Sam cha hau

"Divergence" ("Saam Cha Hau") is a fairly average action thriller from director Benny Chan. So don't expect any major revelations or eye-poppers here.

That being said, then "Divergence" is still a good movie, because it takes a well-used formula and manages to get something good out of it, and the movie is entertaining.

The story is about policeman Suen (played by Aaron Kwok), assassin Koo (played by Daniel Wu) and lawyer To (played by Ekin Cheng) whose paths are intertwined and get trapped in a race against time.

Initially, there is nothing new to the story, but Benny Chan still manages to tell a story that is entertaining and thrilling. And there are some pretty good visuals throughout the movie.

As for the acting, well Daniel Wu really carried the movie here, and far outshone both Aaron Kwok and Ekin Cheng. As for Aaron Kwok, then he really didn't shine through in this movie and sort of just seemed to be running on autopilot. And Ekin Cheng wasn't really given enough time on the screen to fully make an impact.

"Divergence" is good entertainment if you enjoy action thrillers, just don't expect to get dazzled.

Just like its Hollywood contemporary, the fabled jewel of the east, also known as Hong Kong, shovels mouthfuls of filler in the general direction of its loyalist audiences. And similar to fluff done anywhere else, HK's variety also comes in the irritating form of polished, well-supervised products with at least acceptable technical merits and yet little beyond.

We recently had two mega-stars like Andy Lau and Jacky Cheung suffer through mediocre episode Jiang Hu, further thrashing the over-strained underworld genre, and here comes a Benny Chan flick to additionally burden the cops and crooks theme with uninvited baggage. At least in Chan's case the memory of capable actioner New Police Story still lingers, so we'll forgive him the helming of Divergence and its, in essence, vacuous content and pretty embarrassing conclusion. You'd be right in expecting more from Chan and his writer cohort Ivy Ho (who previously penned classic July Rhapsody), but nonetheless both failed to come up with any worthy goods this time around.

Presumably, Divergence gets its moniker from the three main personages operating inside the film's confused and unfulfilled promise. Suen (Aaron Kwok) is a sarcastic police officer working various, rather high-profile cases, at least one of which we witness going bad with the baddie under Suen's protection buying the farm in a gruesome fashion courtesy of the second main character, a hit-man known simply as Coke (Daniel Wu, who lost some weight and much appeal in a role that's beginning to smack of typecasting). Coke's success and Suen's misfortune set in motion a series of events that supposedly want to point out the ironic nature of life, the universe, and whatever the people counting box office returns happen to report.

The terminated criminal Suen was sheltering leaves a mean triad boss (Gallen Lo) feeling a whole lot better about things, but ultimately lands everyone in more trouble since the latter's enemies soon move to equalize by retaliating against his family. This sort of complication doesn't make Suen's life any easier as he tries to focus on capturing renegade Coke and his sultry female accomplice (done by mainlander Ning Jing).

Defending the underworld elements is attorney To Hou Sung, done by our favorite hunk Ekin Cheng, and here completing the triumvirate of male leads. Although silent and reserved, To quickly gets on Suen's nerves, and not just for his application of the law as an excuse for things one would sooner sweep under the floorboards. There's another element figuring in, further showing us how intertwined the trio is and why even minute occurrences can have repercussions much later down the line, hence Divergence. The factor in question is naturally a woman, and one who perhaps has been missing for the better part of a decade. It's the apple in the eye of cop Suen, an ex called Fong, portrayed with minimal gusto by gorgeous Angelica Lee. The disgruntled cop obsesses over his former lover and her vanishing all those years ago, even though we don't see much of their relationship other than contrived, hokey memory sequences and Kwok's miserable cry fest moments as fortified with extra-dumb instances of pseudo-animalistic howling. Was there really a need for such mundane clichés?

