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L'ultimo inquisitore

Titolo originale: Goya's Ghosts
  • 2006
  • T
  • 1h 53min
VALUTAZIONE IMDb
6,9/10
32.648
LA TUA VALUTAZIONE
L'ultimo inquisitore (2006)
Theatrical Trailer from Samuel Goldwyn
Riproduci trailer2:27
1 video
77 foto
BiografiaDocudramaDrammaDrammi storiciStoria

Il pittore Francisco Goya affronta uno scandalo che coinvolge la sua musa ispiratrice, che viene etichettata come eretica da un monaco.Il pittore Francisco Goya affronta uno scandalo che coinvolge la sua musa ispiratrice, che viene etichettata come eretica da un monaco.Il pittore Francisco Goya affronta uno scandalo che coinvolge la sua musa ispiratrice, che viene etichettata come eretica da un monaco.

  • Regia
    • Milos Forman
  • Sceneggiatura
    • Milos Forman
    • Jean-Claude Carrière
  • Star
    • Javier Bardem
    • Natalie Portman
    • Stellan Skarsgård
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    32.648
    LA TUA VALUTAZIONE
    • Regia
      • Milos Forman
    • Sceneggiatura
      • Milos Forman
      • Jean-Claude Carrière
    • Star
      • Javier Bardem
      • Natalie Portman
      • Stellan Skarsgård
    • 128Recensioni degli utenti
    • 75Recensioni della critica
    • 52Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 5 candidature totali

    Video1

    Goya's Ghosts
    Trailer 2:27
    Goya's Ghosts

    Foto77

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    Interpreti principali73

    Modifica
    Javier Bardem
    Javier Bardem
    • Lorenzo
    Natalie Portman
    Natalie Portman
    • Inés…
    Stellan Skarsgård
    Stellan Skarsgård
    • Francisco Goya
    Randy Quaid
    Randy Quaid
    • King Carlos IV
    José Luis Gómez
    José Luis Gómez
    • Tomás Bilbatúa
    Michael Lonsdale
    Michael Lonsdale
    • Inquisitor General
    Blanca Portillo
    Blanca Portillo
    • Queen María Luisa
    Mabel Rivera
    Mabel Rivera
    • María Isabel Bilbatúa
    Unax Ugalde
    Unax Ugalde
    • Ángel Bilbatúa
    Fernando Tielve
    Fernando Tielve
    • Álvaro Bilbatúa
    David Calder
    David Calder
    • Monk 1
    Frank Baker
    Frank Baker
    • Monk 2
    Ramón Langa
    • Hooded Monk
    Manuel de Blas
    Manuel de Blas
    • Pyre Monk
    Andrés Lima
    • Confiscating Monk
    Emilio Linder
    • Churchman 1
    José María Sacristán
    • Churchman 2
    Wael Al-Moubayed
    • Goya's Translator
    • Regia
      • Milos Forman
    • Sceneggiatura
      • Milos Forman
      • Jean-Claude Carrière
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti128

    6,932.6K
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    Recensioni in evidenza

    6SnoopyStyle

    great first half

    It's 1792 Madrid. The Inquisition is interested in painter Francisco Goya (Stellan Skarsgård)'s provocative art. Luckily for him, brother Lorenzo Casamares (Javier Bardem) is his supportive patron. Inés Bilbatúa (Natalie Portman) is brought into the Inquisition for not eating pork. She is accused of being a Judaiser and put into a stress position called The Question. Her rich merchant father asks Goya to invite Lorenzo for dinner. He in turn puts Lorenzo into The Question to coerce an outlandish confession. He blackmails Lorenzo to help get Inés released.

    The first hour is terrific. It has dark and tense turns. The characters are great. It builds up a compelling drama. The first problem starts with the family letting Goya leave as they torture Lorenzo. He could easily have gone to the authorities. It's a small logic break but then the story expands in scope and out of shape. This could have been a great movie if it stayed small. Milos Forman goes crazy and then the French invades. The second half is more convoluted and there are too many convenient turns. By way of explaining, I almost half-believed in this as a real Goya story. Granted, I don't know anything about the artist but these characters seem real enough. By the second half, there is no chance that this is anywhere near reality. This is half of a great movie.
    8aiculik

    Really great

    I saw it yesterday on film festival. And it was great.

    When I was reading the description of the movie, I had some doubts. It seemed it would be yet another film about bad, intolerant catholics and good and democratic atheists. I'm just fed up with that kind of films. But it was not so. In a short - it's a great film with bad description.

    What it really is about, is that it doesn't matter what principles one believes in if their life is doesn't match these principles. Both inquisitors and French democrats were capable of same brutality - always, of course, in name of some noble idea - love, freedom, equality... It's not sentimental or pathetic and it doesn't try to tell you what is "the only truth". It simply says that its not principles and ideas that are bad - its people. Characters are very human, with many errors - but, at the same time, each of the characters, even "villains" have moments when you will like them. It is also because the film changes perspective several times, and those who were despots become victims.

