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You know how when you go to a cafeteria style restaurant and you see something you usually enjoy like lasagna. You get the lasagna and take a bite with the fond memories of the last time you ate it in a real restaurant. When the first taste hits your tongue and all hopes of future meal enjoyment are flushed down the toilet. 10,000BC is the cafeteria lasagna. It looks goods, has the potential to be great, you have fond memories of other movies in the same genre that were good, and then you watch it. It's edible but just barely. The movie had pretty good special effects and wasn't boring which is why I gave it a five. The dialog and acting were for the most part sub-par. The story didn't even make an attempt to suspend your disbelief. Forget historically inaccurate, it was ridiculous. If I were you I would catch the matinée or wait for someone else to pay for the cafeteria lasagna

To anyone who has ever yearned to see woolly mammoths in full stampede across the Alps, 10,000 BC can be heartily recommended. There's also a flock of "terror birds"--lethal ostriches on steroids--in a steaming jungle only a splice away from the heroes' snow-dusted alpine habitat. And lo, somewhere in the vastness of the North African desert lies a city whose slave inhabitants alternately teem like the crowds in Quo Vadis during the burning of Rome and trudge in hieratic ally menacing formations like the workers in Metropolis. That's pretty much it for the cool stuff. Setting movies in prehistoric times is dicey. Apart from the "Dawn of Man" sequence in 2001: A Space Odyssey, only Quest for Fire makes the grade, and its creators had the good sense to limit the duologue to grunts and moans. 10,000 BC boasts a quasi-biblical narrator (Omar Sharif) and characters who speak in formed, albeit uninteresting, sentences--including a New Age–y "I understand your pain." But let no one say the storytelling isn't primitive. The narrator speaks of "the legend of the child with the blue eyes" and bingo, here's the kid now. When, grown up to be Camilla Belle, she's carried off by "four-legged demons"--guys on horseback to you--the neighbor boy (Steven Strait) who hankers to make myth with her leads a rescue mission into the great unknown world beyond their mountaintop. His name is D'Leh, which is Held, the German for "knight," spelled backward. So yes, there is some hidden meaning after all. 10,000 BC is the latest triumph of the ersatz from writer-director Roland Emmerich. Like Stargate (1994), Independence Day (1996), and The Day After Tomorrow (2004) before it, it's shamelessly cobbled together out of every movie Emmerich can remember to pilfer from (though to be fair, the section in per-ancient Egypt harks back to his own Stargate). Emmerich's saving grace is that his films' cheesiness is so flagrant, his narratives so geared for instant gratification, he can seem like a kid simultaneously improvising and acting out a story in his backyard: "P'tend there's this alien ... p'tend maybe he came from Atlantis or something...." Just don't p'tend it has anything to do with real movie-making.

Starring: Steven Strait, Camilla Belle, Cliff Cirtus, Joel Virgel. Director: Roland Emmerich.

While I was certainly not going to watch 10,000 B. C. expecting a masterpiece, I got much more than I bargained for as well. While the film is not excellent, it entertained me thoroughly and I was interested throughout the entire watch and surprised after it was over. It is pelted with comments and reviews about how it is poorly written, edited and played out, though I am here to counter those three accusations, because I, like a few numbers of people, thought it was enjoyable.

The movie could upset many scientists or people who love and or respect history. Having mammoths in what looks like the Ice Age, large Velociraptor-like birds in an immense jungle and Egyptians all in the same time era, it seems like the movie just threw a whole bunch of material together. However, I am always willing to accept that even with information and proof on past time eras, we can never be 100% certain on anything, and I judged this film not on it's historical accuracy, but it's entertainment and enjoyment levels. The characters, while a lot are a bit unbelievable or one-dimensional, all pass the time effectively and fill in for what is needed in the story. The storyline itself is probably my favorite aspect, having some wonderful material to work with and really nice effects and performances from the lead man and Camilla Belle, who is regarded as a horrid actress, but I very well liked in this and her other work.

