Naina

I was expecting Naina to be a really good movie after I read the interesting story about a girl in London who lost her eyesight and parents in a car accident. She was raised by her grandmother and when she became a young woman she got an eyes donor. After the operation she started to see strange things like dead people, shadows and bad incidents that are yet to happen. The first half was quite good and relentless but the second half was very slow, boring and depressing when Naina went to India from London to unsolve the mystery. If you liked Urmila's other two horror films Kaun & Bhoot then Naina is probably the film for you. Personally I liked both of them. It is a remake of a Korean film "The Eye" I've not seen it but most people said that The Eye is better and I think that the Hollywood version is due to the end of 2007 but i'm not sure. Overall this film is OK to be watched once and my verdict is 5/10 if the second half was good then I might of given it a 6-7 out of 10 but their is no chance that I will rate it 8-10 out of 10.

So after all the hype... how good is Naina... the movie that's supposed to take Bollywood (The Indian version of Hollywood) Horror to the next level. To set the context, Bollywood horror is known for its 'icky' style -- relying more on ghoulish sets, and mindless plots -- and less on stuff that jolts the gray cells.

In the movie, Naina is a girl blinded since birth, who gets the chance of getting eyes from a donor. Jumping to the opportunity, the eyes are operated upon, and the surgery is a success. All seems to be going well - until, that is, she realizes that she can now see dead people!

The movie then progresses to give you truckloads heart stopping frames, many of which, though bearing the stamp of typical Bollywood horror flicks, are pulled off well.

At times, the plot seems to bear an uncanny resemblance to 'The Sixth Sense'. Also a bit of 'City of Angels' seems to come in. Further, the story line, though it has its strong points, tends to fall back to typical Bollywood type scripts with needless diversions and some overly sentimental spots.

All in all, if you're in for a horror movie, and don't mind the Bollywood styling... then this would be a good movie to watch!

It's bad enough for a movie to be a remake of another. It's worse when two movies are remakes of the same flick and are released back-to-back. I'm talking about Nazar and Naina. I prefer the former. Nazar is a more thrilling and entertaining and has good songs. Naina, on the contrary, is quite intense--the type of movie that gives you a headache by the end. There are some repulsive scenes such as the operation. I must say, though, that Naina has better special effects. Although the movie is not too long compared to other Hindi movies, it feels like it goes on forever. Towards the end it becomes a complete drag and the climax is absolutely ridiculous.

I was expecting a more chilling movie than "Bhoot" but it was not that scary.

For most of us it looks like an adaptation of "The Sixth Sense" but in fact I saw a very very similar movie few days back and it was named "The Eye". The name of the original Chinese movie was "Jian Gui" (View more at "http://www.imdb.com/title/tt0325655/").

Urmila's performance was good. Remaining cast was okay.

The music and background score was quite average as compared with other Ram Gopal Verma's movies. The good thing was it has good pace and keep you glued to the seat.

I wonder why this movie had three writers since all Shripal Morakhia did was rip-off almost every frame of the Pang Brothers' captivating movie 'Jian Gui'. Not only does it copy the aforementioned movie, but it does so terribly. Morakhia Bollywoodizes it by making the main character an NRI (non-residential Indian) based in England where everybody seems to speak Hindi. There are no songs but the romance between Naina and her psychiatrist looks rushed. The jump moments are laughably bad while the special effects are mostly adequate. Urmila Matondkar is competent. This is far from her best work but she is terrific in the non-'jump' scenes. What made her choose to do this? The rest of the actors are passable at best. I'm surprised the film was accepted at the Sitges Film Festival because I hardly see any appeal in it. It's a bad movie that has an Indian Hollywoodish B-grade feel to it.