Bleak House

Having worked in the cinema for most of my life, I tend to regard television - virtually all television - as shallow and second rate. But here is a totally magnificent adaptation of one of Dickens' more challenging novels.

As in most Dickens, here money - a surfeit and a lack of it - structures the complex comings and goings of a labyrinthine plot. The characters are fabulous and some of them - Skimpole and Mr Guppy, for example - may very well become well-known archetypes due to the popularity and power of this adaptation, in the same way that Micawber and Fagin are. The darkness of the sets makes for some wonderfully expressive design work, and the music is brilliantly chosen.

In fact it might be perfect...it's just that Anna Maxwell Martin as the central Esther Summerson is just a bit too simpering... But when you think how flaccid Charles Dance usually is, his Tulkinghorn is a truly creepy creation.... Plenty more to come, but to date (after four episodes), this looks to me better Dickens than anything outside Christine Edzard's 'Little Dorritt' and Lean's 'Great Expectations' - and it could even better them...

This is a great achievement by the BBC -- at last their costume dramas are back on track, with a great cast, all acting their socks off. It is invidious to pick some of them out, but Esther is particularly good (it is not easy to portray a young Dickensian heroine, as sickly sweetness always lurks at hand). Many have rightly praised Mr Guppy, too. Gillian Anderson as Lady Dedlock is maybe a bit too icy (frozen solid?), but that's what the role calls for, I suppose.

Another excellent feature is the period atmosphere. There is a richness here, running right through the production. The costumes and hair are also very convincing, unlike in some recent period dramas. Here the hair actually flops around as it should, and the costumes look like real clothes.

Some people hate the gimmicky camera work and 'whooshing' noises. These will make the production date. (They'll look ridiculous in a few years' time, I fear), but I didn't find them too distracting.

This must be the BBC's best since the 1995 Pride and Prejudice.

Bleak House is one of my favorite books and the BBC televersion strikes me as wonderful. I disagree, though, with those who feel that the wonderful actress who plays Esther Summerson rescues "a tiresomely one-dimensional character in the book" - rather, I think she awesomely expresses what Dickens meant us to understand her to be, in the book. His clues to her non-stereotypical character and feelings are expressed, though, through references that are no longer easy to decode without special historical knowledge - some of it pretty, well, specialized. I suspect that if the person who wrote my quoted bit - which was part of an excellent comment and is itself beautifully put - went back to the book after seeing the BBC production, more of the book would reveal itself. Yet, even to him or her - probably not everything! The production doesn't take it on, for example, to explain why everybody at Bleak House calls Esther "Dame Trot" - but there *is* a reason!

Bleak House is not a book I have read. I was however aware that the central story concerned the never-ending courtroom litigation of Jarndyce versus Jarndyce. As a child, this book, I decided was way too boring to read. How wrong I was. I never dreamt that a Dickens novel could become such an obsession in later life.

This dazzling adaptation is serialised in the same way that Dickens serialised his masterpiece in the popular press. Each half-hour episode ends on a cliff-hanger. We, the viewers, are forced to count the days until the next episode is screened. ( and there is only 6 more to go!!!) It is impossible to find fault with the production. The characterisations and directing are the best I have seen from the Drama Department of the BBC. They have managed to capture the gloom, grime and squalor of the late 19th century convincingly.

Each actor is ideally cast. Charles Dance as the lawyer Tulkinghorn is evil personified. Gillian Anderson as Lady Dedlock, totally unrecognisable from her X-File days, is fragile and enigmatic. Particularly noteworthy in the host of Dickensian eccentrics are Pauline Collins as Miss Flite, Johnny Vegas as Krook and Philip Davis as "Shake me up Judy" Smallweed and Burn Gorman as Guppy. However it is invidious to single anyone out of such a stellar casting.

I cannot give this drama a higher recommendation

Half-way through this version of Charles Dickens' weighty novel seems a good time to comment on it. The BBC have taken the view that, as Bleak House was originally presented to its reading public in short magazine instalments, it is a good idea to present it in half-hour segments twice a week in the soap opera tradition.

Andrew Davies, who has adapted other books before such as Pride and Prejudice and House of Cards, has done an excellent job here - tweaking and inventing as you must to make television drama work, but without losing the context of the piece.

Despite the jarring camera work and bitty scenes, there are some outstanding performances here - Charles Dance as the scheming lawyer Tulkinghorn; Denis Lawson as John Jarndyce, attracted to his ward Esther despite having paid for her upkeep since she was a child; Pauline Collins as Miss Flyte, ever twittering on alongside her caged birds about 'the day of judgement'; Gillian Anderson as Lady Dedlock, who tries to hide her mysterious secret; Johnny Vegas, who fits the character of drunken landlord Krook like a glove; and many others.

There are also witty and perceptive cameos from the likes of Richard Griffiths, Matthew Kelly, and Ian Richardson.

I would have preferred to see hour-long episodes but that is only a small quibble (the other would be the invention of a character - Clamb - who seems to serve no useful purpose). This is an inventive and excellent adaptation; not replacing the classic 1980s version, perhaps, but a worthy companion to it.