character who is a first in his already extraordinary career. He startled us as a very young man with "What's Eating Gilbert Grape" before he fell with a serious case of Titanictis. Now, after a three a long and serious Scorsese cures, this spectacular actor makes me believe that we haven't seen anything yet. Remarkable. As remarkable as the soulful Djimon Hounsou who manages to give the film a visible soul. I was moved and yes, I must admit, surprised. Apart from the visual and interpretative prowess of "Blood Diamond" there is a realistic view of a third world country as shattering as the unforgettable one in "City Of God" Don't miss it.

A few years back I had the pleasure of visiting Antwerp, Belgium, a place many deem "the diamond capital of the world." Never before or since have I been in a location where I was surrounded by so much "bling". Storefronts had so many diamonds on display you would think they should be better kept in some European version of Fort Knox.

The film Blood Diamond puts an entirely new spin on Antwerp, the diamond industry and that pricey stone you might be wearing around your neck, on your ring finger, or in your ears (mine are cubic-Zs). Set in the West African country of Sierra Leone during the 1990s, this historical-adventure-drama covers a time when the country was in turmoil. Warlords, smugglers and the diamond syndicate all play roles in a refugee exodus, and the killing and enslaving of men to work the diamond fields. The title refers to diamonds which are harvested, smuggled and traded to finance the purchase of weapons used in Civil War.

Solomon Vandy (Djimon Hounsou) stars as a fisherman who has his family torn apart and instead of being killed, is sent to work mining diamonds where he finds and hides a large stone. Danny Archer (Leonardo DiCaprio) a former mercenary, diamond-smuggler, middleman, you-name-it, is looking to score with that stone and exit the business for good. Writer Maddy Bowen (Jennifer Connelly) is tired of writing shallow stories about less than newsworthy events; she is looking for information about major players in the diamond trade. They all come together in a fast paced, adventure packed piece of film-making that is brutal at times but never boring. The film has a pleasant, unanticipated ending, something hard to pull off in a film of this kind.

Director/Producer Edward Zwick is probably the best in Hollywood at taking a big budget feature film with a historical theme and carefully relay a message without lecturing his audience. His earlier works include a story of the first all-black U.S. Civil War company in "Glory" a film, which resulted in Denzel Washington winning his first Oscar. Zwick takes credit for works like The Last Samurai, Shakespeare in Love, Traffic and Courage Under Fire. He is second to no one when it comes to balancing a historical event with action-drama entertainment. Edward Zwick is one of few L.A. directors who still works within the Hollywood establishment yet is able to put out good quality film.

Check out Blood Diamond, your "bling" may never look the same again.

I have not been a Leonardo DiCaprio fan. I do like Djimon Hounsou and have seen several of his films. Watching this film, I have to say that both deserve every single award they received and should have probably gotten every award they were nominated for. I only hesitate to state this unequivocally because I have not seen The Last King of Scotland yet.

This story needed to be told and I cannot imagine anyone telling it better that DiCaprio and Hounsou in the extremely capable hands of Edward Zwick, working with an outstanding script by Charles Leavitt.

The story was tender, exciting, awesome, and, at times, just plain disgusting. The fact that there are countries that brainwash children and turn them against their parents and make killers out of them is inexcusable. The fact that these people are operating today is a blot of shame on all so-called civilized nations, including my own.

This is our homeland. All humans came from this soil. What we allow to happen there in the name of beauty is disgusting.

I cannot imagine anyone not owning this movie so as to watch it many times and remind ourselves that if we are not part of the solution to this problem, we share some of the blame for it.