Import Export

By no means a happy film, it is nevertheless, so overwhelmingly well intentioned that it deserves some attention. Fortunately this fairly long (and some say slow) film is very much well worth sticking with. Frighteningly frank and 'in your face' at times, not least in the desperate sequences with the naked Ukrainian girls struggling to put their fingers where their Austrian paymasters are yelling for them to do. It no surprise that people with money will exploit those without but it seems an awful situation that the EU should allow a situation where it is more profitable for a Ukrainian nurse to travel to Austria and act as some house slave. There is not really any formal narrative flow here but we follow the aforementioned nurse going one way and a pair of Barely sane Austrians going the other way to try and sell bubble gum and gaming machines to a people that can obviously not need either. A mix of professional and no-professional actors ensure that this is gritty reality and I have managed to not even mention the incontinence pants in the Austrian geriatric ward. Illuminating, wretched and desperate but also somewhat heart-warming and vile. Good old Germans eh?

This is a dark movie with a lot of sub plots. surprisingly it's an ok movie. if you're looking for something a little outside of the mainstream norm

No matter what you think about a film like Import/Export, you have to have some kind of reaction to it. It is an unsettling, bleak look at a couple of lives that the viewer will rarely think about unless confronted with in a film like this. The story takes place in both Ukraine and in Austria and focuses on 2 lives of very different people who share a similar circumstance of being at the end of the line in the place that they live in. Both seek change and their circumstances take very different shapes and fates but share a similar intention, to find a better life.

The director and writer give us little hope in their depiction of these 2 lives and how their environments constantly conspire to either keep them down or challenge their will to survive and change. It is a story at once about Eastern Europe and a story about the world's 'lower classes' and their monumental struggle against inertia and their past. It is a movie filled with images, humor, highs and lows, and, graphic scenes of sexual play that all add to the base quality of the human experience that exists not only in Eastern Europe, but, many place in the world today. Human beings have created incredible technology and yet there is still so much ignorance, cruelty, and, general meanness in the world. A rough film told with a keen eye toward a subtle message.

A fascinating study of the lives of two individuals, heading in opposite directions. one a poor Ukrainian nurse, who seeks a better life in Austria (so she can support her family), only to end up in the most horrid jobs and a young (under-class) Austrian man, who with his seedy step-father goes to sell gum-ball machines in the Ukraine. This is more than just a snap-shot of 'East meets West', being a complex life study, within the social boundaries and desolate landscapes. Set chiefly in Eastern Ukraine and a ghastly geriatric hospital in Austria. Some might find the pace painfully slow but deep down (and in the bleakest part of the planet), the two characters completely seduced this reviewer.

I came to this film when it was mentioned by a fellow IMDb user who occasionally points me towards some European films that I have not seen. More often than not they are fairly bleak affairs but, while Hollywood probably dominates the action genre, Europe tends to be best at films dealing with the bleakness of life. And so it is here in a film that painstakingly depicts the bleakness of the lives of two characters. Olga is a nurse in the Ukraine who travels to the West for a better life and finds herself working in an old people's home as a cleaner. Meanwhile Pauli is a young man in Austria who has little going for him employment-wise and finds himself under the wing of his morally defunct step-father.

It is not a theme that I haven't seen before but here it seems to be the entire film and there is surprisingly little in the way of narrative framework, far less actual narrative flow to it. In itself this maybe isn't a problem because "experience" films can work as well as "start/middle/end" stories – but to go for in excess of two hours without much of a story is a tall order and it is one that this film cannot fill. Without much of a story or characters what results is essentially a wallow in some specific examples of life as survival until death and very little else. This message is perhaps fair enough but it is delivered without much intelligence and comment, just scene after scene laid out. It doesn't even really have any sort of central scenes or direction to it and indeed doesn't even have any "big" moments that one could see as having been built to – although I'm not saying it would have been better by artificially having them.

The cinema vérité style is to be commended because it does convince as a piece of realism (which is why perhaps not having one big "event" is a good thing) but the downside of it is that, like life sometimes, it is pretty dull and doesn't really have much meaning behind it. And this is what I took away from the film because I did find it to be far too long for the loose material to sustain and it did feel like each and every scene had only the same message to deliver and it just kept repeating that long after the audience had gotten it. I guess if you're looking for a film to confirm the drabness of existence then this is it but it must be said that there are films that do it with a lot more meaning and heart than this one.