Reincarnation

Take a spiritual concept and really make it gruesome. Reincarnation was a reminiscent of The Shining with the whole haunted hotel and spooky kids thing going on.

Reincarnation was less horror and more a supernatural thriller packed with suspense and intelligence. The film start off with a basic horror movie feel, and for the first part Reincarnation feels like an average movie this unfolds and takes on a different pace as the movie carries on, ending with a very unexpected conclusion. Wow, I didn't know sublety can knock me on the head that way. Though not as scary as previous films, Reincarnation is original.

Well, I kept hearing all sorts of disappointing statements about Reincarnation. Needless to say, I was a bit reluctant to see it in my local theater. But then I remembered that I have never seen a Japanese film on the big screen, so I went mainly for the experience. Wasn't I surprised when I realized – after seeing the film – that it's pretty damn good.

I'll keep things vague, so as to not spoil anything for those who haven't seen it yet. I admire originality, and while Reincarnation is no Marebito or Tetsuo on the originality scale, it definitely scores high. Sure, there are a lot of horror elements used in this film that have been seen before, but they are not used in quite the same manner. Perhaps the most impressive thing is that the concept of reincarnation itself is used to bridge and interconnect all of these elements in a new and satisfying way. It's like a chef who takes a bunch of foods that you've eaten before, but uses a special ingredient to shake things up. In short, Takashi Shimizu works well as a movie chef here.

Some have complained that the ending is predictable, but this is a misleading assertion. There are essentially three twists that occur back to back to back. Surely, most viewers will probably be able to guess the first twist, but there is very little probability that they will be able to guess either of the other two.

Of course, you can be sure that incompetent, tasteless reviewers will criticize this film for lacking "integrity and weight" (as well as entertainment value), only to then recommend completely weightless trash like Friday the 13th in the same breath. For the rest of us who actually enjoy a quality horror film, we'll stick with our Japanese gems. Other reviewers will claim that all Japanese horror movies are the same, but a skim of my user profile will convincingly prove their ignorance.

The pacing of Reincarnation is very similar to Audition (although not nearly as violent in its culmination). The first 70 minutes is basically a slow paced set-up for the finale, with some dashes of formulaic scares. Fortunately, the final 25 minute finale is one of the most interesting, original, and compelling horror sequences in recent memory. So for those planning to see it, please be patient, and rest assured, the crap will hit the fan . . . hard. Quite frankly, the final series of events in Reincarnation had this viewer giggling with amazement. Just when I thought I had the next scene figured out, Takashi Shimizu would pull the rug from beneath my feet and turn the film in another direction.

I think that the reasoning behind some negative reactions to Reincarnation is the fact that it was marketed ineffectively. There is nothing extremely violent in this film, yet it was packaged within a Horrorfest of films that were allegedly very violent. I'm sure that the gorehounds entered the theater looking for lots of guts and blood, in which case they must have been greatly disappointed. In addition, no one knew the film was in subtitles. I watch East Asian films almost exclusively, so I prefer subtitles to dubbings any day of the week, but I must say that the audible groans and moans from the audience when the subtitles appeared was remarkably entertaining. Apparently, reading a few lines on a screen is too difficult for American audiences. :)

All in all, this was a classic horror film that scores relatively high in originality. I highly recommend it for those who can appreciate a slow-buring, plot-driven horror film with a fantastic finale.

Reincarnation is a Japanese film with subtitles. The plot is very difficult to follow but it involves a film crew making a movie depicting the events of a murder. As part of the filming, the director, crew and cast go to the actual hotel in which the multiple murders occurred. The main character is the female lead in the film. Almost from the start of the project, she begins to have visions or hallucinations. She sees people who no one else sees. When the crew arrives at the hotel, her visions become more extreme and frequent. You sort of understand what this film is about when it is over, however the ending left me confused. This is not a haunted house or slasher horror film. Most of it takes place in daylight. Do not expect scantily clad bimbos or knife-wielding maniacs to jump out from the closet. The story reminded me somewhat of the Roman Polanski film "Repulsion" about a woman who goes mad and has hallucinations. Overall, I thought the film was on the slow side. In its favor, it is not one of the gross torture porn flicks that are destroying the horror genre.

A young actress is drawn to her role in a horror film and also to a hotel from her dreams: a hotel where eleven people were murdered before she was born. What is her connection to her character and the ill-fated hotel? I have two concerns with this film. First, as the film was in Japanese, I am left thinking there were certain aspects that were left out for the American audience (condensed dialogue in the subtitles). Second, the story is pretty simple and might have been better as an hour-long episode of something like "Masters of Horror" (though by no means am I suggesting it was unworthy of being a film). I could also say certain parts were unclear (there are what I assume to be spirits that are never explained), but this does not take away from the film.

I enjoyed the film taking place largely on the set of a horror film. Horror films referencing the making of horror films (or in the case of "Popcorn", the watching of horror films) have a unique style about them. A self-critique. There is also something ironic about how the actress is told the director in the film will want lots of blood and gore, while the film we were watching had relatively little (and compared to some of the Japanese films I've seen I thought this was about as tame as you can get).

The film also offers a great bait-and-switch I cannot reveal. Through most of the film you will be expecting a particular direction or ending. But I assure you what you think you're going to see after the first several minutes will change considerably.

If you find dolls creepy, there's a doll in the movie for you to be creeped out by. Personally, I did not find it very disturbing, but I can see how for others it might be. (Also, there's something less scary about reading words on a screen rather than hearing them whispered ominously to you in a language you understand.) Not a bad film by any means. As far as Asian films go, I'd sooner recommend "The Untold Story" or "The Eye", but this one is alright. And if "Ju-On" is any indication, we'll soon be seeing an Americanized version of this piece. So catch the original first, while you can.

Like a lot of psychological horror, you have to invest some time and energy in this film. It appears to be one thing, but you are not prepared for the changes, and certainly not the ending.

I really expected that Nagisa (Yûka in her first film) was going one way, and then it went a completely different direction and the ending was most unexpected. It challenges you because Takashi Shimizu (Ju-on and The Grudge and sequels) has put together something different with characters and actions moving back and forth through filming and the actual location of horror, and you never really know where you are at any time.

It is a heavy horror film that has less blood, but more challenge.