It is nicely done, in the sense that I am interested and entertained with how everything moves along, and even though it seems like it is unsure on which direction it should go at some points, it never jumps subject, even if it does jump scenes. I do not understand Roland Emmerich, though. It seems at times that he just did not want to concentrate on or deal with this film, having some very poorly played out scenes. Even if I liked the way it moved along, he was not as dedicated as he could have been on this movie like he was Godzilla and even The Day After Tomorrow. The movie also has some poor dialogue and some material just does not make sense, but I still however stand by my approval of it. It is not as bad as many claim, even if it is not amazing. It is worth the watch if you want to watch it.

A+ for replay value A+ for sheer no-brain entertainment A+ costumes and makeup A+ for special effects

Thumbs up.

When the child of blue eyes called Evolet is found holding the hands of her dead mother by the tribe of the mammoth hunters Yagahl, their Old Mother (Mona Hammond) tells that the little girl will fulfill an ancient prophecy, marrying the owner of the White Spear and bringing life to their people. Years after, Evolet (Camilla Belle) and the outcast hunter D'Leh (Steven Strait) are in love for each other and D'Leh should dispute the White Spear and Evolet with his rival Ka'Ren (Mo Zainal). However Evolet and many hunters are abducted by the Four-Legged Demons warlords to work as slaves in their distant fields. D'Leh, together with the owner of the White Spear Tic'Tic (Cliff Curtis), Ka'Ren and the boy Baku (Nathanael Baring) track the tribe of warriors trying to rescue Evolet and the Yagahl hunters in a dangerous journey through unknown lands. When D'Leh saves a saber-toothed tiger from death, he becomes the leader of oppressed tribes that help him in his quest for freedom, life and love.

I was reluctant to see "10,000 BC" because of the low IMDb Rating and many bad reviews. However, as a big fan of Camille Belle, I fortunately decided to see this underrated adventure. The entertaining story is a combination of "Apocalypto", "Quest for Fire" and "Stargate" with a romantic situation, supported by magnificent CGI and action scenes. It is funny to read reviews of people that expect historic accuracy in this type of movie; I recommend that they never watch "A Nightmare on Elm Street", for example, otherwise they may have trouble to sleep… My vote is seven.

Title (Brazil): "10.000 A.C." ("10,000 BC")

I was hoping to like this movie, to give it a better review than most might give it....but I couldn't. In the end, I had to agree with the reviewers here on IMDb, that this movie stinks. It's true.

It's also one of those films that starts off okay, lures you in, and then deteriorates. With 40 minutes to go in the two-hour film, you're ready to walk out but since you've invested 80 minutes you figure, "I might as well see it through the end." The last half hour then becomes like a session at the dentist's office in which you can't wait for the experience to be over.

Credibility is probably the worst aspect of this film. Seeing people 10,000 years ago in buildings that look pretty well-made and would do an architect proud today, and hearing people speak with British and other assorted accents - in the same tribe - for the time and place (Mideast or Northern Africa in 10,000 B.C.) almost makes one laugh out loud in spots.....yet this is supposed to be a serious movie. The special-effects were weak, especially with the saber-toothed tiger which not only looks very fake but is proportionally ludicrous. The mammoths didn't look at hokey, but they moved very woodenly, computer-like. This was mainly the reason I watched. I knew it might be stupid but I thought it might at least be fun with eye-popping effects. No, nothing was eye-popping here.

It was just dumb....and I didn't even get to the story part, if you want to call it that. Actually, that was the worst part of this film. The screenplay was embarrassingly bad. If you want details on the holes in this story and all the things that were impossible but shown here, check out the other reviews.

Folks: you can believe all the negative reviews here on IMDb. They are not lying.

I am a huge fan of IMDb.com, but I never bothered posting a review. Too much effort, too much fun reading other people's reviews. But tonight... I had to get out of my system how awful this movie is. Tonight... I feel like I was sent on Earth for a purpose. I feel like I understand my role in the great destiny of mankind: to warm people not to watch this piece of garbage.

