Borat: Studio culturale sull'America a beneficio della gloriosa nazione del Kazakistan

In terms of pure unadulterated cringe-worthiness, this film just about outshines them all. It is brilliant, horrific, hilarious, sad, outrageous, revealing, and incredibly clever. It shows up people's narrow-mindedness, their racism, their inability to accept or understand different cultures. It makes me scared for the future of the world, and delighted that someone actually sees most people for what they really are - blinkered and uneducated.

Go and rent it, and enjoy. It will make you want to be a better person, make you laugh until you almost cry, and undoubtedly make you hide behind a cushion at times.

Sacha Baron-Cohen is a genius. A definite 10 out of 10.

This movie was probably most and the highest criticized from Kazahkstan itself. Unrigthfully so. The movie doesn't make fun of Kazahkstan, it makes fun of Americans, in a criticizing way. Kazahkstan is merely used as a platform to show the (of course exaggerated) contrasts between the advanced and 'civilized' America and the simplistic Kazakhstan and how a simplistic man, from such a simplistic place, such as Borat Sagdiyev (Sacha Baron Cohen) is capable of pinching right through the advanced and civilized Americans and puts his finger right on the spot. The movie is about Borat learning from America and Americans. for the benefits of his country Kazakhstan but the question raises; Shouldn't America and Americans also learn from simplistic countries such as Kazakhstan, for their own good and benefits?

Just like in Michael Moore movies often is the case, Borat knows to put his finger on the right place and manages to show America how it really is. An uptight, patriotic, homophobic, God fearing, anti-social country, in which minorities still have a hard time and not all rights are considered equal to some. It's funny, in the interviews it often is not Borat who says the most offensive things, it are the interviewees who do so, such as the rodeo-guy and the frat boys.

But no, the movie is not all criticism. For most part it's just a fun and often also hilarious people about making fun of ignorant people.

In all honesty it's hard to tell how much of the movie was actually improvised and how much of it was real. Obviously some sequences were scripted such as all the scene's in Kazakhstan and some other sequences will make you really doubt. Some of obviously planned the camera-positions are often too coincidental and also the fact that the movie had an actual professional director attached to it, makes you really wonder. It also is hard to imaging that all those people actually took this silly talking and looking character so seriously as they did in this movie all the time. When a person who wears his underwear above his pants and is talking slang is entering your hotel with a camera-crew following him, wouldn't you crack up, realizing that this just can't be for real? The movie is also edited in such a way that the emotions and reactions get exaggerated. It's also are the reasons why you can't really call this movie a fake documentary or mockumentary.

What I loved about the "Da Ali G Show", in which Borat often made an appearance, was that it was improvised, real, often had no point and was all about the responses of the other person on the Sacha Baron Cohen characters. It was fun to see the peoples reactions and how they did respond to the character and its outrageous and often also offensive questions. This movie is overwritten in my opinion. The movie has a main plot line in in, in which Borat falls for non other than Pamela Anderson and makes it his personal mission to find her and marry her. In my opinion the improvising way of traveling through the USA and meeting and interviewing people would had worked way better, in both terms of criticism and humor. Now some parts in the movie feel planned and acted, which is definitely not Borat's strongest point. It also again raises the question of how much of the movie is actually improvised and how much of it was planned, though I definitely believe that most of the interviews and Borat with other people were for real. Ironic, since it was the screenplay that was actually being nominated for an Academy Award.

But all this criticism aside, this is a very fun and also often hilarious movie to watch. Some of the situations Borat gets himself into are priceless and the reactions from the ignorant persons are even more hilarious. They often don't know how to cope with this odd talking and looking character from the far away and insignificant country of Kazakhstan.

There are a couple of especially memorable sequences, such as when Borat and Azamat wrestle naked in their hotel room, after Azamat's 'hand-feast' and then start running naked through the hotel, elevators and eventually ending up wrestling naked in a convention room with hundreds of people in it. There are a couple of more hilarious and memorable sequences but no one really matches up to that moment, that totally catches you completely off guard.

It's all fast paced, which makes sure that you'll probably laugh your way non-stop trough this movie.

A perfectly fun and amusing movie that also has some striking criticism, that could had used some less story and perhaps should had been more like the show.

7/10

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As far as mockumentary films go, Borat (2006) is at least in the top five. It may have not been as groundbreaking as This Is Spinal Tap (1984), but its use of real people's reactions to a parody of Eastern European stereotypes still shocks today. Perhaps having experienced some of the American sub-cultures that were mocked is what makes those parts of this film funny to me. It certainly has its gross-out moments, but Sacha Baron Cohen's performance is iconic.

