Love Soup

A wry and enjoyable programme and unlike bob from America, Gil's dialogue doesn't bother me as I am British and this is a British programme for British people. I don't like the way American writers write dialogue for British characters in American programmes, as it is not an accurate portrayal of the way we use our language, but I understand that they are writing for an American audience and not trying to portray an accurate representation of our way of speaking.

The idea that two people are the ideal partners for each other but are completely unaware of each other and to tell their story in this way is intriguing. I understand that it is inspired by how the writer met his own wife. Will they get together? I hope we get to find out.

Alice and Gil independently wander through life wondering if there is anyone else on the planet who 'get' them...

This is a beautifully observed, hilariously acted set of 6 hour-long episodes, posing the question 'is there really a perfect partner for each of us, and if so, how do we meet them?'. Renwick creates one cringingly funny situation after another, and he is ably served by Tamsin Greig and Michael Landes as Alice and Gil. Greig is particularly wonderful, underplaying brilliantly in the face of one embarrassment after another. Smith and Lombard are also fantastic as Alice's colleagues, and Styler is a revelation as Gil's frustrated neighbour Irene. Occasionally 60 minutes feels a little long, but on the whole an unmissable show. Role on Season 2?

Love Soup is a reflection of all of us. We all want to meet that particular person that just seems to be our Mr/Mrs Right. Most of us can't really define it, we just know it exists. Love Soup's opening gambit is really a suggestion that perhaps somewhere on this planet at this moment in time is a person who is absolutely perfect for you. You may live on the same street or they may be living at the other side of the world. Whatever scenario exists you may never ever meet.

Love Soup explores the lives of Alice and Gil in tandem. They don't know each other but live in the same part of Britain. It becomes apparent very quickly that both Alice and Gil are looking for the same things. They have similar ideologies and similar outlooks on life. They are both quirky eccentrically shy oddballs who look upon the world with innocently suspicious eyes. It is with this conflict that David Renwick explores both of the characters worlds with comedic marvel! Some of the jokes are superbly built into the storyline as to be absolutely crucial and some are just amazingly crafted to make you laugh out loud then laugh again when you see more and more meanings dangling off the same scene.

The tempo of the series is crafted perfectly. You are sucked in and after the first two episodes you are hooked. David Renwick was clever enough to increase the level of laughs perfectly as the series went on until he could afford to introduce the darker elements of the plot without detracting from the audiences enjoyment. The scripting is exceptionally clever on so many levels that it really makes you want to watch more. The ending came and was exactly what I hoped for. The message was quite clear through the series and ended as it should. Lots of roller coaster twists are added too! - it is all in there! I do hope that this will not be turned into another series because it will just become something it should never be. I am quite happy to think of Alice and Gil stumbling around the dating game with their embarrassed squints of pain when it all goes wrong. BRAVO David! Please write more television!

There are so many forms of comedy that you can never call one real and discount the rest. I liked the style of this programme and its not completely obvious humour. I think there are a lot of people who would not enjoy this programme as perhaps they could, but those who did enjoy it are definitely sorry it didn't continue. This is probably more of a programme for girls. If only the fans had stood up and said something rather than just those who wanted to get rid of it. So I do recommend this to others and would say don't just look at the comedy aspect of the programme, look also at the story lines. I hope others enjoy it as much as I did.

I had looked forward to this based on loving both One Foot In The Grave and Tamsin Greig in Black Books, and I wasn't disappointed. The two main characters are, in many ways, younger, softer versions of Victor Meldrew and they suffer all the petty indignities that modern life can throw at us such as, and this had me laughing from the opening minutes until a good five minutes into the first episode, plastic ring-pulls on milk cartons which don't work. Cut to the next shot of Alice with a bandaged finger and you have the style of the programme right there- don't show the moment of agony, just let the audience work it out. The main actors are great but what I really enjoyed was how good the incidental characters were; the nurse with her low-key words of wisdom on finding a mate and marrying them was beautifully understated, and the estate-agent's comment that the living-room "is...15'3" because there are no other distinguishing features is just so subtle and so perfect: just like the rest of the show.