It is true that this movie is somewhat the same than Apocalypto. Without a lot: talent, good actors, suspense, drama. Actually I'm not completely honest. There was a part of the movie when the audience got tense. You could feel a sort of tension in the air. People on the edge of their seats. Something was going to happen on the screen... all of a sudden... the end of the movie, yes. The flow of people rushing out, happy to be delivered, happy to go back to their lives.

The highlight of the evening: the previews. It looks like some pretty funny stuff is coming out soon.

I expected this movie to suck. I thought it would be an adrenaline ride with no plot that you can only fully appreciate if you see it in Imax 3-D - similar to (but worse than) Beowulf. Especially since it had gotten really terrible reviews and everyone who'd seen it told me not to waste the few bucks it would cost to rent it.

Well, I finally shelled out the money, and was pleasantly surprised to find that it was not only as exciting as the trailers promised, it did have a plot and was enjoyable. I will not pretend that it was a brilliant movie, because it just wasn't. It definitely had the premise of what could've been a triumph, but it just couldn't cut it.

There was some cheesy dialog, but mostly it was pretty original. The plot was something that could've been ripped off from any ancient folktale, but I think that the scriptwriters and directors did a decent job of making it their own. Seeing as it's supposed to be a legend, and proves itself to be more of a fantasy than historical epic, the historical inaccuracies can be forgiven.

All in all, it was a fairly good movie that was both thrilling and enjoyable. I can see why people didn't like it, but, honestly, they're being much too tough on it.

Well, aside from the historical inaccuracies that everyone has pointed out, this movie had horrid acting, insipid dialog, and a cliché plot line that any moderately skilled elementary school kid could have written. So what are the redeeming qualities of this movie? The scenery, some of the CGI, and that's about it. On a technical level, I found it hilarious that for all the hype about this movie, it was far worse than I could have imagined. Someone made a comment about the lighting of this movie. There were definitely inconsistencies in the lighting, which added to the list of things wrong with this movie and made it feel like perhaps it was a rushed project.

I think if this movie were made without any dialog except for the narrative, it would have been much more enjoyable as a whole.

I enjoyed ID4, Day After Tomorrow. I'll admit it. This 'film' is awful. What a mess. It takes elements from all other fantasy/scifi/epics and is so cliché'd its an absolute train wreck. Is it an epic? NO. A monster / dinosaur movie? No. Is it a thinly veiled romanctic film akin to Braveheart? NO Is it a gore fest? No. The CGI is NOT that good and rather uninspired. I'd rewatch Jurassic Park and still be in awe compared to this. This movie never made up what it wanted to be. Not that it ever got that far. The climax which is perhaps the only redeeming factor ends so horrifically stupid. It has terrific production values and costume design. Kudos for those...everything else is unremarkable, what a waste.

Although well shot in front of gorgeous vistas, on location in New Zealand, Namibia, and South Africa, 10,000 BC is just another loud, dumb, and eminently pointless CGI adventure from the tactless, talentless, hacky direction of Roland Emmerich.There’s a plot, believe it or not, something about the true love between some tribesman and a hot chick, set in the very distant past, and these rampaging marauders attack their peaceful prehistoric-era tribe and carry off the womenfolk, so our hero spends the next two hours of movie time trying to get her back.

But who cares, right? No one in his right mind would watch a Roland Emmerich movie for the plot. The man brought us Godzilla, Independence Day, and The Day after Tomorrow, after all. No, your focus here is supposed to be on the prehistoric-ness of the thing, like the wild, carnivorous birds, or the mastodons, or the sabre-tooth tigers. Oh, and the smoldering hotness of lurve that Our Hero and His Love can barely contain.

