Sin City - Una donna per cui uccidere

Nine years after visually reinventing and presenting a new form of filming, directors Robert Rodriguez and Frank Miller are reunited to adapt the graphic novel 'A Dame to Kill For' and also bringing elements of 'Just Another Saturday Night', a tale taken from Booze, Broads, & Bullets, sixth volume in the comic book series. Two stories are unpublished: 'The Long Bad Night' and 'Nancy's Last Dance'. Most of the cast returned to this sequence. Josh Brolin takes on the role of Dwight in Sin City 2, originally played by Clive Owen and Ava Lord, the title's Dame to Kill For - a role originally thought for Angelina Jolie - was played by Eva Green.

After the death of John Hartigan (Bruce Willis), Nancy Callahan (Jessica Alba) thinks only of revenge. She spends her nights dancing in the same bar, but now in the company of a bottle of drink, while taking courage to face the powerful Senator Roark (Powers Boothe). At the same time, Dwight (Josh Brolin) tries to help the enigmatic Ava (Eva Green) only to find himself betrayed once again by this fatal lady. Virtually destroyed, he will seek the help of Gail (Rosario Dawson) and his gang to face the beloved, while Nancy will have the support of Marv (Mickey Rourke).

Just as it was in the first film, this new journey through Sin City maintains the structure adopted in the comics and is composed of small stories that are told in parallel and without worrying about chronology - that is why Marv (Mickey Rourke) is there. return. The script seeks to divide the story again into three main plots, trying to maintain continuity with the events of the previous film. The big problem with this sequence is that the directors create an evident problem of rhythm, putting the climax practically in the middle of the work. The main narrative arc, which gives the film its name, is resolved quickly, when it could have been fragmented and interspersed with the other stories. The end result sounds like a great collection that does not necessarily follow a line of reasoning.

The short story that gives title to the film, 'The Dame to Kill For' is one of them and shows Dwight McCarthy who tries to forget his violent past, working as a private detective and leading a sober life. After saving the life of con artist Sally (Juno Temple) from being killed by businessman Joey (Ray Liotta), he receives a call from ex-lover Ava Lord, who had abandoned him four years earlier to be with a wealthy tycoon, Damian Lord (Marton Csokas). Ava Lord is a woman who, when she touches a man's heart, becomes her greatest desire. A predator that usually destroys lives, sometimes for power, sometimes for profit and sometimes for sport. Ava Lord knows this and uses her sex appeal to get everything she wants from men.

The directors and the beautiful Eva Green manage to impress the scenes with sensuality, a factor amplified by the plans in which we see her portrayed as a goddess surrounded by a whole mystical atmosphere. But there will certainly be a lot of people in the cinema who will see just one more macho movie there, wanting to boycott the work, after all, nowadays if any material produced does not fit the politically correct, that is, a censorship endorsed by the majority of the artistic class worldwide, it is doomed to fail, at least by critics. This segment is, without a doubt, the most involving plot of the work and manages to keep us immersed and curious waiting for its conclusion. It is interesting the mystery that was built at the beginning, in which we did not know whether Ava was telling the truth or not. Ava's nature is built slowly by the work and is revealed to be harmful with the passing of minutes. The controlled use of color is present in the eyes and lips of the seductress. Afterwards, the viewer is anxious for Dwight's revenge with the help of Gail (Rosario Dawson) and the Old Town prostitutes. We see a plethora of knives piercing brains, swords severing heads and a lot of digital blood in the best 'Sin City' style.

The segment 'The Long Bad Night' is one of the unpublished stories written by Miller especially for the film and that brings Johnny (Joseph Gordon-Levitt), a mysterious young man who decides to show his poker talent at a table full of influential and dangerous people . In this plot we learn that Johnny has a personal difference with Senator Roark (Powers Boothe). This plot proves to be very interesting, but its outcome leaves something to be desired, making us wonder why Miller simply does not use the original material, instead of creating this new arc that starts well, but fails for repetition in its closure.

