Una madre ritorna nella sua città natale dopo la sua morte per sistemare le situazioni che non ha potuto risolvere durante la sua vita.Una madre ritorna nella sua città natale dopo la sua morte per sistemare le situazioni che non ha potuto risolvere durante la sua vita.Una madre ritorna nella sua città natale dopo la sua morte per sistemare le situazioni che non ha potuto risolvere durante la sua vita.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 61 vittorie e 94 candidature totali
María Isabel Díaz Lago
- Regina
- (as Mª Isabel Díaz)
María Alfonsa Rosso
- Vecina
- (as Alfonsa Rosso)
Recensioni in evidenza
An extremely kind, compassionate and tender film noir, from Spain's most internationally acclaimed filmmaker, might lack some of the suspense his other movies are famous for, but still it keeps the spectator thrilled and anxious until the very last moments. Anyone who likes Almodovar movies should see this one, and you can bring your family along, for a change (kids and grandmas alike).
Indeed, the movie lacks some of the usual Almodovar suspense, and whatever mysteries it contains, are generally solved by the viewer some 20 minutes before they are explicitly and verbally elaborated on screen. It looks like Almodovar lost some of his interest in the telltale part of his movies, paying more attention to acting and emotions. Well, acting is fully worth the shift.
Penelope Cruz is predictably brilliant and gorgeous, but performance by other ladies (from the elderly Chuz Lampreave to teenage Cobo) is also worth applause.
Indeed, the movie lacks some of the usual Almodovar suspense, and whatever mysteries it contains, are generally solved by the viewer some 20 minutes before they are explicitly and verbally elaborated on screen. It looks like Almodovar lost some of his interest in the telltale part of his movies, paying more attention to acting and emotions. Well, acting is fully worth the shift.
Penelope Cruz is predictably brilliant and gorgeous, but performance by other ladies (from the elderly Chuz Lampreave to teenage Cobo) is also worth applause.
Despite its gorgeous collection of images and a cast whose performances are tremendous across the board, Volver suffers from a reckless and haphazard plot. Almodóvar has a tendency to treat his plot points as if he were a Roman aristocrat in a vomitorium, throwing stuff at us that makes little or no sense within the emotional context of the film, and frequently fails to plane up with our previous understanding of the characters. This is particularly true with the inciting incident, and with the revelation at the movie's conclusion; moments that give birth to the unassailable "what?", "why?", and "why didn't . . .?" and leave us fending for ourselves in our attempts to put details in their proper places. While the plot always succeeds in engaging the viewer, it compromises our ability to treat the film with the seriousness it would otherwise deserve.
I'm not going to tell you what the film is about because what was about for me it may not be for you and one of the many pleasures of the film is to find yourself there. Just let me say that after the Sahara, Vanilla Sky and Captain Corelli's Mandolin's adventures in Hollywood, I had discarded Penelope Cruz as an actress, completely. Well, "Volver" made me swallow my judgment. She is, quite simply, spectacular. A sort of Sophia Loren when Sophia worked with Vittorio De Sica. She is a mass of contradictions and not for a moment she tries to play for sympathy.Her emotion is contagious and makes us comprehend the incomprehensible. Carmen Maura makes a chilling, beautiful and unique entrance into this sublime Almodovar film based on his most scrumptious screenplay. The women stick together for each other's sake, they may even cross unspeakable boundaries for sheer compassion. The film uplifted me in a way that no other film has done in a long, long time.
I'm a huge fan of Pedro Almodovar and this movie was no disappointment.
I mean if you would just read the script it looks like a telenovela but it's directed in such a way that it becomes this very human drama that leaves you in a void after watching.
I would definitely suggest you watching this if you're into dramas with great acting and of course, Pedro Almodovar.
Very real, human and emotional.
8/10.
I mean if you would just read the script it looks like a telenovela but it's directed in such a way that it becomes this very human drama that leaves you in a void after watching.
I would definitely suggest you watching this if you're into dramas with great acting and of course, Pedro Almodovar.
Very real, human and emotional.
8/10.
This is simple story about 3 generations of women: the grandmother Irene(Carmen Maura), her daughters Raimunda (Penélope Cruz)and Sole (Lola Dueñas) and her granddaughter Paula(Yohana Cobo). It takes place mainly in Madrid, in a neighbourhood where various ethnic groups and people from the different provinces of Spain live, people who went to Madrid looking for a better tomorrow. Raimunda, Sole and Paula have to go back to their home town to praise the dead and meet one of their aunts, Tia Paula (Chus Lampreave). Soon the old aunt dies and unleashes a serious of mysterious events, their dead mother re-appears to settle some unresolved issues with her daughters and with her neighbour, Augustina (Blanca Portillo), revealing a past until then unknown. This is movie about the Spanish culture, homesickness, the culture of the death and the struggle of 4 women with strong character and strong personality traits to survive wind, fire and death. It is extremely well produced and has great photography as well as an unmatchable soundtrack. It is a very nice movie, filled with laughter and emotions and with a beautiful simplicity . If you are waiting for a Hollywood romance, a Hollywood comedy or a twisting complex plot, this might not be what you are looking for.
Lo sapevi?
- QuizPenélope Cruz became the first Spanish actress ever to be nominated for Best Lead Actress at the Oscars.
- Blooper(at around 1h 30 mins) When Agustina is talking on the TV show about her mother's vanishing, she says that it happened "hace ya casi cuatro años" ("nearly four years ago"), yet her lips are clearly saying "hace ya casi tres años" ("nearly three years ago").
- ConnessioniFeatured in Smagsdommerne: Episodio #4.2 (2006)
- Colonne sonoreVolver
Music by Carlos Gardel
Lyrics by Alfredo Le Pera (as Alfredo La Pera)
©1961 by Warner/Chappel Music Argentina
Recorded at Sonoland, Madrid (September 2005)
Performed by Estrella Morente
Produced by Enrique Morente
Guitar by Montoyita
Claps by Bandolero, Negri and Pepe Luis Carmona
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Volver
- Luoghi delle riprese
- Almagro, Ciudad Real, Castilla-La Mancha, Spagna(hometown: family house in Calle Diego de Almagro, funeral procession in Calle Federico Relimpio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.450.000 € (previsto)
- Lordo Stati Uniti e Canada
- 12.899.867 USD
- Fine settimana di apertura Stati Uniti e Canada
- 202.000 USD
- 5 nov 2006
- Lordo in tutto il mondo
- 85.605.851 USD
- Tempo di esecuzione2 ore 1 minuto
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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What is the streaming release date of Volver - Tornare (2006) in Australia?
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