Your first clue that this won’t be much more than a silly bore is the simple fact that our noble hunters speak perfect, inflectionless English. No idea why. I’m not the biggest fan of subtitles, granted, but I think here they at least would have made sense. Instead, we have these perfectly coiffed young people with gleaming white teeth - as any prehistoric hunter would have - speaking the Queen’s English to each other. It’s bizarre and off-putting. These cool kids look like they fell out of a Gap commercial; they’d be dead in minutes if they actually had to fend for themselves on a tundra or in the jungle. They’re as believable as Ed Begley, Jr. at a biker rally. Which is not very believable.

And it’s not as if they get clever, intelligent dialog to mouth. D’Leh (heh, sounds like Delay) tells a vicious, trapped sabre-tooth tiger, “Do not eat me when I set you free!” See, because he doesn’t want to be eaten, and he figures that reasoning with the beast will do the trick. D’Leh, played by newcomer Steven Strait, is sort of a poor man’s Colin Farrell, complete with otherworldly eyebrows. He wants you to think he’s earnest and sincere, but instead you think he’s vapid and vain. Crazy! (”Do not eat me when I set you free!” That’s hilarious right there. Why, it’s right up there with “Throw me the whip, and I’ll throw you the idol!”) Besides, this whole pursuing-the-savages-who-stole-our-people thing was done much better only a few years ago in Mel Gibson’s Apocalpyto. Now, you might not buy into the notion of using an ancient Mayan dialect in a movie, but at least it made some sense. Using that dialect, with subtitles, there was a real sense of adventure and tragedy; here, the fluid English feels woefully inept and completely anachronistic.

Unlike Apocalypto, there’s scant fighting and mayhem here. The tribe (like that in Apocalypto) is a hunting tribe, so that explains why for much of the movie they run and hide and duck and cover. I will find you! What’s his name cries. And then he finds her and then loses her again, and he says, I’ll come back! And then he spends the next hour or so trying to find her. His One True Love is like a set of pretty car keys.

Back to that tiger, which makes a couple of appearances. Now, I like CGI as much as the next guy. It can very easily enhance a scene, make the unrealistic seem obvious and believable. But this tiger reminded me of the cyclops and other fantastical creatures you’d see in those old fifties Greek-epic movies, the ones featuring the work of the great Ray Harryhausen - basically, essentially, stop-motion animation. And that looks crappy here in good ol’ 2008.

10,000 BC isn’t meant to be a historical epic - the year 10,000 BC is used here merely to connote a Long Time Ago - which is fine in and of itself, but really isn’t anything compelling about it other than its setting. It’s predictable pap without much of a heart, instilling no compassion or feeling from its audience.

I guess not everyone has the audacity like Mel Gibson in taking risks related to the language used in their movies, for artistic integrity reasons. Passion of the Christ and Apocalypto both did not have their characters spout English, and had subtitles for the audience to rely on instead. And for a movie based in the era that its title states - 10,000 years before the birth of Christ - I do not suppose for one instance that our ancestral forefathers back in those days speak simple English, if at all. Then again, this is entertainment for the masses we're talking about.

The main draw of 10,000 BC was of course the interaction of man and humongous, dangerous beasts of the time, and how through ingenuity in our natural ability to milk the Earth to make tools, mankind has ruled the Earth until now. But if like me you're expecting huge action pieces involving mammoths and sabre tooth tigers, what you get in their place are gentle elephants who go on a rampage no different from having computers plaster the correct bodykits over stampeding bulls, and a sabre tooth tiger count of ONE, and a pussy cat at that too.

In essence, 10,000 BC tells of so simple a story, you'll believe that back then even hunky guys have their work cut out when they're going after the girl of their dreams. It's basically boy chases girl across the vast mountains and plains of the known world, because he had chosen to honour integrity than to win her hand over a mistaken recognition of bravery. And naturally to make our hero D'leh (Steven Strait) regret this decision, his lady love Evolet (Camilla Belle) and his fellow villages get enslaved and marched to Egypt to build pyramids for the gods (OK, so I'm stretching that last statement). Villains are extremely weak, as they just have to look menacing without actually bringing across the feeling of immense threats that could be fatally carried out.

