Statskiy sovetnik

Adaptation of Boris Akunin's famous novel about 19-th century Russian sleuth Erast Petrovich Fandorin solving an assassination of a hot shot general by a terrorist group called "BG". Directed by young Russian film-maker Filip Yankovski with all-star cast in it.

Finally, after shallow "Azazel" and awful "Turkish Gambit" the audience can view a wonderful piece of film making with some stunning performances. Every single actor does a superb job and demonstrates excellent acting. Mature Erast Fandorin played by Oleg Menshikov is just like the one in the book - daring, unemotional and mysterious. He is quite a silent character in the film, musing most of the time, but the great acting skills of Menshikov are demonstrated in these very scenes. Green played by Konstantin Khabenskii is great as well - nervous, reckless but brave and charming. Nikita Mikhalkov is playing Pojarskii and I have to admit that he is playing his part real well. His character has the most lines. A very controversial character, at times comical and sometimes even devilish.

A few words about cinematography, screenplay and editing. Film has a lot of dark, white and red in it and such mixture of colors makes a picture very organic. Creation of 19-th century Moscow atmosphere was in my opinion achieved with great success: "troika" carriages on snowy streets, glamorous Russian castles and various beautiful costumes. Screenplay and editing are done so well that I didn't even notice how three hours passed. Dialogues are very well written and at the same time they so well spoken that it's a pleasure to listen to them and they don't tend to bore or tire. On the other hand a lot of action takes place and what is the most interesting - the end of the film differs from the same of the novel, so even those who have read the book and thus know the whole story, will still be surprised.

The main expectations from this movie for me was the image of Fandorin. I must admit that this Fandorin might be quite acceptable for everyone who read Akunin's books about him. Of course, everyone has it's own Fandorin in their mind, but Menshikov did his job pretty well and might be called as "Fandorin for everyone", so - no complains! No complains for all actors(Mikhalkov - bravo) and Yankovsky! For those who read this book, must be satisfied with the movie, because it's close enough to the book and XIX century Russia is also shown quite real. Dark side of the movie - Masa. It looks like it was some kind of amateur actor. Akunin's Masa is much more colorful and, how to say... interesting! Esfir Litvinova, Fandorin's chick, was (IMHO) too modern.

Befoure I watched the film I was a little disappointed by the reviews. Because such a great cast I expected everyone to sing psalms of the film.

Fortunatly the critics in my opinion were mostly wrong. Although Fandorin is shockingly cold the first time we see him, he becomes believable as the film progresses. Mashkov who played Kozyr' is simply amazing. His whole over the top-act, the slang is just so fun to watch. Khabenski does well, and Fandera, who plays Igla is wonderful, very believable. Emiliya Spivak is somewhat irritating, but is what she should have been according to the book. Though of course it is Nikita Mikhalkov who steals the show. A lot can be said about his intrigues at the Russian Film Guild, but he is without a doubt a great actor fit for specific roles. He is at his best when he plays a "Barin", as in "Bespridannica".

The action is quick, brutal and not flashy, even the sound of gunfire seems somewhat muffled. There isn't an awful lot of action since it is a Crime movie, not an action film. For some reason they didn't really pay attention to Masa, because he was far too young, and not round enough (according to the book he was "short and round like a barrel"). Green's character was somewhat downsized in the film too, with little background, like the facts that he was Jewish and his whole routine, so I felt that was missed out, because while Igla's motivation is present Green's is none existent. However unless you have read the book you wouldn't notice such nuances, and even if you have not you would not dwell on them.

The cinematography is very good, the way light and shadows are used makes some shots worthy of being posters, or photos.

So overall I would say that this movie was excellent despite some very minor imperfections.

When I've read my first book about Fandorin, I thought "Only Menshikov can play this". That is why since the moment I first heard that Menshikov WILL play Fandorin I was waiting for "Statskiy Sovetnik" to be released and was eager to watch it. And - finally! - my dream came true.

In the beginning I was a bit annoyed by the difference between the movie and the book, though I'm not the person who cares about such things. Then the movie captivated me and I became interested.

The actors' work was brilliant, I especially would like to mention Nikita Mikhalkov, whose portrayal of Pozharsky was absolutely flawless. Konstantin Khabenskiy and Oksana Fandera were very convincing too. The action was rather exciting - at least for me, because for some people long dialogues (or even monologues) can be quite boring. Not for me - I enjoyed every moment.

All in all, when I left the cinema, I was pleased with the movie. But some time later, recollecting the details, I found myself puzzled with the thought of Menshikov's performance. He looked good, he was an ideal Fandorin for me - at least his appearance was suitable - but I got an embarrassing feeling that I saw a ghost, a shadow of Erast Petrovich. It was lifeless, emotionless and insensible. What a disappointment! Fandorin is reserved and self-respecting, NOT nonchalant, haughty and bored of life.

In conclusion I can only say that this is my personal opinion and maybe I simply cannot see the main point of Menshikov's work... But I'm still upset with this Fandorin. I only hope that if there is another movie with Oleg Menshikov playing Erast Fandorin, THAT performance of this undoubtedly talented actor will be different - meaning more lively.

Around the time that I watched Filipp Yankovsky's "Statskiy sovetnik" ("The State Counsellor" in English), I read Boris Akunin's "Altyn Tolobas", depicting Erast Fandorin's grandson. It's worth comparing and contrasting the stories, but the eras in which they take place. The stories featuring Erast Fandorin take place in czarist Russia, while the ones featuring Nicholas Fandorin (raised in England due to his mother having fled the 1917 revolution) take place after the Soviet Union broke up.

Anyway, in this movie we see Erast Fandorin trying to stop a revolutionary group from overthrowing the czar, but his dealings with Prince Pozharsky complicate things. Practically every character in the movie has something to hide. I wouldn't call it a masterpiece, but I like how they laid out the plot, and the casting was just right. Worth seeing.