Zodiac

This is a movie about process. It's about what happens when a case goes cold and simple answers don't suffice. It's a risk taken when one does a fictional presentation of an historical event from fairly recent times. You can stick tot he facts or simply make things up. I enjoyed this film because the three principle characters were real and human. All were in over their heads to some extent. Jake Gyllenhaal character makes that sometimes unfortunate serendipitous discovery and becomes obsessed. The police have done what they can, but without passion and this is what Gyllenhaal's character brings to the game. Unfortunately, so much time has passed and so much has gone cold. So everything is based on circumstance. We must content ourselves with what we find and give up on confessions or witnesses. I knew from the start what the case was about and I recommend that those sourpusses that complain about this film do a little reading (maybe one paragraph on Wikipedia which should handle your attention spans) and then decide whether you want to bother with this. Personally, I thought the acting was superb and it painted a picture of the frustration with trying to solve a case with only bits and pieces.

Based on the wonderful novel, this film brilliantly tells the story of the unknown Zodiac killer, who operated in the late 60's and early 70's.

You will easily lose a full night or afternoon with this movie, it's incredibly, it's engaging, dramatic, and captivating. I love how the time passes by on the film, everything changes accordingly, it's very well produced. At times it's very sinister, and creepy, but it's subtle, nothing is forced or heavy handed.

The acting is terrific, Ruffalo and Downey are brilliant, a fresh faced Jake Gyllenhaal is arguably the one that steals the show.

It really is a brilliant movie, I would recommend it highly. 9/10.

David Fincher's "Zodiac" masterfully intertwines crime, history, and the obsession that ensues when a killer lurks in the shadows. Set in the late 1960s and 1970s, the film follows journalists and detectives as they attempt to identify the infamous Zodiac Killer, who taunted authorities and the public with cryptic letters and ciphers.

One of the film's greatest strengths is its meticulous attention to detail. Fincher creates a dense atmosphere of dread and unease, effectively immersing viewers into the era and the relentless pursuit of truth. The cinematography is exceptional, featuring a muted color palette and haunting visuals that enhance the film's tension and intrigue.

The performances are standout, particularly from Jake Gyllenhaal as Robert Graysmith, a cartoonist whose growing obsession with the case drives him to the brink. Gyllenhaal's portrayal captures the sheer determination and obsession that comes from digging too deep into the past. Supported by an impressive cast, including Robert Downey Jr. And Mark Ruffalo, the characters are well-developed, each representing different facets of inquiry and obsession.

"Zodiac" is not just a thriller; it is an exploration of the impact of unsolved mysteries on the human psyche. The film eschews traditional horror tropes, instead focusing on the eerie silence of the hunt and the frustration of the unknown. The pacing is deliberate, inviting viewers to ponder the ramifications of the investigation rather than relying on jump scares or overt violence.

"Zodiac" is a compelling dive into the world of true crime that stays with you long after the credits roll. It invites thoughtful discussion about the nature of obsession and the complexity of human morality. A must-watch for fans of meticulously crafted narratives and psychological depth, this film will have you pondering not just whodunit, but the very nature of truth itself.

Usually when a film gets made about a media grabbing unsolved crime, the resulting movie tends to be overtly sensational and at best remotely connected to what really happened. Considering that director David Fincher's last film about a serial killer was the gripping but deeply disturbing Se7en, his take on the Zodiac killer almost seemed primed to be an extreme, nail-biting thriller.

Instead what he's given us is a well argued thesis on the possible identity of the Zodiac. While there are some very intense scenes, Fincher takes a somewhat unexpected approach on the subject. All of the killings take place pretty early on in the movie, with the bulk of the story centering on the actual investigation into the killer by both the cops and a cartoonist who becomes obsessed with the case. In fact, the depictions of the murders are done in a manner that is fairly reverent towards the victims while still conveying the cruelty of them.

Some people may find themselves disappointed by this two and a half hour epic if they go in expecting the usual serial killer fare. But it's a must see for any fan of Fincher's work, or anybody who likes a good detective story.

Zodiac, David Fincher's film about the impact the San Francisco Bay Area serial killer's case had on three primary characters is delivered with great attention to detail and proper pacing. Zodiac is not a film that uses or relies on suspended disbelief to succeed and does not attempt to compress five years of story into one in order to keep viewers interested. Instead it relies heavily on the facts and uses all of its 158 minutes to present them in almost linear form and staccato fashion.

Set primarily in San Francisco in the late 1960's and 70's (and eventually the 80's) Fincher's Zodiac takes no artistic license by adding the obligatory car chase scene down Russian Hill, drug enhanced evening in Haight-Ashbury or conspiracy oriented behind the scenes moves by City Hall. Instead the audience is presented with a credible story that portrays how stress, tension, frustration and fascination play upon the lives of S. F. Police Inspector David Toschi (Mark Ruffalo), S.F. Chronicle Editorial Cartoonist Robert Graysmith (Jake Gyllenhall), and S.F. Chronicle reporter Paul Avery (Robert Downey Jr.). Each of these people, as well as those surrounding them are operating well within the confines of every day life and the establishment. Fincher does not let Zodiac wander outside its central story, and therefore no editorial comment about the Vietnam War or similar events of the day are offered. Insights about the impact on the victims (who survive) or their families are only touched upon if they remain central to the story.

The initial scenes of the movie depict the killer in operation and they are not sugar coated. However, viewers wanting to see a film in the style of Fincher's Alien (3), Se7en or even Fight Club (i.e., blood and gore to almost surreal levels) should look elsewhere.

Zodiac is a well crafted production on all fronts. In addition to Fincher, the lead actors and extensive (and well known) supporting cast Zodiac producer's assembled a credible team. James Vanderbilt (Screenplay), David Shire (Score), Donald Burt (Production Design), Keith Cunningham (Art Direction), Victor Zolfo (Set Direction) and Casey Storm (Costume Design) all deliver quality work in their respective areas. There are no weak spots in this film. Zodiac may not (or attempt to) dazzle, but it does please.