Sam cha hau

I loved this movie!! I originally wanted to see it because I am a big Benny Chan fan. Remember Heroic Duo and Gen X Cop? I thought they were awesome and so I thought I would check this one out too.

The movie is basically about three guys. Suen, an obsessive, manic, rundown cop, who cannot get over his girlfriend's sudden disappearance, which happened over 10 years ago. An assassin, who we meet in the beginning of the movie when he murders the guy chained to Seun and who seems to posses secret important info. And, the lawyer. a man who can get off any client, regardless of his crime, and who coincidentally happens to be married to a woman who looks exactly like Sean's missing girlfriend - which really messes with Sean! Anyway, this was one of those movies where I could not guess how it was going to end, and that is huge to me. It was so complex! All of the characters were so well developed, with such strong personalities that it made for a really intense dramatic, thriller, mystery, movie experience. The whole time I was trying to figure out where everything was going and I couldn't! So many films these days are so ridiculously obvious and formulaic, which is why I think it's important to step out of the mainstream on occasion. This movie is a great opportunity to do that!

After Aaron Kwok won the Golden Horse, the Taiwan's equivalent of the Oscar, for best actor, I got interested in this movie to try to figure out how this pop star who was considered a long shot by many people won the prestigious award. The first impression I got after I finished was, and I remembered clearly, sitting at my sofa, staring at the blank TV screen for a couple of minutes, and saying, "What just happened?" No, I was not blown by it. The opposite occurred. I was confused.

The movie was a typical Hong Kong movie, with the usual grittiness and stylishness. It had its moments, but sometimes, for some strange reason, it felt slow. Maybe there was not the ridiculous amount of gunfire, car chases and explosions that we viewers of Hong Kong thriller films are most familiar with and what I am most fond with. Maybe the love line story was so unnecessary that it dragged the movie down. Whatever the case, the mysteries and the search for the truth got my attention and got me excited...till I reached the twist. The twist right before the ending was a little surprising, but in retrospect it became obvious because too many clues were given that even a 2 year old could guess it (not recommended for 2 year olds- they are too young to be subjected to bad films). Still, it could be forgiven because an effort was made and it was a decent twist, no matter how predictable it was. However, here was what killed the moving- the ending. Nothing good could be said about it. It felt like they were trying to make this movie sophisticated by leaving so many questions unanswered. The problem was, those questions were not rhetorical or philosophical questions that might make one reexamines one's life. Instead, those questions were questions about the plot; the ending made the writers look stupid and left the movie feeling unfinished. Not enough clues were given in the film to help the viewers to try to answer the questions that were left. I tried to answer those questions, but after a few moments of pondering, I gave up and started swearing at the writers for wasting almost 2 hours of my time and the favors I have to pull to borrow this movie. There was no way to answer them and it was dumb to even try.

I could not say nothing good came out of this film. I finally understood the formula for the voting panel at the Golden Horse Awards. 2 words: star power. The guy was once part of the legendary 4 kings of Hong Kong pop music and even though the status had became history and he was struggling for the past few years, he still have draw power. Letting him win would be a feel good story and let people talk about it for days; it could boost popularity for the show, which saw its ratings down from last year and had been on the down side in recent years. This was not to put down Mr. Kwaok. He did a good job and it might arguably be the best performance of his career. However, compared to the other nominees, his performance still felt weak. I guess everything was for the ratings.

My only advice: do not watch it just because Aaron Kwok won the Golden Horse for it. It is a meaningless piece of work and your time would be better devoted elsewhere.

I give it 6/10, because an effort was made and only the ending sucked.

Messy form over content police thriller (comedy?) has a cop, who is trying to come to terms with a long missing girlfriend, lose a witness in an organized crime case to an assassin. How the cop, the girlfriend and the assassins all interrelate is the film. I didn't know whether director Benny Chan was serious or not. Chan a good director (New Police Story) for the most part though occasionally he tries to do too much and the pieces don't come together (Rob B Hood). Here nothing seems to work and it all seems like a TV movie. The action isn't real, its done for artistic effect- the early strangulation where the victim claws the paint of the truck for example.Whats worse its laughable- the sequence where our hero finds the picture of his lost girl in his car and takes his foot off the brake while on a steep incline had me howling. Actually I just gave up on the film and jumped to the end. For me its one of the real disappointments I've seen recently, even if it does have a couple of good sequences-the plastic bag fight for example.

Not the slam bang police action of Infernal Affairs (the original, not the ripoff), but there is enough action to make it worth your while.

It focuses more on the characters and their relationships: the cop, Suen Siu Yan (Aaron Kwok, the hit man, Koo (Daniel Wu), and the lawyer, To Hou Sun (Ekin Cheng).

Suen has been looking for his girlfriend Amy for 10 years. To's wife Su Fong (Angelica Lee) looks like her and actually plays two parts, one in flashback. He acts like a stalker as he follows her everywhere.

Eric Tsang from Internal Affairs is here, but he is a cop in Missing Persons, not a mobster.

Kwok and Wu are great, and the action is good at times, but there just doesn't seem to be something that brings it all together.

The movie Divergence is about three men who have their lives brought together by their jobs. The movie makes it seem like there will be some very profound and mind-blowing brilliant connection among these characters when there really isn't. However the movie does create an interesting dynamic with the jobs of the three main characters, and how each character takes on the job of another (I won't spoil it for you). The characters have a good amount of development and its likely you'll make some sort of connection with Aaron Kwok's character at the very least. The action scenes are good, definitely better than the usual fare from HK recently. The cinematography of the movie really impressed me, if you pay attention there are a lot of subtle things that are done to foreshadow things in the movie. The director really knew what he was doing. The rating that the movie has right now (floating around 5.5) is definitely too low, this is an entertaining movie and impressed me since I have been a little indifferent to HK cinema recently. At the very least the this movie shows their is still room for the thriller movies in HK, despite the recent barrage of brainless comedy flicks.