I think what makes Borat one of the best mockumentary films is its unscripted nature. Sure, they wrote Borat's dialogue in such a way as to provoke people (or get them to open up about their own racism/sexism/homophobia). However, the responses from these people feel completely genuine. The ones who accept Sacha Baron Cohen's bit and try to play their part straight are perhaps the funniest moments in the movie. Plus, I don't know if I can trust ice cream trucks after watching this.

While a lot of this movie is funny, the sexual and scatological jokes haven't aged that well. I never cared for the extended sequence of two naked men wrestling through a hotel when I watched this movie the first time, anyway. For such a short film, some sequences seem to go on a bit too long past the point of being funny. I wonder if they just left the camera rolling long enough for these people to incriminate themselves and didn't want to cut anything from that footage. At any rate, this mockumentary borders on an unflinching documentary of cringe-worthy American sub-cultures. And if we can't laugh at ourselves, then maybe we're taking a movie like Borat too seriously.

An unscripted mockumentary that ranks in the best of the genre, I give Borat 4.0 stars out of 5.

Borat proves to be the Python of our generation.

I say this as a die-hard Monty Python fan – not because the humour is on the same level or follows the same guidelines (in fact, the common ground is here is that it follows no guidelines) – but because both comedy teams mask their sketches in a feature film, passing them off as a story when it becomes glaringly clear that the latter is an elaborate pretext under which to have outrageous, absurdist and side-splittingly fun in a series of genius gags.

Yet for all of Borat's subsequent disorganisation and warped narrative, we are first served a gorgeously condensed introduction to our character in his village in Kazakhstan. This segment was possibly the biggest crowd-pleaser in my theatre and perhaps rightly so, for I would call it the film's goldmine in terms of sheer laugh-out-loud humour. Here we are introduced to Borat's sister ("She is number-four prostitute in whole of Kazakhstan."), whom he kisses on the mouth, his main interests (ping-pong, sunbathing and "watch ladies make toilet") as well as a wide variety of hilarious native Kazakhs. Undoubtedly the success of the introduction stems from a combination of novelty and a culture shock.

Once the sprawling surge of Kazakhstani culture subsides, Borat flies to New York City to make a movie-film about the glorious US and A. The booming Russian ethnic score melts into Harry Nilsson's "Everybody's Talking' At Me" and the film gets ambitious: it spoofs Jon Voight's incongruous cowboy character walking down Manhattan in Midnight Cowboy (1969). This I found a pleasant surprise, but the referential spoofs end here and the rest is all Sascha Baron Cohen – and we couldn't be happier.

The second half of Borat is arguably less compelling. It is hard to tell why, for the humour remains consistently good and there is an almost exponential stupidity with our Borat character as the sets out to go to California to marry Pamela Anderson. I would not go as far as to say the novelty "wears off", but we are a little more settled now and Borat has found his safe footing. Next, however, the film totally floors whatever safeness you may have with one of the most unspeakably graphic hotel room scenes I have ever seen. I won't give anything away, but rest assured that some viewers (*males*) will watch in horrified silence while others will literally cramp up from laughing so violently. I belong more to the latter category.

As Borat travels through America, there is a wealth of juxtapositions to be found when he interacts with the people – members of the white house, television broadcasters, etiquette teachers, Christian fundamentalists and Jews – all offers layered hilarity and a consistent cloud of laughter kept hovering in the air. Sadly, it was not always directed toward Borat (but most of the time) but toward some truly idiotic hick Americans. When I was informed the film used many candid takes, I can only hope the unreasonably creepy Jesus convention was *not* one of them.

In conclusion, "Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)" is a towering comedy achievement. It is apparent that Sascha Baron Cohen has done something truly cool here and has created an anti-semitic, misogynist and bigoted character that aptly embodies all racy taboos. As an actor he is unmistakably brave and uninhibited, which makes it easy for the film to lose itself in a tornado of gags, spoofs, bizarre one-liners and graphic jokes. The most fun I've had in a theatre since...forever!!!

9 out of 10

I didn't really think I was gonna like this going into it. It seemed like the sort of comedy that was just grating and would irritate me but I gave it a chance.

It really surprised me. It's hilarious. I didn't realise that it was a sort of "hidden camera" for lack of a better word, movie. It used real people and puts them in these insane situations. I think it's so interesting to see how people react.

It's also likes to dig into peoples life's and get them to expose the awful parts of them selfs. The part with the men on the bus springs to mind. It is truly disgusting and this movie Lulls them into this place where they expose them selfs. It's incredibly interesting.