'Nancy's Last Dance' shows Nancy Callahan suffering from deep depression over the death of John Hartigan, four years earlier. She is obsessed with getting revenge on Senator Roark, until with Marv's help, she invades the senator's house to kill him and to realize her revenge. Nancy's bow is interesting and is what closes the film, while still being interesting, even if predictable. Chosen to defend a plot of bitterness and revenge, all Jessica Alba can do is to force a face of suffering while babbling her dialogues. Still, we have excellent scenes in the mansion invasion and even in the final confrontation with Senator Roark.

Time was one of the great enemies of The Dame to Kill For. The sequel happened too late to accompany the commotion generated by the first film, and too soon we tried to use nostalgia to its advantage. In addition, Rank Miller's script is simply unable to fill all the stories with enough content. They are fast, empty and pale before the central plot. 'Sin City, A Dame to Kill For brings us everything we love about the first one as fun dialogues, full of catch phrases, neo-noir mixed with graphic violence. Everything follows the same pattern. It is more of the same, with the difference that in this case the narrative lacks rhythm, as previously said, and the three stories are connected in some way, but they seem to be stories played at random many times. There are also no memorable and shocking scenes as in the first, perhaps due to the public being more accustomed to this type of violence in other productions in recent years.

Obviously the technical part is once again impeccable, as well as the direction, but it no longer brings innovations. It is certainly a story that will please fans of comics, since again it is an almost literal transposition of the dialogues of comics to the cinema and fulfills its role of amusement. However, for the vast majority of the audience, those behind a consistent plot, characters with whom it is possible to root and get involved, the conclusion is somewhat frustrating. Either way, it's always great to walk the streets of Sin City and not know what to expect around every corner.

*Minor spoilers involving structure of the film, no plot points*

In short, it isn't nearly as bad as everyone is saying. Let me elaborate.

In case people don't know, the first Sin City from 2005 was based on the 1st, 3rd and 4th books in the 7 part series by Frank Miller. These follow the story lines of Marv, Dwight and Hartigan respectively. In addition to those, there are also a few shorts thrown in, either from the books or not. So, needless to say, Sin City and its sequel are both anthology films. If you want one single story that takes 2 hours, this may not be your thing.

Sin City 2 follows almost the exact same structure as the original, which I found nice. Sure they didn't do anything original with the structure, which was sort of playing it safe, but I liked it. It felt familiar and reminded me of the original which I loved very much. It begins with another short story, this time starring Marv. It rocks. It continues on with a new story not contained in any of the books. It stars Johnny, a gambler who "never loses". Mid way through, we cut to another story. This is the 2nd book, titled "A Dame to Kill For". If you've read this, you won't see anything new. Like with the first film, they essentially translated the story from page to screen, and it works for the most part. There was one detail I didn't like, but it doesn't last long. Then after that, we finish up the story with Johnny, and finally, we get to the revenge mission involving Nancy and her hunt for Senator Rourke. That's all I'll say about that.

Everyone is complaining about how the movie looks like a cutscene from a video game. They are sort of right, but not entirely. Even after waiting 2 weeks, I was unable to find a theatre in my city showing the film in 2d. It seems like this is happening more and more now. If you want to see an action movie in theatres, it's 3d whether you like it or not. Now, having not seen a 2d version to make a comparison, I can say that the 3d is most likely what makes it look so video game-y. I'm sure in 2d it'll look slightly better at least.

Update: I did see it in 1080p and in 2D, and it does look less like a video game cutscene. You can still tell that there's a lot of CGI, but it's done better than a lot of films.

Also, greenscreen sets have been used for over a decade now, I don't see why people are complaining so much. Everything is a CGI-fest these days, and this story, with a fantastic setting and extraordinary physics pulls it off nicely. You can tell, but it's far from awful.

Everyone is saying they loved the first one, but hated this one. I don't see how that's possible. They stuck very close to the original in most ways, such as cinematography, soundtrack, and directing, all of which were great (for a Sin City movie). Sure it isn't a masterpiece my any means, and it's not as good as the first, but it's super entertaining, very violent, and is sure to please anyone who enjoys the books or the first film. Forget all those jaded movie snobs saying it sucks. They're just focusing on all the negatives, and letting that cloud their vision of the awesome stuff.

