Come to Dinner

This is a wildly funny satire on the classic comedy/drama DINNER AT EIGHT. This short was released by Warner Bros. and possibly was filmed in New York given the lack of film credits for the few known members of the cast at the time and the professional performances. The entire cast gives wickedly dead-on burlesques of the famous stars of the film and the film's famous scenes and lines. The satire is so sharp is hard to believe this film was made in the 1930's even with it's black-and-whiteness, it's venomously delicious wit is closer to post-1970's humor and it seems like a Saturday NIGHT LIVE skit on the classic film. Sadly, the film does not credit the gifted cast although a few of the performers are slightly known and had either later film credits or worked in silent movies. Best of all is the superb Flavia Arcaro in a devastating parody of Marie Dressler's Carlotta Vance. Miss Arcaro was apparently a stage actress of some renown in the early years of the century and also appeared in a number of 1910's silent films. It's a crime she apparently didn't go to Hollywood in the 1930's and pursue a career as a character actress because she would have been one of the era's best and that was the greatest era of all for character players. This little short has happily now surfaced as a bonus feature on the DVD to the very movie is spoofs, you may wonder which you enjoy the most after seeing it.

... because they were constantly digging at one another's productions in their own. This is a 20 minute comedy short parodying MGM's 1933 ensemble comedy/drama "Dinner at Eight" made - not by MGM - but by Warner Brothers. It will be amusing enough if you haven't seen the feature film, but if you have seen "Dinner at Eight", this artifact from the 30's is downright intriguing and hilarious. All of the players look and sound and even move like reasonable facsimiles of the A-list MGM players in "Dinner at Eight". The actor who imitated John Barrymore was good enough at it that he did so again in 1937's "It Happened in Hollywood". With fewer lawyers and less litigiousness in general 80 years ago, there was no lawsuit by MGM. And, after all, at day's end it probably was just free advertising for "Dinner at Eight" anyways. Today, though, there probably would be some kind of legal objection from MGM considering its obvious source material.

I will add one mild negative - the actress mimicking Harlow had the voice down alright but nobody could move quite like Harlow and for sure nobody could duplicate her blonde baby-faced looks. Maybe that's why 75 years after her death she is still remembered even though she had only a short seven year career in Hollywood.

This hilarious and surprisingly sophisticated satire of "Dinner at Eight" may surprise you by revealing that the sarcastic brand of humor that present-day audiences attribute to the Zuckers and films like "Airplane!" existed as far back as the 1930s in film. The actors in this short spoof nail their impersonations cold, the stand out being the devastating lampoon of Marie Dressler. The DVD special features on the Warners release, "I Am a Fugitive from a Chain Gang," offer a similar parody of that film that played in theatres at the time of the movie's release, but that Warners short is all hokey, broad vaudeville humor; none of it is sharp or intelligent. In contrast, "Come to Dinner" exhibits a brand of humor that would be welcome today on some of the brainier comedy shows.

A great surprise to see this simply delightful comedy parody of MGM's Dinner at Eight, done by Warner Brothers Vitaphone, carefully by passing copyright of course. Once listed as missing presumed lost, but listed in Halliwell's Guides, I had long tried to see the film, but it never surfaced till now, and it is a delight to those who know the original MGM film so well. Even the sets are duplicated, along with the most famous scenes.

The Actors are superb, the Carlotta character rivalling Marie Dressler..and the actor doing John Barrymore is so accurate, along with Lionel Barrymore's impersonation, to the life. Dated in some ways, a viewer who comes on this cold, will dismiss the comedy, as they may not know the real version at all. I suspect that Billie Burke winced a bit at the interpretation of stage voice, but I hope the originals all saw the joke. The talented, but uncredited actors are a revelation, all could have held down Hollywood careers, but were in the main Broadway stage performers.

I expect the origins of the film lay in the war between Louis Meyer, and Jack Warner, with many films as efforts to be one up on each other, as with the Musical films of the late twenties and early thirties.

This is one of two special features included on the DVD release for "Dinner at Eight". Unlike the typical biography, 'making of' flick or cartoon, "Come to Dinner" is a parody of the feature film. It seems that they used lookalikes for the main characters from "Dinner at Eight" for a 20 minute condensed version of the movie. Its humor was often rather subtle and would not really be appreciated unless you first saw the feature film. Though I must admit some (such as the mass suicide) were a bit low-brow. In addition, there are some musical numbers (something NOT in the original). So why would they make such a film? Well, it was NOT made by MGM (who made "Dinner at Eight") but rival studio Warner Brothers--who were mocking the film as well as trying to cash in on the movie's success! Clever but not brilliant.