Before you say that it's a carbon copy of the plot in Mel's Apocalypto and many others ranging as far back as Stargate, while Apocalypto had a man trying to save his family, this one's more of a pursuit of individual interests. And through his quest, a hero within D'leh will arise in a sort of coming of age tale of a prophetic savior who will lead everybody to salvation and to the promised land. Yes, tales of The One cliché get plastered at every possible instance that you'll roll your eyes when the plot tries to throw some red herrings along the way in meek attempts to spice things up. And as each prophecy get explained, the more ridiculous it becomes, and when an ancient badly rendered drawing is shown carved against a rock in colour, you know that this is supposed to be one cartoony movie after all.

Throw in some pathos about a long lost father, sacred weapons, and even a memorable fight scene in a bamboo forest (I kid you not this time), you'll have enough material here to feel a sense of familiarity throughout the story, surviving on the novelty of having set some thousands of years ago. One thing you'll learn though, is that it pays being a gatherer and hunter with excellent javelin skills, and even Leonidas will have to kowtow to.

Normally I'm not a fan of Roland Emmerich's movies plainly because they're lacking (1998's Godzilla, Independence Day, The day after tomorrow) but this once is above average and many will find it quite watchable. The story takes place 10,000 years ago in prehistoric Africa where a mammoth hunter D'leh (pronounced delyay) chases after a more advanced civilization who has captured his lover evolet and many other members of his tribe. Though there are quite a number of historical inaccuracies, it makes up for it in CGI, great acting. I must say it was really put together nicely.

PROS Amazing CGI Acting Great pacing Action packed

CONS A little boring at some parts (Near the end) Inaccuracies

Overall rating: 6 out of 10

this movie is a decent rent in my book. Check it out.

The story deals about a a young hunter named D'Leh (Steven Strait) happily living in his prehistoric tribe which dedicates the mammoth hunt. When a group of horse-riding warriors (Ben Badra) attack his tribe and abduct his love interest named Evolet (Camilla Belle), he sets out in pursuit accompanied by Tic Tic(Cliff Curtis). They must confront several dangers and risks, such as a Sabretooth, giant bird (Roc), savage mammoth and many others. They travel through uncharted landscapes towards an unknown territory .

This exciting picture is full of action, emotion, feats, thrills, a love story and is pretty amusing . Steven Strait as young and valiant warrior is nice, he's driven by love and destiny to impressive adventures . Camilla Belle in one of his first roles as adult girl is very good, shining her playing as gorgeous Evolet. Excellent secondary role for Cliff Curtis as tough and self-sacrificing warrior , furthermore Omar Shariff as narrator in off . Stirring and evocative musical score by Harald Kloser(also producer and writer) . Colorful cinematography reflecting splendidly the breathtaking outdoors by Ueli Steiger (Godzilla, Day after tomorrow) , Emmerich's usual. The picture is lavishly produced by Emmerich, Harald Kloser and Mark Gordon. Overwhelming special effects and creature designs by Tatopoulus Studios. The flick is professionally directed by Roland Emmerich. He's a good director, writer and producer who founded along with Dean Devlin the company Centropolis Entertainment. Emmerich is an expert on making movies for the masses and specialist on large-scale disaster movies (Day after tomorrow,Independence day ) and spectacular stories (Stagate,The patriot, Universal soldier), recently and in production he's shooting an epic adventure about global cataclysm that brings an end to the world , titled '2012'.

first off, let me say i am a fan of Roland Emmerich's films like Independence Day,The Patriot etc. but this film is beyond a doubt the most grueling and awful test of patience i have ever endured . time stopped and i got a serious headache after watching this garbage. a $75,000,000 budget and you get poor actors and cgi from TV's "charmed". the "tiger" in Ice Age looked more real and even more menacing than the kitten that was in this movie no longer than 3 minutes. i thought the trailer looked good and went in the theater with an open mind . i am amazed by how bad it was . AMAZED! Come to think of it, i remember being more entertained watching paint dry!