The Art of Travel

Had googled 'great travel movies' before I watched this, and must admit that it has been a long time since I was that disappointed. I will not employ tired similes in this review (such as 'it has as much depth as a well-splashed puddle') but rarely have I seen a movie - with so much potential to be engaging - being so unengaging. All the characters overacted, so I was left midway through wondering whether this was meant to be a farce or a philosophical 'find yourself' film. Masterson's character annoyed me so much that had I encountered him on his central/south American odyssey, I would have slapped him to the deepest reaches of Patagonia. While there was some redemption in the cinematography, the overall premise of this movie was constructed with incredulous naivety and could just very well turn you against backpackers or put you off your next jaunt to Machu Picchu

This film is composed of elements that appeal to me but I was disappointed. The acting is journeyman quality and the cinematography is professional. The story is generally juvenile and poorly detailed, with some exceptions. Those good scenes made viewing less painful. The plot development tries, but fails to achieve a coherence and fails to allow the characters to become real. This leaves the movie as an 18 year old's fantasy of what he could do if he left his home town in anger and embarrassment and had hot chicks falling for him through a series of adventures while traveling on money provided by a cool dad living vicariously. The young hero accomplishes nothing on his own merit except for saving the trans-Darien expedition from a guerrilla band in a scene that rings so phony it would have worked better as a dream sequence. This is not a retelling of the universal stories of transformation through adversity or rites of passage. Although the central character grows a beard and looks older by the end of the movie he has not matured. Likewise, decent acting and production values have not created a mature or compelling film.

Inevitable comparisons to "Motorcycle Diaries". Yes, there is a difficult trek through Central and South America. But that's pretty much where the similarities end.

The Motorcycle Diaries succeeded because Che is a compelling character, not a fresh-out- of-high-school kid with a vindictive sense of humor. There is no self-discovery in this film; no greater themes (populism, for example, in MD).

The main character in this film simply realizes he likes running away from his seemingly-cool family and being a man-child with no responsibilities. He's the embodiment of every guy in a midlife crisis who still wants to do "something really cool" with his life, to get away from it all, with a threesome in a Nicaraguan hotel thrown in for good measure.

I will say that I laughed at certain points in this movie. The supporting characters are much more entertaining (not to say that Masterson was bad in the role; it's just not a very good role). But halfway through, when I started groaning and rolling my eyes more than laughing, it became less and less worth standing in line at the Philly Film Festival for.

One of the better entries at Cinequest Film Festival in San Jose, California. It kept me entertained throughout and also dealt with some consistently fascinating themes such as coming-of-age, maturity, personal growth, and freedom. The cinematography was beautiful, some breath-taking shots of the jungle, and yet always somehow managing to make us feel as claustrophobic and trapped as the characters we followed. A problem many independent films seem to run into is introducing something and then not tying it up, but The Art of Travel wrapped everything up and wrapped it up well, in compliance with both the story and believable character arcs. I thoroughly enjoyed it.

I recently saw this at the 2008 Palm Springs International Film Fesitval. Director/writer Thomas Whelan led a delegation from the film including co-writer Brian LaBelle and actors Christopher Masterson, Angelika Baran and Shalim Ortiz for an audience Q&A after the film. The audience at my screening seemed to really like this adventure-romance tale. Connor Layne (Christopehr Masterson) is a high school graduate, just graduated and accepted to Cal-Berkeley and on his wedding day, (that's right he's getting married at 18 and his fiancé isn't pregnant either) he suddenly and elaborately has a change in plans but decides to go off on a honeymoon of sorts anyway. A chance meeting in Nicaraugua with an adventurous couple Christopher (Johnny Messner) and his wife Darlene (Brooke Burns) finds him enlisted to take part in a grueling journey to set a record by crossing the 100 mile Darien Gap through a dangerous and primitive jungle in a jeep. Also in the crew are Shalim Ortiz as Carlos, Angelika Baran as Anna, James Duvall as Taylor and Jake Muxworthy as Justin. The adventure becomes a life-changing experience for the aspiring writer/adventurer Layne. Veteran actors Maria Conchita Alonso and Ernie Lively are wonderful in support roles as Layne's parents. The entire cast is good and it is beautifully photographed by cinematographer Lawson Derning. You have to suspend belief in the implausibilities and many holes in the story and 28 year old former Malcom in the Middle star Masterson seems a little worldly and long in the tooth for an 18 year old but that didn't stop people from enjoying it and Whelan is already thinking sequel. I spoke privately with Whelan after the Q&A and I brought up several things about the story that I didn't buy, all of which he was well aware of and was a real good sport and I wasn't offending him at all. The seven principal actors are a good cast and it's a feel-good kind of story but I can only muster up a 7 out of 10.