    Maybe its not the best Forman's film, but it is very good.
    9martys-7

    Brilliant Portrait of Goya and Spain in the 18th/19th Century

    Imagine the paintings and drawings of Goya in all their darkness and beauty coming to life - this is Milos Forman's masterful film. Goya (and us)witness the folly of the Spanish royal court, the murderous sadistic perversion of the Catholic Church, the cruel inhumane madness of the Napoleonic War, along with the sensuality and beauty of life passing. This is the film's main focus: to let us experience the time and place as if seen through Francisco de Goya's eyes. As expected of a Milos Forman's film, the locales, the customs, and the overall production replicates the Spain of the late 18th century and early 19th century with the exactitude of a court painting. The cast is also excellent. As an Inquisitor turned a Napoleon's officer, Javier Bardem deserves another Oscar nomination. Stellan Skargsdar as usual does a chameleon-like transformation this time into Goya. Natalie Portman elevates herself into a higher realm of acting as the doomed, beautiful Ines. And Randy Quaid steals the screen for a few seconds as the King. Milos Forman again has given us an emotionally- and intellectually-challenging portrait of a dark era and the role of art and artist. Although some of the dramatization is slightly contrived, the film is compelling and moving and its vision lingers as Goya's art.
    9latinese

    A Bleak Masterpiece on the Nightmare of History

    I think Goya is after all just a pretext. What Forman wanted to talk about is how people are overwhelmed by history. It's a difficult idea to be grasped for people who live in wealthy societies where nothing much happens and the biggest problems are having more money than you already have and what to do on Saturday night. But Forman manages to show you how you can be powerless and doomed when history moves fast--too fast. The real protagonist of the story is not the painter, but the former Dominican priest, whose life is totally changed--and ultimately destroyed--by the big historical events (the French Revolution, the French invasion of Spain, the English invasion of Spain, the Restoration). The same may be said for the other characters in the story. Goya is there as a witness, and as the symbolic figure of the artist who manages to create something even out of utter destruction. One could say that Goya's Ghosts are exactly those people and events Goya witnessed and can't get rid of, so that he has to turn them into drawings and paintings; but the term "ghost" also refers to what individuals are like in those moments when everything is changing and moving towards God knows what goal. The priest and the young girl and all the other people in the story are just pawns of history, who strut and fret on the stage and then disappear. Ghosts, because they can be annihilated in any moment. It's a sad truth, but it's truth, notwithstanding Hollywood's mythologies of super-heroes that can win against all odds. Joyce said that history is a nightmare one tries to wake up from; Forman showed us the nightmare, and the last nightmarish scene of this movie is one of those you can't forget.
    7dromasca

    Goya in the background

    A film by Milos Forman is always an event. This will probably not remain as one of the best in his career, and was surrounded by a level of controversy, not the least among critics who received it very differently. Yet, it is certainly a film to watch.

    The story actually does not have Goya (Stellan Skarsgård) in the center. It is rather the story of a corrupt morality policeman of the 18th century (Javier Bardem) imprisoning a young girl (Natalie Portman) on the unjust suspicion of practicing Judaism in secret. It is the story of a police state built on social injustice relying on pretended moral puritanism in order to save the system. This happens at the price of huge human suffering like the drama in the center of the story, and here is the painter as a witness, living the dilemma of becoming involved as a human or remaining a witness as an artist. We know what path Goya chose.

    I was not unhappy neither with the acting, nor with the story line, although it is a little bit too melo-dramatic and too much prone to coincidences. Forman is not so much focused on the drama or better say melo-drama, or even in the historical detail, although he seems to be on familiar ground getting back to the period in 'Amadeus'. What he is busy with seems to be more re-creating some of Goya's paintings and prints and tracing back the origin of inspiration of these masterpieces. In a way the film can be read as justification of the choice Goya made in life.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      When asked why a film about such a quintessentially Spanish artist was made in English, the director replied "I don't speak Spanish."
    • Blooper
      When Goya unveils the unflattering portrait of the queen, she is deeply offended. Actually, queen Maria Louisa liked that portrait so much that she made Goya the first court painter.
    • Citazioni

      [Bonaparte and Lorenzo are looking at paintings of Maria Luisa]

      Joseph Bonaparte: I met her once... don't recall her being quite so ugly though. How did she have so many lovers?

      Brother Lorenzo: [smiling] She was the Queen, Your Majesty.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: I Now Pronounce You Chuck and Larry/Goya's Ghosts/Interview/No Reservations/Sunshine (2007)
    • Colonne sonore
      Funeral March (Opening Title)
      Written by Josh Zaentz

      Courtesy of Tszco

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    Dettagli

    Modifica
    • Data di uscita
      • 13 aprile 2007 (Italia)
    • Paesi di origine
      • Spagna
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Goya's Ghosts
    • Luoghi delle riprese
      • Segovia, Castilla y León, Spagna
    • Aziende produttrici
      • The Saul Zaentz Company
      • Kanzaman
      • Antena 3 Televisión
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 50.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 1.000.626 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 159.671 USD
      • 22 lug 2007
    • Lordo in tutto il mondo
      • 9.448.082 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 53min(113 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • DTS
    • Proporzioni
      • 1.85 : 1

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