As if that wasn't enough, someone had the brilliant idea of encumbering Suen with several idiotic attempts at self destruction, resulting in him miraculously surviving and changing cars about as often as you do socks. Must have been quite the improvement in HK auto insurance since we last looked into the matter. Plus, the music people, bless their souls, thought it prudent to include one of the cheesiest collections of sentimental overtures one has heard in a long, blissfully quiet time. It's all enough to make you reach for the hurl bag.

And as we sit through the travails of Suen and his struggle with shadows of the past, it becomes apparent none of the main characters gets enough space to mature and grow, thus the various pieces never click. This trickles down to supporting figures like Ning Jing and too-prolific Eric Tsang as a jolly, noodle-slurping police medical examiner who never loses his appetite no matter how grisly the stiffs. Ha ha but not all that funny, thank you.

Not even the action itself lives up to whatever high expectations you may have of this project, if any. Fighting's pretty lame and basic, there's little gunplay, and the car chases seem to use the same beat up Mazdas you've seen in scores of older HK movies. But probably the biggest disappointment comes when the thing finishes, with characters coming out of nowhere to reach an easy, convenient and utterly ridiculous ending that somehow explains the various "enigmas" you were supposed to fuss over during the plot. But of course there was no fussing at all, seeing as how can anybody care about a story lacking in so many departments to begin with?

At least for Divergence Angelica Lee looks her best yet, so for all thus inclined mayhap there's some incentive to watch yet. On all other counts, Divergence misses the mark big time, leading down paths of inadequacy any film buff needn't even consider following.

Rating: **

Divergence tells the story of three men: A reckless hit-man simply named Coke (Daniel Wu), Suen Siu-yan a police officer whose fiancée has been missing for 10 years (Aaron Kwok), and Barrister To, a lawyer (Ekin Cheng) who works for a mobster. While conducting a routine witness transfer Suen Siu-yan feels the wrath of the hit-man Coke, after barely escaping with his life he starts further investigation into the case, the prize being Barrister To's gangster boss. At this point, three seemingly unrelated lives converge into a hailstorm of bullets and bloodshed.

If it sounds like typical Hong Kong action flick thats because it is. Everything about this film, at a cursory glance, is typical. The Acting is well-done, and the cinematography and Direction is also good, and the action is good too. But there is still something lacking in Divergence. I had to watch this film twice to figure out what was missing. On the second viewing I figured it out. This movie has no heart. It has everything that makes a good action film but in the end, you just don't care about the characters. The film makes all the stops and covers all the bases, and it should be a great film. But sadly, it's not, I was hoping for a great gunkata thriller but I was sadly disappointed.

Messy form over content police thriller (comedy?) has a cop, who is trying to come to terms with a long missing girlfriend, lose a witness in an organized crime case to an assassin. How the cop, the girlfriend and the assassins all interrelate is the film. I didn't know whether director Benny Chan was serious or not. Chan a good director (New Police Story) for the most part though occasionally he tries to do too much and the pieces don't come together (Rob B Hood). Here nothing seems to work and it all seems like a TV movie. The action isn't real, its done for artistic effect- the early strangulation where the victim claws the paint of the truck for example.Whats worse its laughable- the sequence where our hero finds the picture of his lost girl in his car and takes his foot off the brake while on a steep incline had me howling. Actually I just gave up on the film and jumped to the end. For me its one of the real disappointments I've seen recently, even if it does have a couple of good sequences-the plastic bag fight for example.

Not the slam bang police action of Infernal Affairs (the original, not the ripoff), but there is enough action to make it worth your while.

It focuses more on the characters and their relationships: the cop, Suen Siu Yan (Aaron Kwok, the hit man, Koo (Daniel Wu), and the lawyer, To Hou Sun (Ekin Cheng).

Suen has been looking for his girlfriend Amy for 10 years. To's wife Su Fong (Angelica Lee) looks like her and actually plays two parts, one in flashback. He acts like a stalker as he follows her everywhere.

Eric Tsang from Internal Affairs is here, but he is a cop in Missing Persons, not a mobster.

Kwok and Wu are great, and the action is good at times, but there just doesn't seem to be something that brings it all together.