VALUTAZIONE IMDb
6,0/10
1010
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA tale of friendship between two men, one Jewish and the other Arab, as the country of Israel is being created.A tale of friendship between two men, one Jewish and the other Arab, as the country of Israel is being created.A tale of friendship between two men, one Jewish and the other Arab, as the country of Israel is being created.
- Regia
- Sceneggiatura
- Star
Mhairi Morrison
- Cathy
- (as Mhairi Steenbock)
Recensioni in evidenza
I thought I am not a good candidate to write a review about the movie (Being a Jew who was born in Israel) - Until I saw the other review here and I was shocked and sadden.
There are many "views" of what really happened in 1948. Each side holds its own view to events, as Akira Kurosawa's "Rashomon" wisely tells us about the subjectivity of truth and the uncertainty of factual accuracy.
The independence war is part of Israel's collective memory as it is to the Arab side. Of course anything that I will write will be influenced with that filtration - as well as the previous reviewer and possibly the reviewers to follow. We all "own" our subjective truth.
So Instead of replying to the previous reviewer with "my facts" to the events that took place in 1948 in order to contradict his claims, I will halt here and urge you to not to give up upon your believes but to hold them back and see the movie. You will not regret it.
Yes, I know the movie will not be enjoyable to or appreciated by everyone. If you are an Arab or Jew extremist you will probably leave the cinema in the middle of the movie - If you wish to see a one-sided, "the truth is here" movie I suggest you see a Michael Moore movie.
But if you wish to see a movie with a brilliant script that tries to touch the human triumph and tragedies of the 1948 war with a superb cast that will make you shed a tear this movie for you.
There are many "views" of what really happened in 1948. Each side holds its own view to events, as Akira Kurosawa's "Rashomon" wisely tells us about the subjectivity of truth and the uncertainty of factual accuracy.
The independence war is part of Israel's collective memory as it is to the Arab side. Of course anything that I will write will be influenced with that filtration - as well as the previous reviewer and possibly the reviewers to follow. We all "own" our subjective truth.
So Instead of replying to the previous reviewer with "my facts" to the events that took place in 1948 in order to contradict his claims, I will halt here and urge you to not to give up upon your believes but to hold them back and see the movie. You will not regret it.
Yes, I know the movie will not be enjoyable to or appreciated by everyone. If you are an Arab or Jew extremist you will probably leave the cinema in the middle of the movie - If you wish to see a one-sided, "the truth is here" movie I suggest you see a Michael Moore movie.
But if you wish to see a movie with a brilliant script that tries to touch the human triumph and tragedies of the 1948 war with a superb cast that will make you shed a tear this movie for you.
Although the film describes historical events in a relatively balanced way, eventually tends to tip the balance on the Israeli side, like most movies that reach the western circuit. I guess that the producers coming from that side or afraid of failing in the US market, highly influenced by the Jewish lobby, is behind that.. Why French actors were involved in this project? At the end a story of friendship in a world in conflict but a more dispassionate and objective look is needed. That a successful best seller was the main source does not ensure that the script will match (this is the case). In light of current events, the somewhat romantic look in other movies (Exodus for example) is given on the emergence of the state of Israel, is at least anomalous. Some of it is on this film.
It is the type of film that everyone is right, and at the same time, no one is right, conflicted ... When it is within the conflict it is difficult to have an impersonal view, so "it is quite possible that many Arabs have found the film pro-Israel, and that many Jews have labeled it pro-Arabs ", but it was a happy attempt to be didactic without being partisan, isonomy as much as possible ... A beautiful film, we were moved several times, what a beautiful and sincere friendship...
I enjoyed this film and I'm going to review it instead of discussing the pros and cons of Israel/Palestine.
I saw it at Cinema Sundays at the Charles, here in Baltimore MD USA.
In the interest of full disclosure, I am not Jewish, and I am anti-Israel and pro-Palestine.
At Cinema Sundays, the host is Jewish, and this week's discussion leader is also Jewish -- I think I'm safe in saying it's a largely Jewish group which goes to Cinema Sundays and attended this screening. Although a show of hands said that more liked it than disliked it, the host and discussion leader didn't like it at all --- the discussion leader had even skipped the pre-screening the day before -- his reason seemed to boil down to he had better things to do.
The discussion was largely (but not all) panning the film.
I thought (with one glaring exception, which I won't reveal here) that the movie was balanced, while telling the story primarily from the Jewish side. In the foreground, it concerns an American Jew and an Arab Palestinian who meet in the U.S. and become friends. Each finds himself going to Palestine in 1947, knowing that a conflict is coming, a struggle for control of the land. The story of these two men and their friends and lovers is in the foreground, and in the background is the story of the British leaving Palestine, and the U.N. vote for partition.
There's a fair amount of violence, sudden, unexpected violence realistically portrayed. However, there's no enjoyment of the mayhem, and but little glorification of it.
