Aggiungi una trama nella tua linguaSent to evaluate the environmental impact of oil drilling in the Arctic, James Hoffman clashes with the drilling crew's chief, who wants to get the job done.Sent to evaluate the environmental impact of oil drilling in the Arctic, James Hoffman clashes with the drilling crew's chief, who wants to get the job done.Sent to evaluate the environmental impact of oil drilling in the Arctic, James Hoffman clashes with the drilling crew's chief, who wants to get the job done.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- James Hoffman
- (as James LeGros)
- Doctor Pedersen
- (as Hálfdan Lárus Pedersen)
Recensioni in evidenza
The only true quibble would be with the use of dubious CGI. Though it's understandable, it still takes us right out of the movie due to its artificial appearance. The argument can be made that simply not showing the supernatural menace would have been far more effective.
The film's biggest asset is Ron Perlman as the strong-willed, ultra-dedicated Ed Pollack. Perlman always gets the job done, and his role is pivotal.
Recommended for lovers of the insane and terrifying...
"The Last Winter" is intriguing, beginning like "The Thing" blended with "An Inconvenient Truth" in wonderful locations in Iceland. Then the story shifts to a rip-off of "The Shining", ending in a complete and disappointing ambiguous mess. Ron Perlman plays an unpleasant character, and it is impossible to feel any empathy for Ed Pollack. It seems that the unknown director and writer Larry Fessenden was also affected by the hallucinogen gas of the story and end the movie completely mad, showing a weak answer of the nature in spite of having a plot with great potential. My vote is four.
Title (Brazil): "Colapso no Ártico" ("Collapse in the Artic")
But "The Last Winter" has more reasons for existing than just its Alaskan (and apparently also Icelandic) filming locations. It's actually a rather ambitious, creative, well-acted and contemporary relevant combo of supernatural horror and climate fiction. It's not great, but compelling enough to keep you entertained throughout its running time. A hardened crew of the North Corporation, led by the robust Pollack, is making the final preparations to start drilling for oil, in spite of doubts and warnings from the independent environmental counsellor James Hoffman. Whilst Pollack and Hoffman are constantly bickering, and not just over the environment, other crew members are behaving increasingly strange and unpredictable. Are they being haunted by the Wendigo, are toxic gassing emerging from the soil, or are the geographical isolation and working conditions just becoming too unbearable?
Mind you, I'm not upholding the mystery with that final sentence. I genuinely had no clue what was going on! Near the end, Larry Fassenden loses his grip on the plot and the overall film, but compensates the lack of logic & coherence with a couple of spectacular scenes and visual effects. The global warming and ecological morals are omnipresent in Fassenden's script, but never shoved down our throats - which is good! The cast is fantastic, the final sequence is lousy, and the film as a whole is somewhat in between.
But that's where the good stuff ends.
The plot (or lack thereof) seems to involve the deaths of the aforementioned characters in random, arbitrary ways with no explanations offered. A few "ecological revenge" lines are thrown but they do little to clue the viewer in to what's actually supposed to be going on. To be completely honest - I don't think even the writer and director knew what was going on. I get the feeling they said:
"Hey let's make this creepy film set in an arctic drilling station, kinda like 'The Thing'..."
"Cool, so what's the plot?"
"Ummm, I don't know, I don't think it matters. Characters can die!"
"Cool, so what's killing them?"
"Ummm, I don't know, I don't think it matters."
"I guess not. Let's get started then!"
Lo sapevi?
- QuizFilm debut of Zach Gilford.
- BlooperWhen they try and leave the scene where they discover the grader 'n tanker truck, they discover that their snowmobile won't start because it has 'lost all its oil'. That particular sled had a two stroke engine which uses mixed fuel (no crank case oil as in all four stroke engines) so this would've been impossible.
- Citazioni
James Hoffman: [from his journal] Empathy with the land. This we learn in childhood. The land has changed. The biosphere turned; has become unfamiliar and erratic. I would say eventual, but nature is indifferent to us. We fight for our survival, not nature's. There's a fierceness in the world that we never felt before. Something is being unleashed in the softening permafrost. Why do we despise the world that gave us life? Why wouldn't the world survive us, like any organism survives a virus. The world that we grew up in is changed forever. There is no way home. Is there something beyond science that is happening out here? What if the very thing we were here to pull out of the ground were to rise willingly - confront us. What would that look like? What if this is the last winter, before the collapse? And hope dies.
- ConnessioniFeatured in The Making of 'The Last Winter' (2007)
- Colonne sonoreMy Baby Just Cares For Me
Written by Walter Donaldson and Gus Kahn
Performed by Nina Simone
Published by Donaldson Publishing Co. / Gilbert Keyes Music Co. /
WB Music Corp. (ASCAP)
Courtesy of Bethlehem Music Company, Inc. & Steven Ames Brown
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Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 33.190 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8090 USD
- 23 set 2007
- Lordo in tutto il mondo
- 97.522 USD
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1