Una cronaca della cultura gay a New York nell'era post-Stonewall e pre-AIDS: il rapido passaggio dalla repressione alla celebrazione, dall'eliminazione della vergogna alla gioia, alla libert... Leggi tuttoUna cronaca della cultura gay a New York nell'era post-Stonewall e pre-AIDS: il rapido passaggio dalla repressione alla celebrazione, dall'eliminazione della vergogna alla gioia, alla libertà prima dell'AIDS e altro ancora.Una cronaca della cultura gay a New York nell'era post-Stonewall e pre-AIDS: il rapido passaggio dalla repressione alla celebrazione, dall'eliminazione della vergogna alla gioia, alla libertà prima dell'AIDS e altro ancora.
- Premi
- 2 vittorie e 1 candidatura in totale
Robert Alvarez
- Self - Hand in Hand Film Productions
- (as Bob Alvarez)
Lawrence Mass
- Self - Addiction Specialist, Writer
- (as Lawrence Mass M.D.)
Ken Unger
- Self - Internist
- (as Ken Unger M.D.)
Joseph F. Lovett
- Self
- (non citato nei titoli originali)
Bette Midler
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Recensioni in evidenza
This documentary gives us a look at the freedom and decadence that was a big part of gay culture between the repression of the 50s and 60s pre Stonewall era and the AIDS crisis of the 80's and 90's. What we had were the crazy 70s! The documentary acts as both a celebration of this period and as a cautionary tale about how too much excess can be dangerous and how many of the men discussed in the film had to eventually "Pay the piper".
There are some things to note for example. There seems to be more acceptance and tolerance of gays and lesbians in America now then there ever was even during the "sexual revolution" of the 70s. Back then if you were gay the only way you could truly live a free life was if you packed your bags and moved to a big city like New York, San Francisco, Los Angeles, or Chicago!
There are some things to note for example. There seems to be more acceptance and tolerance of gays and lesbians in America now then there ever was even during the "sexual revolution" of the 70s. Back then if you were gay the only way you could truly live a free life was if you packed your bags and moved to a big city like New York, San Francisco, Los Angeles, or Chicago!
This is a film that suffers from the same malady that so many gay films suffer from. It's all about New Yorkers, and only eighteen of them. (Count the cast yourself.)
Like Longtime Companion, and even Angels in America, it assumes that homosexuals only live and love in NYC.
Considering the title I guess I expected a broader more enlightening documentary.
In the opening segment it promises to cover 69-81, Stonewall till AIDS. Then it goes on to cover AIDS anyway, in a tact-on perfunctory manner. "See how the consequences played out?" it seems to say.
The film is not particularly enlightening in any way and nothing that hasn't' been said before.
It would certainly be nice to see a film someday that could encompass the gay experience of all of America instead of a tiny group of New Yorkers.
The fact that San Francisco is not even mentioned should tell you that this film does not live up to it's title.
If you want to see a film about gay sexuality, you would be better off looking up "SEX IS," or even renting some classic gay porn.
Like Longtime Companion, and even Angels in America, it assumes that homosexuals only live and love in NYC.
Considering the title I guess I expected a broader more enlightening documentary.
In the opening segment it promises to cover 69-81, Stonewall till AIDS. Then it goes on to cover AIDS anyway, in a tact-on perfunctory manner. "See how the consequences played out?" it seems to say.
The film is not particularly enlightening in any way and nothing that hasn't' been said before.
It would certainly be nice to see a film someday that could encompass the gay experience of all of America instead of a tiny group of New Yorkers.
The fact that San Francisco is not even mentioned should tell you that this film does not live up to it's title.
If you want to see a film about gay sexuality, you would be better off looking up "SEX IS," or even renting some classic gay porn.
There are very few movies that dispense with the coyness and cleverness of a catchy title, and simply tell you flat out what you can expect to see. This is one of them.
Director Joseph Lovett's documentary is kind of like one of those retrospectives you see on VH-1 or the E! Network, only with more naked men, hot explicit sex (well, explicit for a documentary), and snapshots frozen in time that show us visions of a bygone decade, where the Gay Wide World went from draconian repression, to sexual liberation of Bacchanalian proportions, to the next chapter where "the bill came due" for all that excessive indulgence.
No one clucks their tongues or passes judgment, as the interviewees regale us with tales of just how things were back in those days, (although you have to consider that there was some extravagant embellishments here and there.) I was only privy to a taste of the lifestyle of which the subjects speak in this film, and I guess I should be grateful for it, because more than likely it saved my life and the lives of more than a few other people I know. Even back then, in my younger days, I only knew of the stories about Fire Island, the New York-based bars, baths and clubs and the infamous Piers and Trucks through hearsay, and it all sounded fabulous, hedonistic and legendary even as it was happening.
There are touches of the ominous, though, and it certainly doesn't shy away from the dark side of all that "jazz." There were risks other than STD's, and in pursuit of ultimate bliss, there were some who still paid the ultimate price, and that was way before AIDS came to call.
