Vientos de agua

This series is great!!! I love it! it's highly recommended. Don't judge it for its first episode, if you see at least 3 and you don't like thats OK, but don't don't judge for the first one 'cos it kinda boring, but then it gets better and better, and you want to keep watching and you think "why there are only 13 episodeees?!?! Please Campanella!! make more!!!" There is a parallelism of a Spaniard that had to emigrate to Argentina because of the war, and on 2001 his son has to emigrate to Spain because of financial issues, what it is cool about this show is that this two stories are shown simultaneously, the inside stories are very good too. Just Great

I'm watching this for the second time because I enjoyed it so much the first and I'm liking it even better because I understand more of the dialogue and it's easier to follow knowing the plot already. But on the second viewing I can see even more the brilliant story writing and the weaving of the two tales. I would rank it in my top ten list of TV series. My only criticism is I've never seen such unattractive goofy guys get so many beautiful women!

Don't judge before you've watched at least 3 episodes. Totaly worth it. Slightly reminds to Cinema Paradiso. Emotive and intense. Definitely a masterpiece.

Campanella's masterpiece, a great story, which happens to have a lot in common with my father's, who left Asturias in 1925 to avoid the draft and landed in Argentina. My dad also lived in a Jewish neighborhood in Buenos Aires, where I was born later. Just like Andres, he was an Anarchist who became a Peronist, as did most of his union friends. And he was fortunate to return to Asturias before his death. He kept a lot of secrets about his life, something I respect. The life of emigrants is faithfully described in this saga. Interlaced with some of the most relevant events in Spain and Argentina during the twentieth century. Great cast, wonderful music, a must see...

I just don't like the Argentine abuse of the imperative form of verbs, which hurts the ears and disfigures the beautiful Spanish language. It sounds aggressive, annoying, and distracts me. I'm a fan of the screenwriter, director, and producer Juan José Campanella and I'd never noticed this in his films. I really like 'The Secret in Their Eyes,' and 'The Son of the Bride'... Could it be that the bad habit of the imperative is increasing in Argentina? It's a shame, because the country has an excellent filmography. Now, my ears - and my eyes, very much so - are delighting in One Hundred Years of Solitude.