Vita di Pi

I was lucky enough to see Pi in full 3D Imax at a pre-viewing in San Diego last night, and as a huge fan of the book, I was intensely satisfied.

Believe it or not, I was more impressed with the the casting choices and performances of the players than by the effects. Granted, the movie was very beautiful, but in the end, Life Of Pi was more character driven than anything. Suraj Sharma as the young Pi was charming, funny, and incredibly engaging, while Irrfan Khan as the older Pi was fantastically genuine and warm. Adil Hussain as Pi's father was also a joy to watch. The characters are so rich and full of life that you really can't help but fall in love with them. I would also like to add, as someone who spends time with tigers on a daily basis, the animators did a wonderful and accurate job of bringing Richard Parker to life and making him the active and vital character that is so incredibly essential to the success of this story.

I would recommend seeing Pi in 3D, but I don't think that's it's essential to your viewing enjoyment. The 3D just takes a beautiful film and makes it a little bit nicer. Also, if you've read the book and are concerned that the story you loved may have been compromised in anyway, worry no longer. This is easily, one of the best book to film adaptations I have ever seen.

Happy viewing folks. I hope you enjoy this film as much as I did. I'll be seeing it again in theaters very soon.

With his latest movie, "Life of Pi", Ang Lee further establishes himself as one of the greatest contemporary movie directors. Starting from his Taiwanese beginnings, and his highly enjoyable, family-harmonizing "Father Knows Best" trilogy (1992-1994), through his Academy Award winning works on gracefully choreographed, highly spiritualized Far East martial arts tour de force "Crouching Tiger, Hidden Dragon" (2000, best foreign-language film) and on an uncommon yet nostalgic portrayal of the Old West in "Brokeback Mountain" (2005, best director), to his other titles like "Sense and Sensibility" (1995), "The Ice Storm" (1997), and "Lust, Caution" (2007), quality and Kubrick-like versatility shown in his movies offer continuous attraction for wide audience of his admirers.

Lee's latest and, so far, easily, greatest movie, "Life of Pi" is based on a screenplay adapted from the acclaimed fictional adventure novel written by Canadian author Yann Martel.

Throughout his childhood, due to matching pronunciation of French word "piscine" (pool, swimming pool) and English word "pissing", Piscine Molitor Patel, named that way after later abandoned Parisian swimming pool, so predictably suffers from being nicknamed "Pissing Patel". In order to avoid it, once in high school he finally shortens his name to Pi Patel... Nowadays middle-aged Pi tells the story of his life to a visiting writer, apparently a book author Yan Martel's alter ego, who is seeking for the literal inspiration. Retrospectively, Pi divides his childhood and adolescence into three segments. In the first segment he gives shorter account of his life until the age of 16, describing his interaction with his family and schoolmates, in particular his relationship with his father and a girlfriend, concentrating on his exploits of God and spirituality, meandering between multitude of religious practices… while in the last one he briefs about his testimonial given to officials from the Japanese Ministry of Transport, investigating the reasons why the ship his family was relocating on from India to Canada sank. Most detailed, and therefore the longest, is recollection of his 227 days in a lifeboat, an extraordinary ordeal he went through after the ship has capsized and everybody else, crew and passengers, died…

…Well, everybody human, but not everybody living. Namely, a number of terrestrial animals from their discontinued family zoo, offered for sale and brought along with other family belongings, have survived, too. But, not for long, because, while confined in the most limited space as they were, surrounded by vastness of the ocean, the law of the "survival of the fittest" prevails, takes its tall, and pretty soon Pi finds himself in a company of a single one topping the food-chain, a Bengal tiger curiously named Richard Parker.

Not to reveal the story further, it is with greatest pleasure to inform that cinematic excellence has been achieved in several categories: in an engaging tale—whether allegory or depiction of realistic, believable events, filled with protagonist's rarely matched curiosity, imagination and his often reasonably unanswered doubts, encouraging the same in viewers—of an uncommon character, indeed, brought to on-screen life by outstanding performances from two contributing leads, remarkably presented via ubiquitous, yet inconspicuous animation, exceptional, CGI aided visuals and superb usage of 3D photography, all along complemented with an uplifting score. All these assets work seamlessly together in unfolding an intense relationship between Pi and Richard Parker, complex yet basic, difficult yet simple, initially charged with Pi's dreadful fear, swiftly shifting to respectful care, instantly boosting his never overbearing confidence and relentlessly improving his survival skills. Wholesome artistic experience reaches and maintains its pinnacle particularly in clever tactics and constructive survival techniques 16-year old Pi uses—amply benefiting from his instructive lifestyle of a zoo owner's attentive son, certainly well acquainted with animal psychology—to suppress the fear and convincingly impose himself as an equal to the one of the most elaborate "killing machines" among mammals, desperately striving for his own survival, nevertheless, generously, for survival of his seemingly sufficiently tamed companion, but still, initially and ultimately, magnificent adversary, Richard Parker, as well.

"Life of Pi" is, certainly, one of the most impressive movies of 2012, year that has just come to a close.

It's a shame that I didn't see this at the cinema, I can only imagine what a treat for the senses this was on the big screen. A visual masterpiece, and an intoxicating story of belief and friendship.

You must give so much credit to the team that produced this, not a book I would have thought easy to adapt, as it is so vague, the realisation is of course breathtaking, I absolutely loved it.

I've read comments about those that wanted action and dramatic scenes, this film isn't about the destination, it's about the journey.

Breathtaking, 9/10.

By the time I got to see this film, the Oscars were long past and there already were a ton of reviews for "Life of Pi". On top of that, I have noticed that for big pictures which most everyone likes, I rarely have much to say. After all, I agree with the majority--"Life of Pi" is a very good film. So, my review will be brief.

THE reason to watch this film is pretty simple: You cannot say that the movie reminds you of anything you've ever seen before or since. Sure, you could try comparing "Life of Pi" to "Avatar"--but that is only because they both used gobs of CGI to create fantastic stories. But the story itself, is so original. In addition, the acting, direction and artistry of the movie is tops. While I would agree with the Oscar folks that "Argo" was a better film, it wasn't by much. Well worth your time.

The movie narrates an incredible story using the most beautiful special effects and great actors.

It is more that a survival story and it is not about friendship. This story is about faith. Director Ang Lee use all the tools he have to make this movie about a solitary young man not a boring one. It is narrated by both, young Pi and the Adult Pi, it uses music all the time so there is not space for uncomfortable silents and the rhythm of the scenes is fast. The result a very entertained film.

The most important thing of this film is it character. It is obvious because we are seeing for almost 2 hours just one character. So it is not only important to have a great character that appeals to the audience feelings, but to have an actor that portray this person the right way. Suraj Sharma was brilliant as Pi. He can make happy scenes as equal as sad, desperate, hopelessness, exhaustion and anger ones. Very few movies allow an actor represent so many emotions.

But if Pi is a good character, Richard Parker can only be describe as unique. The tiger as personality of it's own. Not many films can make an animal with so many human features and yet never stop being a wild animal. This tiger is computed animated but the audience will barely notice, because the way it walks, eats, its factions, the eyes. It doesn't matter if it is computer animation, Richard Parker is alive and is his own character just as important as Pi is.

If you think that "Rise of the Planet of the Apes" have good animal effects, you have to see how this people make a zebra, a hyena and a orangutan. All this, combine with a photography created by the same guy that make "Tron: Legacy" looks so cool and "The Curious Case of Benjamin Button" so beautiful, Claudio Miranda, makes it an incredible experience to see.

This movie is definitely an Oscar runner for Special Effects, Cinematography, Director and Movie of the year.