Funny, touching, shocking and sobering all at once, the only drawback is that it isn't the fully rounded account it could be. Maybe Lovett can find a way to extend this into a series and capture more accounts of the shock waves that spread out into other parts of the country, from the "epicenter of the gay universe" as someone in the doc describes the Big Apple. New York and San Francisco were important touchstones of gay culture, but they were not the 'Alpha and Omega' of the Seventies' sexual revolution.
At the very least, it is an important historical record that a new generation can learn from, for those who think that "Stonewall" is just another place in the mall where you can buy acid-washed jeans.
And on a sadder note, maybe the reason why it hasn't been possible to film a more complete history of "Gay Sex in the Seventies," is because many of the eyewitnesses to this remarkable time in history are no longer here to tell about it. I certainly hope that isn't the case.
Director Joseph Lovett's documentary is kind of like one of those retrospectives you see on VH-1 or the E! Network, only with more naked men, hot explicit sex (well, explicit for a documentary), and snapshots frozen in time that show us visions of a bygone decade, where the Gay Wide World went from draconian repression, to sexual liberation of Bacchanalian proportions, to the next chapter where "the bill came due" for all that excessive indulgence.
No one clucks their tongues or passes judgment, as the interviewees regale us with tales of just how things were back in those days, (although you have to consider that there was some extravagant embellishments here and there.) I was only privy to a taste of the lifestyle of which the subjects speak in this film, and I guess I should be grateful for it, because more than likely it saved my life and the lives of more than a few other people I know. Even back then, in my younger days, I only knew of the stories about Fire Island, the New York-based bars, baths and clubs and the infamous Piers and Trucks through hearsay, and it all sounded fabulous, hedonistic and legendary even as it was happening.
There are touches of the ominous, though, and it certainly doesn't shy away from the dark side of all that "jazz." There were risks other than STD's, and in pursuit of ultimate bliss, there were some who still paid the ultimate price, and that was way before AIDS came to call.
Funny, touching, shocking and sobering all at once, the only drawback is that it isn't the fully rounded account it could be. Maybe Lovett can find a way to extend this into a series and capture more accounts of the shock waves that spread out into other parts of the country, from the "epicenter of the gay universe" as someone in the doc describes the Big Apple. New York and San Francisco were important touchstones of gay culture, but they were not the 'Alpha and Omega' of the Seventies' sexual revolution.
At the very least, it is an important historical record that a new generation can learn from, for those who think that "Stonewall" is just another place in the mall where you can buy acid-washed jeans.
And on a sadder note, maybe the reason why it hasn't been possible to film a more complete history of "Gay Sex in the Seventies," is because many of the eyewitnesses to this remarkable time in history are no longer here to tell about it. I certainly hope that isn't the case.
Excellent and to the point.
The topic is interesting and shows a clear contrast between the pre-AIDS world and the post-AIDS world. As I grew up, AIDS was already a factor, so to me the notion of random unsafe sex seems quite the gamble. It made me think about what could be discovered in years to come to make our present lifestyle seem like a game of Russian roulette. I enjoyed a short cameo by Swedish musician Sebastian Utbult! Also, anyone who is interested in the scene needs to see this movie. It's a definite trip to retrotown :)
Thank you for the eye opener, Mr. Lovett!
The topic is interesting and shows a clear contrast between the pre-AIDS world and the post-AIDS world. As I grew up, AIDS was already a factor, so to me the notion of random unsafe sex seems quite the gamble. It made me think about what could be discovered in years to come to make our present lifestyle seem like a game of Russian roulette. I enjoyed a short cameo by Swedish musician Sebastian Utbult! Also, anyone who is interested in the scene needs to see this movie. It's a definite trip to retrotown :)
Thank you for the eye opener, Mr. Lovett!
I have seen this film, too, and I was somewhat taken back in time having seen it since it was a complete reenactment of my entire life in New York at that time, and a time capsule of gay like during the 1970s. I was fortunate enough to live through the AIDS era because I has a monogamous relationship at the time, but many of my friends are dead now, and that is the sad part of seeing the film. The scenes from the 70s in the film including the candid interviews made this film worthwhile. I was lucky enough to see it at a special private screening when in new york recently, and I would definitely recommend it to anyone interested in gay history and gay sex from 1969 onward. One aspect of the film discussed the discos and the baths. I remember a time when Manhattan had at least ten active gay bathhouses, from the ten story Man's Country to the sleazy Everard Baths. I went to all of them, and I still have my Continental Baths towel that I bought at Bloomingdales. What memories! I don't live in NYC anymore. I am in Hawaii, but according to this site (BathhouseGuide.com) there are still gay bathhouses operating in the Big Apple. Cheers, Eddie
Lo sapevi?
- QuizThe film was awarded the GayVN Award for Best Alternative Release of 2006.
- ConnessioniFeatured in SexTV: Andre Williams/Gay Sex in the 70s/Jen Davis (2005)
- Colonne sonoreDo You Wanna Funk?
Written by Sylvester (as Sylvester James) and Patrick Cowley
Published by Sequins at Noon Music & Blue Image Music (BMI)
Performed by Sylvester
Courtesy of Unidisc Music, Inc.
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- 6 nov 2005
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