After 9 years Robert Rodriguez and Frank Miller finally made a sequel to their masterpiece from 2005, Sin City, and.... no-one went to see it. One of 2014's biggest and definitely the most surprising box office bomb, critics were also fairly unkind to the film. It's not as bad as some say it is, but it's best summed up as this: The Kick-Ass 2 of 2014. An enjoyable sequel which lacks the original's impact and misses the point, and struggles to hit a peak when the scene stealer from the first is off screen. In Sin City: A Dame To Kill For, we return to the nastiest, darkest and grittiest city in comic book movies for more brutal stories of justice, sin and moral corruption. In one Marv becomes an amnesiac, in another a cocky gambler finds himself in trouble when he beats the wrong man at poker, in another Nancy Callahan takes revenge on the man who caused the death of John Hartigan and another involves Dwight's encounter with a mysterious femme fatale played by Eva Green. What's noticeable about these stories? They emphasize action and that wasn't the point of the first.

Sin City was a great film because of its emotional power and characterisation. Here, mostly we're getting black and white shapes beating each other up like some generic beat em up flash game with little subtlety or grace. The script sags in places and the film refuses to focus on developing its characters or some sort of emotional impact. It never goes into unwatchable territory, but it's just curiously flat some of the time and it's hard to understand why. All you know is you'd rather be watching the first movie. It's still visually mind blowing and has some beautiful shots. It's well acted by its ensemble cast with Mickey Rourke and Eva Green being the standouts. There are many different voice overs but the film manages never to feel pretentious. You'll likely find yourself moderately enjoying it throughout without ever being particularly interested in what's happening. It's pretty safe to say Sin City 3 will not be happening after this, but the legacy of the original has not been tarnished.

6/10

Sin City: A Dame to Kill For is not a bad idea on paper. Frank Miller's Sin City universe is a rich and interesting setting, and as the first Sin City film proved, it translates to the silver screen beautifully. Unfortunately they decided to stick all the best stories into the first film, thus guaranteeing its success, but leaving the possible sequel without much material to use. Not that the stories used here are bad, they're just not as great as the ones used in the first one. Tellingly Miller was actually called back to write two new stories exclusively for the film. It shows.

However, there is one exception. The story named A Dame to Kill For. Considered to be one of the better stories in the original comic books, it's a good thing they still had one such story to wrap their movie around. And it is awesome. Just as good as the stories in the original film with same great quality acting, hardcore action and brutal visuals. No complaints.

The second adaptation story, Just Another Saturday Night, is really nothing more than an Ode to Marv (Mickey Rourke), and that's okay in my books. It doesn't have much of a plot, and the supporting characters are nonexistent, but it's a good opening piece.

The Long Bad Night, the first of the new stories, works because of its actors. Both Joseph Gordon-Levitt and Powers Boothe have amazing screen presence and as they're pitted against one another throughout the night the stakes keep getting higher and higher, with satisfying results. A fine story and I could see this as an original Sin City story.

Nancy's Last Dance, our last story, is unfortunately the weakest story by far. They clearly wanted to give Jessica Alba something more to chew with her character, but it just doesn't have that edge. You don't buy it. Still not awful, merely average.

Aside from the material, the biggest problem is the common sequel problem where they want to do the same that worked so well in the original, but with more oomph. Here it means more colour spliced into the black-n-white, and it's very distracting. The original used colour carefully, for emphasis, for popping up important details. Here it seems that every single frame has a splotch of colour in it, usually for no reason, they just wanted colour in their frames. And thus the distinct visual style of Sin City is shattered.

All in all Sin City: A Dame to Kill For is not a bad film by any means. It's disappointing, certainly, but only because I love the first film so much, and wanted more of that greatness, no matter how impossible it is to achieve. Still, a great movie to check out if you're a fan, but don't expect miracles.

Visually is more of the same and that's good because Sin City visuals are amazing. When it comes to the story itself I personally didn't enjoyed it as much as the first movie especially that with Joseph Gordon-Levitt, that one seemed really pointless. The main story and the one that gives this movie his name was acceptable and the last story gave closure about a previous story. It lacks the brilliant narration of the characters thoughts that the first one had, this still has it but in a minor quantity and without the poetry that the first one had that should be also due to the change of writers because the overall writing in this one felt worst. The action scenes were good but again not as enjoyable as in the first movie and not as violent too. Not a bad movie by any means but when you have that first masterfully done Sin City to compare this doesn't feel as god as it could.