Deaden

I was lucky enough to see a representation of Deaden during a private screening. I was expecting a "balls to the wall" type of movie but to my surprise i was greeted to not only that but an actual character study. There are more than guns doing the talking in this flick. Fallon's performance was great, displaying a wide range of emotions. The chemistry between Raine and Kersey is very palpable and believable. Great balance between the action and the story. The movie moves at a fast pace and never overstays its welcome. The flick looks great: editing, filters, effects. Visually, it actually reminded me of Domino. You can feel the love and effort that was put to create this movie, behind and in front of the camera. Viel did an impressive job. I can only imagine what they would've done with a bigger budget. Props to all involved for providing us with such a movie. They are far in between nowadays.

I recently went to see Christian Viel's Deaden at the Sitges Festival International De Cinema De Catalunyain in Spain and I liked the movie a lot. It was the film premiere. The film was fast. The story simple. It was brutal. The music was excellente. Fallon was a good actor most time. Big surprise. Good comedy with Kersey Fallon friend in the film who was funny. Lot of guns-cocaine-action and the killings were originale and sadist. Bad things was the film was done on a low budget and some of fist fights were not that good. But it was a good vigilante movie with lots of violence-laugh-drama.

Alan

Deaden is not a movie for the faint-hearted, does not cater for the mainstream audience and is not in the slightest bit interested in any PG-13 rating, and thank God for that! Deaden is instead an intelligent, well-made love letter to the revenge flicks of decades gone by. Writer, Producer and Star John Fallon (aka the one and only Arrow In The Head of the eponymous highly respected horror movie site) had previously stated that his intention (along with co-writer and Director Christian Viel) was to, ahem, deaden his disappointment at the 2004 remake of The Punisher, which for all its' good intentions and impressive visuals still pulled its punches where it counted, and create his own vision.

Thus Fallon and Viel created Rane, an ex-cop who has his future taken from him (in more ways than one) in a brutal opening sequence, and who then proceeds to make the perpetrators pay dearly for their actions after putting an arrow in his head (see what they did there?) and leaving him for dead.

What follows is a lean, uncompromising revenge flick that showcases Fallon in his first leading role, and proves beyond a shadow of a doubt that not only can he write, but the boy can act too. Several times during the movie I was reminded of a young Stallone in the way that Rane comes across as a flawed everyman, forced into his actions but ultimately believing that he is doing the right thing.

What could have been a ham role in lesser hands is turned into a sympathetic and even likable character by Fallon, who glides across the screen with an ease and confidence that many actors with more leading role experience would struggle to replicate. However, one man does not a great movie make (well not always).

Fallon's co-stars also step up to the plate and manage to hit (mostly) home runs. Deke Richards as his buddy Kersey completely sells their camaraderie (helped no doubt by their real life friendship), and the lovely Claudia Jert as his ex-partner Park brings a sexy confidence to the screen which brings to mind a younger (and hotter) Rene Russo. Anna Jaeger, playing Rane's girl Jamie, makes us believe in the depth and warmth of their relationship, and completely validates his need to seek vengeance for her untimely demise.

Rane's murderous crew are equally convincing, breathing life into what could so easily have been two-dimensional cardboard characters, but who instead come across as realistic - very little of the stereotypical movie bad guy scenery chewing that we've come to expect from the likes of a Michael Bay flick goes on in Deaden.

The violence, too, is realistic, with the only credibility-stretching event being the afore-mentioned arrow in the head, but even that is nimbly explained. Heads are cracked, teeth are lost, limbs are broken, and there is the most inventive use of a pool cue that I've seen for a good while, and that will make your eyes water.

Add a well thought out soundtrack to the whole heady mixture and Deaden delivers the goods, and then some. For my money Fallon and Viel have delivered exactly what they set out to, namely a punishing tale of revenge that will keep you nailed to the screen until the final, bleak denouement.

I dig action flicks, and Deaden is an ACTION flick that doesn't pull any punches, in fact it starts kicking your ass from the opening frame. Writer/actor John Fallon and his partner in crime director Christian Viel have created a film that remembers what it's like to have an old fashioned bloody good time at the movies. Combining the things I loved about the Death Wish, early Chuck Norris, and Dirty Harry flicks with a little Cobra thrown into the mix. The only thing missing was a bad ass car, but they had a bad ass bike so I guess they knew what they were doing. The tag line for the flick is "If you stop feeling pain, you can start using it", and the lead character Rane (Fallon) takes those words seriously. On a pain killer and cocaine infused rampage he seeks out those that have wronged him, and using some of the most inventive kills to ever grace the silver screen kills them. Now as fun as this film is, and it's a blast, it is also very difficult to watch at times. I'm just saying, go into this flick ready for anything to happen because in the world that Mr. Fallon and Mr. Viel have created here even the kitchen sink is scared to come out of hiding. So we've got action, violence and lots of ass kicking, but Deaden also has some heart. Fallon shows his sensitive side in flashback sequences where Rane is remembering the good times he had with his wife. Plus his relationship with bad boy Kersey played brilliantly by Deke Richards puts a little bit of the buddy aesthetic that works so well in films like The Rookie, and Beverly Hills Cop into a what is sure to become a cult classic. The chemistry between Fallon and Richards is awesome, and when they weren't on the screen together I found myself waiting for my next fix of those two crazy guys in action. In Deaden the bad guys are bad, and the good guys are bad and the vengeance is served on a platter along with your balls. So do yourself a favor and let Deaden take you back to a time when action flicks ruled!

There is something thrilling about revenge movies. Take KILL BILL VOL. 1 and 2 or any of the Chan-wook Park films including SYMPATHY FOR MR. VENGEANCE, OLDBOY and LADY VENGEANCE. You get a sense of, "what would I do?" and for me, it is a satisfying experience to see the revenge and ultimate betrayal of what comes with it. But what happens when the revenge gets down and dirty? Take away the budget and you get something like the cult classic I SPIT ON YOUR GRAVE or LAST HOUSE ON THE LEFT, a dirty, raw and vicious look at the art of revenge.

Well I'm happy to say, the Christian Veil and John Fallon collaboration DEADEN can proudly be added to that list. It has all the qualities of a new cult classic, as I said, it's raw and brutal but one thing it also has in abundance is charisma. In many ways it is a better film than "Grave" and you can credit that to a wonderful lead performance by Mr. John Fallon. Yes, he's got the machismo, but that seems to come easy for some; just look tough and act like you know what you are doing when pointing a gun at someone. But John also has vulnerability, loads of it. He suffers horrible in the opening sequence, the one which inspires his revenge in a Chuck Bronson sort of way. And you believe it. This film would not have worked with a lesser actor as Rane, the pain killer addicted druggy and the much put upon and surprising survivor of a nasty attack.

I don't want to give to much away regarding plot because all you really need to know is that somebody screws somebody over in a BIG way, and revenge will be exacted. At what cost you may say… Well, lucky for us, both Fallon and Veil seem to love the art of horror and even though this is not a horror film per se, the images portrayed definitely feel horrific in mood and for such a limited budget, really shine here.

And as with many low-budget shockers, this isn't a perfect film. There are a few performances that seem either a little flat or way too "chew up the scenery" big. But most of them do their job competently. I also had a few moments where I felt the budget and that had to do with a couple of odd cuts and crude camera work. But Christian Veil knows the kind of movie he is making and he gives us more than enough action to make us long for the politically incorrect films of the Seventies. This is a nostalgic look back at the dark, brooding anti-hero who has a personal vendetta, and he happens to dig cocaine and messing people up! This is a bloody, vicious and violent flick with a little T & A for good measure and it may very well become a cult classic.