I felt well-informed by the movie in terms of its telling of the story of the birth of Israel. I think this is good story-telling -- although, of course, the two main characters keep encountering each other even after they split up - well, duh, it's a movie about these two characters! :o) A little cinematic license. There's a very touching and emotional scene near the end which had me riveted.
I think the story is told relatively objectively (which is to say, more objectively than, say, 90% of news coverage here in the USA, which overwhelmingly favors Israel) while holding out hope for reconciliation between Arabs and Jews in Israel/Palestine. And, I have to say, I think that's why so many people at Cinema Sundays disliked the movie, without really being able to articulate why ("I've seen this all before, oversimplified, unlikely...") -- because it was objective and told the Arab side, and portrayed the Palestinians as human beings who suffered in the partition.
I give it an 8 because of the one pulled punch, which I thought destroyed the balance of the film. I'll discuss that on the Message Boards, as I don't want to Spoil the movie.
I saw it at Cinema Sundays at the Charles, here in Baltimore MD USA.
In the interest of full disclosure, I am not Jewish, and I am anti-Israel and pro-Palestine.
At Cinema Sundays, the host is Jewish, and this week's discussion leader is also Jewish -- I think I'm safe in saying it's a largely Jewish group which goes to Cinema Sundays and attended this screening. Although a show of hands said that more liked it than disliked it, the host and discussion leader didn't like it at all --- the discussion leader had even skipped the pre-screening the day before -- his reason seemed to boil down to he had better things to do.
The discussion was largely (but not all) panning the film.
I thought (with one glaring exception, which I won't reveal here) that the movie was balanced, while telling the story primarily from the Jewish side. In the foreground, it concerns an American Jew and an Arab Palestinian who meet in the U.S. and become friends. Each finds himself going to Palestine in 1947, knowing that a conflict is coming, a struggle for control of the land. The story of these two men and their friends and lovers is in the foreground, and in the background is the story of the British leaving Palestine, and the U.N. vote for partition.
There's a fair amount of violence, sudden, unexpected violence realistically portrayed. However, there's no enjoyment of the mayhem, and but little glorification of it.
I felt well-informed by the movie in terms of its telling of the story of the birth of Israel. I think this is good story-telling -- although, of course, the two main characters keep encountering each other even after they split up - well, duh, it's a movie about these two characters! :o) A little cinematic license. There's a very touching and emotional scene near the end which had me riveted.
I think the story is told relatively objectively (which is to say, more objectively than, say, 90% of news coverage here in the USA, which overwhelmingly favors Israel) while holding out hope for reconciliation between Arabs and Jews in Israel/Palestine. And, I have to say, I think that's why so many people at Cinema Sundays disliked the movie, without really being able to articulate why ("I've seen this all before, oversimplified, unlikely...") -- because it was objective and told the Arab side, and portrayed the Palestinians as human beings who suffered in the partition.
I give it an 8 because of the one pulled punch, which I thought destroyed the balance of the film. I'll discuss that on the Message Boards, as I don't want to Spoil the movie.
O Jerusalem is a terrible movie. Very bad, stilted acting and a very, very bad script. I had looked forward to watching this movie because I read the book and have emotional views regarding Israel's war of independence (or as the Arabs call it, "The catastrophe").
This movie had virtually no resemblance to that book, which was an excellent portrayal of the siege of Jerusalem and was not otherwise burdened down by a phony relationship between a Palestinian and an American Jewish fighter. The pace of the movie did not allow for any meaningful storyline development. Some of the acting was so bad it was laughable, which is sad, because there is no comedy in this story. The lines written only served to exacerbate the bad acting. The shame of it is that while probably low budget, the movie had suffcient props and scenery to have allowed for a better production.
My sad recommendation is to strongly urge you to stay away!
This movie had virtually no resemblance to that book, which was an excellent portrayal of the siege of Jerusalem and was not otherwise burdened down by a phony relationship between a Palestinian and an American Jewish fighter. The pace of the movie did not allow for any meaningful storyline development. Some of the acting was so bad it was laughable, which is sad, because there is no comedy in this story. The lines written only served to exacerbate the bad acting. The shame of it is that while probably low budget, the movie had suffcient props and scenery to have allowed for a better production.
My sad recommendation is to strongly urge you to stay away!
Lo sapevi?
- BlooperIn the United Nations General Assembly vote on partition, a vote is heard from Myanmar. This name was used only since 1989 by the military government; Burma is still the name recognized by the U.S. and most of the world.
- Citazioni
Golda Meir: Your Majesty, we could never accept it. You know this. Of course we want peace, But we also want a land of our own.
- ConnessioniReferenced in Le voyage du ballon rouge (2007)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Beyond Friendship
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 24.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 234.480 USD
- Fine settimana di apertura Stati Uniti e Canada
- 31.165 USD
- 21 ott 2007
- Lordo in tutto il mondo
- 2.724.303 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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